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61 pages 2 hours read

Vicki Constantine Croke

Elephant Company: The Inspiring Story of an Unlikely Hero and the Animals Who Helped Him Save Lives in World War II

Nonfiction | Biography | Adult | Published in 2014

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Key Figures

Vicki Constantine Croke

The author of Elephant Company, among several other books, is a journalist who specializes in the coverage of animals. Her work has been featured in many prestigious publications, including The New York Times, The Washington Post, Time, and The London Sunday Telegraph. Currently, she contributes material to National Public Radio’s Here & Now program. An American who got her start with the Boston Globe, Croke has reported on the remarkable lives of animals and the humans within their orbit for over 20 years, covering species from the polar bear to the Tasmanian devil. She has also contributed to documentaries for Disney and the A&E channel. Her work has garnered her professional recognition, and she has been awarded a PRINDI Award for her work on public radio and an Edward R. Murrow Award for her journalism. Elephant Company was named one of the “100 Notable Books” of 2014 by The New York Times Book Review.

Croke’s other books include The Lady and the Panda, about the first attempts to bring a wild giant panda back to the West; The Modern Ark, about the rise and future of the modern zoo; and Animal ER, featuring incredible stories of veterinary feats at The Tufts University School of Medicine. Her many articles cover subjects from animal emotions to the gender fluidity of hyenas to volunteers working with rescue cats, and she frequently reviews books about wildlife for The New York Times Book Review. She weighs in on issues as fraught as poaching, extinction and conservation, and breeding programs. In an interview with Reuters, she once said that “I guess I have a secret agenda, and that is to make everyone fall in love with animals.”

James Howard Williams (a.k.a. “Elephant Bill”)

Born November 15, 1897, in Cornwall, England, Williams was a legendary figure in post-war Britain. His experience as a soldier in World War I “revealed to him his fearlessness, independence, and recognition that his happiness was of his own making” (14). Restless in his native Cornwall after the war, he feels called to embark upon an extraordinary career, one that is shaped by his abiding affection for animals of all kinds. Indeed, as a young man, he feels more at ease in the company of animals than with humans. Though his father wishes him to settle down into the life of a gentleman farmer, Williams feels compelled to seek a more exciting life elsewhere. Like many young soldiers returning from the Great War, Williams is disillusioned by the life that so-called civilization could offer him: “It wasn’t the high life but the forests that called to him” (19). Even the colonial city of Rangoon, with its British clubs and available female companions, cannot compare with the call of the elephants who become his life’s work. As Williams himself puts it, “‘Look,’ he told one reporter, ‘I’ve learned more about life from elephants than I ever did from human beings’” (xii).

The central figure of Elephant Company, Williams comes across as an archetype of the decent Englishman with the proverbial stiff upper lip. While he cares deeply for many of his indigenous servants and uzi workers, “he would not support the nationalist movement [in Burma] over his own country. He assures himself that the empire was helping the Burmese” (147). He overlooks, or underplays, how colonial rule robs the Burmese of their freedoms and resources, leaving them impoverished and divided. Still, he inspires great loyalty in many of his uzis, and his preternatural skill with elephants cannot be disregarded. As the author observes of his heyday, “Williams was a true jungle man—not a spare ounce of flesh on his bones, hair buzzed down to a military minimalism, skin browned by the sun” (113). His time with the elephants is truly extraordinary, and his service during both World Wars, especially the Second, is remarkable. His “exile” back to England is difficult for Williams, as “[h]e had found the best of himself in Burma” (284). Fortunately, he left behind many journals, several memoirs, and a treasure trove of mementos that speak to an exceptional time and an even more exceptional man.

Bandoola the Elephant

Any recounting of this book's “Key Figures” would be remiss to exclude the great tusker who is central to Williams’s life story. As the author explains, Williams “would eventually know a thousand elephants by name during his years with the Bombay Burmah Trading Company. Of all of them, Bandoola is dearest to him owing to his intelligence, virtue, and strength” (4). Indeed, the two are intertwined in actual and spiritual ways, saving each other’s lives at various points on their remarkable journey. For his part, Bandoola must have been magnificent: the author devotes nearly two full pages to a lavish description of all his extraordinary features. He is, even at a young age, “taller than many of his elders,” with “perfect” feet and a back that is “the most suitable for logging” (23). Not only that, “he was beautiful,” his tusks being compared “to the arms of a Burmese dancing girl” (23). Bandoola “certainly possessed a physical refinement that elephant connoisseurs admired” (24). And Williams is nothing if not a lifelong connoisseur of elephants.

Bandoola is also unique among logging elephants, trained from a calf rather than captured in the wild. He is more domesticated and ferocious than his jungle cousins: he kills human handlers more than once, and he is victorious in battle with even the largest bulls in the wild. He is marked by his lack of markings, bearing no scars like the wild elephants brutalized in their capture and taming: “The tusker was the only unmarked working elephant Williams had come across” (74). From saving Williams’s life to crossing the elephant staircase as the leader, his heroic exploits are unmatched. When Bandoola comes to serve in Williams’s Elephant Company, Williams feels that “[j]ust having Bandoola on their side portended victory” (230). The man and the elephant are forever bound together in their legendary status.

Susan Williams (neé Rowland)

Susan Rowland comes from a well-to-do and well-connected English family, setting out for Burma to care for her explorer cousin, “Uncle Pop,” as she calls him. Upon seeing her for the first time, Williams is delighted by her beauty and discombobulated by her confident presence. It does not take long for their feelings to blossom into romance. Susan enjoys the jungle life and has an adventurous spirit herself. Her love for Williams grows as she witnesses “the devotion he had for his animals. The blend of reverence and intimacy seemed the very definition of true love. What love should be, anyway” (156). Eventually, Susan and Williams express this kind of love for each other. The backdrop of their courtship and honeymoon is “as romantic as any, with the exotic, insistent calls of nocturnal birds, and in the clearing [...] the stars were nearly blinding against the dark sky” (158).

Susan writes a memoir of her life in the Burmese jungle and beyond with her husband, The Footprints of Elephant Bill. Notably, she always called him “Jim,” as did his closest friends and family, rather than “Billy,” which is how colleagues and the outside world referred to him. They are truly kindred spirits. She bears three children with Williams, two of whom survive into adulthood, Treve and Lamorna. Treve becomes a renowned veterinarian in his own right, receiving the Order of Australia for meritorious service to the country—an honor akin to his father’s receipt of the OBE, or Order of the British Empire.

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