18 pages • 36 minutes read
Margarita EngleA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Drum Dream Girl is based on the childhood of Millo Castro Zaldarriaga in the 1920s and 1930s. She is from Havana, Cuba, and one of Matias Castro’s 13 children. He worked as a greengrocer, and struggled to make ends meet. Millo’s oldest sister, Cuchito, decided to start an all-girl dance band: Anacaona. They formed in 1932, performing in aires libres—the open-air cafés of Havana. In 1938, Anacaona became an international success. They performed with Dizzy Gillespie and Duke Ellington, as well as for US President Roosevelt. After the original members retired, the group continued under the direction of Georgina Aguirre González into the 21st century.
During Millo’s childhood (the early 1930s), Cuba was in the midst of making large social reforms. For instance, women won the right to vote, a minimum wage for canecutters was established, as well as an eight-hour workday. This environment was ripe for the new all-girl band—a previously unheard-of institution, formed by the Castro sisters. Havana was a popular destination for writers and artists before the United States embargo in the 1950s, which aided in the success of Anacaona. One of the band’s later albums, “The Buena Vista Sisters Club,” references the Buenavista Social Club, a popular music club whose name would become a metonym for a larger movement of interest in Cuban music in the 21st century.
The children’s book Drum Dream Girl was created with award-winning illustrator Rafael López. The University of Findlay’s Mazza Museum describes his artistic style as “a fusion of strong graphic style and magical symbolism.” His illustrations for Drum Dream Girl were animated by Dreamscape Media in 2017 for an award-winning children’s video.
In addition to the bright island color schemes López uses in the book, some illustrations are vertical instead of horizontal, which cause the reader to turn the book sideways. This reorientation of the page is reminiscent of J. H. Williams III’s illustrations for the Alan Moore comic Promethea, originally published in the early 2000s. However, López’s innovation in Drum Dream Girl brings the concept of reorientation of pages to a much younger audience than Williams III and Moore. Both illustrated texts deal with creative endeavors, as well.
By Margarita Engle