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100 pages 3 hours read

Darcie Little Badger

Elatsoe

Fiction | Novel | YA | Published in 2020

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Themes

Justice Versus Vengeance

The moral implications around the idea of revenge can be sticky and unclear. Some might argue that revenge is simply a type of justice, while others might argue that justice is fueled by logic and vengeance is emotionally driven. In the case of Elatsoe, Little Badger explores the complicated relationship between justice and vengeance by highlighting the relationship between Ellie’s investigation and the actions of Trevor’s ghost.

When Ellie learns that Trevor has died and there might have been foul play, she becomes hyperfocused on ensuring that Trevor’s murderer faces justice. She hopes that “it happen[s] through a police investigation that led to an arrest that resulted in a successful trial by jury and a murder conviction” (50), but she also recognizes that the American justice system is deeply flawed. Ellie knows that the likelihood of someone like Abe Allerton facing actual consequences for his crime is low because he is well-connected and privileged. She decides to launch her own investigation to bring justice to her cousin’s murderer.

Trevor’s widow, however, wants to take a different approach. Lenore tries to purposely disturb Trevor’s grave because she “wants him to come back for vengeance” (266). Rather than running the risk of the justice system failing her family and letting her husband’s murderer get off scot-free, Lenore decides to take a bigger risk: wake up Trevor’s ghost, and let it do the dirty work. After all, “[Lenore] [won’t] be fine until Dr. Allerton, some way or another, [is] punished for Trevor’s death” (336), which leads her to behave erratically. While Ellie seeks justice based on logic and facts, Lenore’s thirst for revenge is born out of powerful emotions like anger and sorrow.

The ghost’s appearance at the end of Chapter 20 is a haunting reminder that Ellie is toeing the line between justice and vengeance. Ellie wants justice, while Lenore wants vengeance, and Trevor’s ghost is using Ellie as a bridge between the world of the dead and the living. From this moment on, Trevor’s ghost becomes more persistent as it tries to push Ellie to set it free so it may carry out his vengeance instead of wasting time with this investigation. The evil emissary tells Ellie that when it comes to justice and vengeance, “In this case, they’re the same” (427). However, Ellie knows Trevor and knows he would never want to hurt anybody, even the man who took his life. Justice wins in the end, and Trevor’s murderer faces the consequences of his crimes: an entire underworld full of his victims.

Grief and Letting Go

The opening chapters of Elatsoe are marked by a devastating family tragedy. Trevor Reyes, a young man in his prime with a wife and a newborn baby, has lost his life suddenly and under mysterious circumstances. As his family tries to uncover the truth about his death, they are motivated by their grief and love for their lost loved one. By comparing the grieving processes of Ellie and Lenore, Little Badger reminds the reader that grief can take many forms, and although grief may never go away, it can bring new opportunities and new seasons of life.

When Trevor dies, Ellie refuses to cry over her cousin’s death. She believes that crying will soften her pain, and she “want[s] her current pain to stay sharp. To prod her in the ribs until Trevor [is] avenged” (49). Ellie believes that if she becomes too emotional, she might lose sight of what she must do: protect Trevor’s family and bring justice to his killer. Ellie also knows that if she allows her emotions to get the best of her, she might make a serious mistake and try to wake up Trevor’s ghost. Ellie knows that “it [is] dangerous to speak [Trevor’s] name, see his face, or risk calling him back” (40) because human ghosts are destructive and evil entities. Although Ellie loves and misses her cousin, she tries to detach from her emotions to focus on fulfilling her mission.

Lenore, however, responds to Trevor’s death in a very different way. She abandons her belief that the dead should stay dead and begs Ellie to wake Trevor up. Ellie’s mom reminds her daughter that “people lash out when they’re in pain,” and Lenore is desperate because “[she] [doesn’t] know what else [she] can do” (141) to help her dead husband have a second chance at life. Lenore’s grief pushes her to alter not only her personal beliefs but also her appearance. Ellie notices that “since Trevor died, Lenore [has] not worn her usual plum-colored lipstick, wingtip eyeliner, full-coverage foundation, and golden highlighter” (176). Lenore used to use her makeup as a creative outlet, and that spark of creativity burned out when the love of her life died. Ellie “wonder[s] if the creative spark [will] ever return” (176) or if the loss of her husband will permanently alter Lenore.

Vivian tells Ellie that “people cope with tragedy in different ways” and that there is “no one right method of grieving” (231). Ellie becomes practical and determined in grief, while Lenore becomes emotional and seeks vengeance. In the end, Little Badger offers hope that there can be life after a loss. Lenore has a chance to restart her life with Baby Gregory, and Ellie learns to tap into a power she never knew she had. Grief may not be a comfortable process, but it can help a person grow outside of their comfort zone if they allow it.

Family Legacies and Expectations

Ellie is named after her Six-Great-Grandmother: a legendary monster hunter. Throughout the novel, Ellie compares herself to her ancestor, and other characters often chime in about their similarities (and differences). Ellie grew up hearing stories about Six-Great and wants to make her ancestor proud, but she often feels like she is failing to live up to her name. Little Badger uses the parallel stories of Ellie and Six-Great to point out that family legacies may inspire a deep sense of pride, but young people will still be responsible for making their own decisions and choosing their own paths.

Ellie has high expectations for herself because she lives in the shadow of Six-Great. Ellie believes that because she shares a name and a knack for ghost training with Six-Great, she is obligated to live up to her name and become someone worthy of admiration. Ellie is embarrassed to think that she “traumatized a room full of children and got suspended” when she was 12, while Six-Great “crushed an army of murderous invaders” (81) at the same age. Jay reminds her that Ellie and her ancestor are “an intergenerational team” and that “[Six-Great’s] shadow and [Ellie’s] shadow are the same thing” (111).

After a lifetime of hearing stories of Six-Great’s brave deeds and adventures, Ellie is shocked to learn the truth about how Six-Great died. Her mother explains that Ellie “[isn’t] the only Elatsoe to visit the underworld,” but she is “the only one to return alive” (353). Six-Great dared to journey to the underworld and never returned, and Ellie’s mother tells this story to warn her of what could happen if Ellie doesn’t respect the difference between the living and the dead. Ellie has a choice: respect this boundary and maintain tradition or follow in the steps of her ancestor and risk her life to push the boundaries of tradition.

Early in the novel, Little Badger reveals that Six-Great had a deep love for her dogs, both living and dead. She “always carried a bundle of grinning dolls that rattled like gourds because they had dry mesquite pods in their bellies” because “the dogs never tired of fetch” (71). In the final pages of the novel, Jay and Ellie are perplexed when Kirby brings back an unusual toy from the underworld: a “sock-shaped tube of leather with a smiling face” (507), with “dry mesquite seeds” (508) inside. Although Ellie’s Six-Great-Grandmother lived hundreds of years ago, the doll in her hands signifies her connection to her ancestor. The doll's appearance seems to represent the approval of Six-Great, and although Ellie may not be able to speak to her face-to-face, she is overwhelmed with joy at the thought of having this special bond with the legendary Elatsoe.

Prejudice and Privilege

Elatsoe is a story about grief, family, and the devastation that results from prejudice and privilege. At a glance, Elatsoe may look like a standard murder mystery novel. Trevor’s murder is a mystery that must be solved, Abe Allerton is a nefarious villain, and Ellie is a spunky underdog detective. However, the implications of racism surrounding Trevor’s death elevate the story, and Little Badger uses Elatsoe to shed light on the trauma and abuse that has been inflicted upon the Indigenous community for hundreds of years.

As members of the Lipan Apache people, Ellie and her family are no strangers to prejudice. Ellie has been racially profiled and treated differently because of the color of her skin throughout her life. Even though her Six-Great-Grandmother was a powerful figure in American history, Ellie says that her school textbooks never acknowledge her great feats, “or, for that matter, any Lipan Apache person” (217). When Ellie learns that Trevor may have been murdered, she knows that no one will take his death seriously or look into the circumstances surrounding his death. Ellie knows that the lives of Indigenous people are not protected as they should be, and Trevor’s death is yet another example of this.

While Trevor and his family are disadvantaged in a society that seeks to erase them from history, people like Abe Allerton gain respect and easily form connections with other powerful entities. Ellie theorizes that “local law enforcement knows Dr. Allerton, and they probably like him” (119), which is why no one bothered to investigate the unusual circumstances surrounding Trevor’s death. Brett Allerton’s report on Nathaniel Grace says this is nothing new. Brett states that his ancestor “made friends with other Pilgrims by hurting the people who frightened them more than he did” (241). Because Nathaniel lived two hundred years ago, Ellie “[knows] exactly who frightened colonists the most” (241). Nathaniel created his empire by hurting Indigenous people, thus gaining the trust of the other colonists who turned to him for protection against the “hostile” Natives. The report reveals the blatant racism that fueled Nathaniel’s success, and hundreds of years later, Dr. Allerton still benefits from his ancestor's crimes.

When Allerton is confronted by Ellie and the evil emissary in Chapter 32, he confesses that he is “descended from Nathaniel Grace,” and he proclaims that “no better wizard has ever existed” (464). Allerton refuses to acknowledge that Nathaniel’s legacy is one of pain and murder, and when he talks about his decision to pass his fatal injuries on to Trevor, he dares to become offended and asks, “Should [Allerton] have died that night instead? Taken Nathaniel Grace’s strongest spells with [him]? Left [his] son without a father?” (472). After a lifetime of inflicting suffering on others—especially Indigenous people—Allerton shows no remorse for his actions. He believes that some people’s lives are more important than others, and the story of what happened on the road between him, and Trevor serves as an allegory for the white man’s decision to sacrifice Native lives for their selfish ambitions. Allerton is entitled, much like the people who profit from his evil deeds, and their deep-seated prejudice prohibits them from seeing their victims as real people worthy of respect.

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