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44 pages 1 hour read

Augusten Burroughs

Dry

Nonfiction | Autobiography / Memoir | Adult | Published in 2003

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Part 2, Chapters 3-5Chapter Summaries & Analyses

Part 2

Part 2, Chapter 3 Summary: “The Dangers of Cheez Whiz and Pimento”

Back in the hospital, Pighead undergoes a variety of tests, but it’s still unclear what’s causing his symptoms—persistent hiccups. Burroughs feels powerless to help. After group therapy one night, he confesses to Foster that he’s afraid “of everything.” Foster invites him to his apartment for a “Cheez Whiz and pimento sandwich with potato chips” (149). Hayden is alarmed at Burroughs spending time with someone recovering from a cocaine addiction, but Foster’s jittery body language is somehow comforting to Burroughs. They chat and flirt and look at photos, Burroughs swept up in physical attraction. The experience triggers a memory: the two-year “relationship” with his abuser who confessed his love for Burroughs; how “normal” the abuse became over time; the man’s obsession for Burroughs; the manipulative love letters in which he accused Burroughs of abusing him; and his eventual disappearance. Sensing Burroughs’s distance, Foster pulls him into a comforting embrace; but Burroughs knows he’s heading down a dangerous path, so he leaves, feeling guilty at the same time as wanting desperately to return.

At home, Hayden warns Burroughs about “defocusing”—redirecting his mental energy toward something (or someone) other than his sobriety. The challenge from Hayden, plus Pighead’s health, triggers a craving, and Burroughs feels perversely happy to use Pighead’s hospitalization as an excuse for spending time with Foster.

At work, Burroughs finds a sticky note attached to his computer: “DRINKS. ODEON NINE TONIGHT—BE THERE” (157). He also finds the storyboards from an old ad campaign lying on his desk. Someone has been snooping in his office, and he suspects Rick, his boss’s partner, who often struggles with his creative muse. Greer, however, dismisses Burroughs’s fears.

Now 90 days sober, Burroughs speaks to his AA group about his journey from career-threatening alcoholism to sobriety. Afterward, he and Hayden go out for dinner. Burroughs tells him about the beer ads in his drawer and the sticky note on his computer. Hayden tells him to keep a close eye on Rick.

Foster invites Burroughs to his apartment under the pretense of walking to group therapy together, but when Burroughs arrives, Foster is wearing only boxer shorts. Their flirtation turns physical, but when Burroughs protests—mildly—Foster urges him to stay. Burroughs, realizing they’re late, finally gets them both out of the apartment and into their therapy session where they pretend they’re not coming in together.

One evening while Burroughs walks down the street with Hayden, a man in a wheelchair asks them for help. Burroughs walks past, but Hayden stops, volunteering Burroughs to help the man get into his apartment. “Help” entails carrying the man up four flights of stairs, which triggers Burroughs’s memories of his mother, who was paralyzed by a stroke and needed his constant care—a need he resented, given her complete parental neglect throughout his childhood. He does, however, carry the stranger, but he feels “tainted” afterward. He imagines his life if his mother had been a different person, not someone who had an addiction to prescription drugs and abandoned him. But no matter how he envisions it, he always develops an alcohol addiction in the end.

Part 2, Chapter 4 Summary: “Crack(s)”

He confesses to Hayden that almost slept with Foster. Hayden suggests he tell Wendy, his therapist, but he fears he will be kicked out of group therapy for getting involved with a fellow patient. His need for Foster stirs up fears of dependency, fears that he’s “defective.” He is torn between his feelings for him and Wendy’s sensible prohibition: “No major life changes for over a year” (176). One of his fellow patients, Bill, relapses, and Burroughs imagines the scenario in painfully vivid detail—seeing the bottle, being confronted by a long-term partner, the uncomfortable silence during dinner. However, he cannot imagine being in a relationship for 30 years, like Bill.

In a meeting with his German beer client, Burroughs insults the company representative when he mentions Nazis. The client is furious, and the meeting grows tense. Later in his office, he notices a small, airline-size bottle of alcohol sitting on his bookshelf. Again, he suspects Rick, and, despite a sudden urge to drink it, he throws it in the trash.

On Saturday, Burroughs is filled with “manic” energy but has nowhere to channel it. Hayden is out, Pighead can’t join him, and Jim doesn’t answer the phone. He is restless. He wants to break up the monotony but feels shackled by the no-lifestyle-changes rule. His emotions toggle between confidence and uncertainty—months into his sobriety, the initial euphoria has worn off, replaced by the dull routine of lifestyle maintenance.

He visits Pighead and reflects on their history, wishing he was a better friend, and Pighead wishes he had loved Burroughs “[b]ack when you were in love with me” (183). The past is past, they realize, and their relationship has settled into a comfortable stasis.

Burroughs and Foster sit in a cemetery in Connecticut, sharing mutual adoration. Foster respects Burroughs’s strength, which surprises him. He can’t see what Foster sees: overcoming a deeply traumatic childhood and now, confronting his addiction head-on. They make their way to the beach, and Burroughs remembers swimming in the ocean off Nova Scotia as a boy, losing himself in the cold water, his mother beckoning him back to the beach. He and Foster wade into the tide. They embrace, and Burroughs feels certain of Foster’s love. A dangerous thought leeches into his mind: “Well, I guess one glass of wine couldn’t hurt” (188). He doesn’t succumb, however, and he and Foster drive back to New York in blissful silence.

Burroughs works late at the office, skipping group therapy and his AA meetings. “I’m fine,” he reassures himself. He and Greer pitch their beer ideas to Elenor and Rick, but they don’t think the client will like any of them. Rick suggests they avoid the “New Germany” approach, an idea they had never presented. When asked how he knows about New Germany, Rick dodges their questions. Burroughs is furious, accusing him of rooting around in his office and backpack (charges Rick denies). Elenor quells the argument, asking for more ideas the next morning—they will have to work through the night.

One evening, Burroughs visits Foster, who looks “ragged and red-eyed” (194). He denies using cocaine, but Burroughs is suspicious. They settle into their familiar, nonsexual status quo. Meanwhile, Hayden continues to caution him about getting too deeply involved. Then, within only a few days, Foster has stopped returning his calls. He’s quit group therapy, confessing that he’s using again. Burroughs feels devastated and betrayed. He goes to Foster’s apartment and confronts him. Foster begs Burroughs not to give up on him, but Burroughs is adamant—until Foster kisses him tenderly and asks for “[o]ne more chance” (199). That night, they finally consummate their relationship.

Part 2, Chapter 5 Summary: “What’ll It Be?”

Back home, Hayden confesses that hearing about Foster’s relapse nearly triggered one of his own, but he attended a meeting at the last minute. Burroughs then confesses that he and Foster slept together, although he looks for any loophole to justify it; he reasons that he never actually saw Foster’s penis, so it’s not really sex; he also reasons that it’s not a violation of the rules because Foster’s not in group therapy anymore. When Hayden confronts him over his “pathological shallowness,” Burroughs reflects on his relationship history and sees himself as emotionally broken and attracted only to “messed up” people. He discusses these thoughts with Wendy, who argues that while “messed up” may be exciting, it’s not stable.

Gazing around his apartment, Burroughs realizes it’s been furnished by someone with an alcohol addiction—impractical impulse buys—and he wonders if he will ever escape his former “addict” identity. Hayden reassures him that he is sober because “you’re doing it for you” (206). Foster calls. He’s joined Narcotics Anonymous and is considering buying a home on the coast. Wary of getting pulled in once again, Burroughs congratulates him but cuts the conversation short so he can meet Pighead for dinner. The ease of Pighead’s company is comforting, and Burroughs enjoys the difference between stable and exciting. Meanwhile, the beer client finally accepts one of their campaign ideas (the most “uninspired” one, in Burroughs’s opinion).

After two days with no word from Foster, Burroughs is forced to confront the unhealthy roller coaster he’s on. He wants to love the sober Foster, but he knows he can’t count on that person. Perversely, a small part of him wants Foster to keep using cocaine so Foster will reveal all sides of his identity. “I want to see if he looks more content when he’s with me or his crack” (209).

Hayden walks in and announces he’s returning to London to work on a new project. Just then, Foster stops by—he’s relapsed again—sobbing on Burroughs’s shoulder. He asks for forgiveness, but Burroughs is distant. He remembers being a “mess” like Foster is now, but that memory grows hazy; it’s no longer a part of him. Nevertheless, they have sex once again.

After a Broadway show, Burroughs and Hayden go out to dinner. They discuss Foster—after seeing him, Hayden understands Burroughs’s obsession—and wonder about the other rehab patients, people with whom they’ve shared an intense 30 days but will never see again. That night, Foster calls to say he’s okay, but Burroughs knows he’s on the street. The next morning, Hayden leaves for London, and Burroughs feels alone, afraid of living without Hayden as his common sense conscience.

One morning, Burroughs enters his office, and it reeks of alcohol. Elenor smells it and questions him. He accuses Rick of pouring scotch on the carpet, but she defends him, claiming he wouldn’t do something like that. Furious, he walks out for some fresh air. With no one to call—Foster is unreliable, Hayden is gone, Pighead has other concerns—Burroughs goes into a bar. After struggling with the temptation, he finally orders a Diet Coke.

Part 2, Chapters 3-5 Analysis

Throughout the narrative, Burroughs’s self-deprecating humor masks his low self-esteem. He constantly refers to himself as “shallow” and “pathetic,” although the people around him don’t see it that way. Hayden tells him he is healthy “in certain ways” (206) and that the reason he’s been able to stay sober is because he’s doing it for himself. Foster, always on the verge of relapse, commends Burroughs for his strength. Pighead tells him he deserves better than Foster. Burroughs has every reason to feel proud. Considering Burroughs’s traumatic childhood—an abusive father with an alcohol addiction, a mother with her own addictions who surrendered him to her unethical psychiatrist, sexual assault at 13 from a man 20 years his senior—his alcoholism is, statistically speaking, unremarkable. Yet, he pulls himself out of the deep well of addiction and remains sober despite the many obstacles: a career in an industry that encourages and celebrates drinking; an enabling friend (Jim); a precarious relationship with someone addicted to cocaine; the city itself, which boasts bars on nearly every corner and a frenetic pace that would make even the most Zen Manhattanite crave a drink. Additionally, Burroughs is working on an ad campaign for beer, and someone in his office seems determined to sabotage his sobriety. He’s stopped attending AA meetings as well, finding them depressing. All the signs point to someone on the brink of relapsing, yet he remains steadfast in his commitment to not drink. In fact, he cannot imagine a scenario in which he would ever relapse. Extraordinarily, for someone who’s never had a figure of stability in his life, Burroughs becomes a rock for those around him. Having fended for himself for so long creates in him a determination and resolve that many people in recovery might envy.

Burroughs’s experience with Foster also illustrates how the desperate need for love enables co-dependence. Despite Wendy’s rule about not dating anyone from group therapy, despite Hayden’s constant warnings about Foster, and despite the red flags of his own conscience, Burroughs seems helpless in the face of Foster’s charm and physical beauty. It is not unnatural that someone, neglected for so much of his life, would pursue love in destructive places or conflate “messiness” with excitement. He admits that, as a 13-year-old, he and his abuser—Bookman—became “friends” and spent all their time together. When Bookman suddenly vanished, Burroughs spent endless hours by the phone waiting for him to call. For a young and vulnerable adolescent whose emotional and cognitive awareness was still developing, abuse and love can easily be commingled and impressed upon the mind, only to manifest many years later through maladaptive methods of emotional regulation. Both Burroughs’s alcoholism and his relationship with Foster indicate a self-destructive need to make his life as difficult as possible because he doesn’t believe he deserves better. Pighead even suggests that Foster is Burroughs’s “drug”—and as for many people with addictions, the desire for the fix eclipses all other desires, including self-preservation.

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