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Three days after she tries to leave Juan, Ana continues to ignore him. Juan seems quieter, perhaps understanding he went too far. She wants to wait as long as possible before telling Juan about the baby. Juan mentions the growing turmoil in Santo Domingo and worries that he hasn’t yet secured the land lease with Ana’s father. A woman, Marisela, will stop by later to drop off money she owes to Juan in exchange for her wedding ring, which Juan has kept as collateral. Ana watches him walk the street from her window and notices how he keeps his head down around the police.
Ana finds a letter from Juan to Caridad. In the letter, Juan confesses his love for Caridad and his inability to leave his wife, who has no one in America but him.
Marisela arrives, a beautiful and glamorous-looking woman. She’s a housecleaner for wealthy gringa women, and her imitations of the gringas makes Ana laugh. Marisela gives Ana a bottle of nail polish and the $25 owed to Juan.
Ana fantasizes about making friends with Marisela. She wonders about Caridad and regrets not running off with Gabriel before it was too late. She calls herself “Ana X, the holder of secrets” (145).
Ana discovers signs that Juan has restarted his affair with Caridad, and notices his secret phone calls with her.
Marisela visits Ana again, and Ana tells her about the pregnancy. They dance to music on the radio and Marisela tells Ana about her plans for a beauty salon where all the women can work together.
Juan comes back home angry. He sees that Ana is still feeding the pigeons, and his anger causes Ana to huddle by the television, protecting her stomach like the protestors on television. Juan is startled by her reaction.
Juan brings Ana to El Basement, where Gino and Giselle sell name-brand clothing. Ana is allowed only one dress, but in front of Gino and Giselle she grows bold, knowing that Juan won’t hit her in front of other people. She demands a dress and a coat.
Ana mixes pigeon meat in Juan’s food to try to give him food poisoning. He notices her growing body and makes an appointment for her at the doctor.
Ana is surprised the doctor is a woman. The doctor conducts a check up and says everything is good. Then she brings in another woman, a nurse who speaks Spanish. The nurse asks Ana about her home life and gives her pamphlets on centers for abused women. Ana assures them everything is good at home, worried that they’ll take the baby away from her. The nurse gives her vitamins and iron.
Marisela drops by with dolls for Ana to sew for a wedding. Juan calls to let her know he’ll be home for lunch. The phone rings but no one speaks when Ana answers; Ana suspects it is Caridad is who calling for Juan. Ana reasons that Juan and Caridad must be fighting about Ana’s pregnancy. Ana finishes the dolls and when Marisela picks them up and pays her, Marisela tells her she’s a generous person. Ana, unaccustomed to words of kindness, embraces Marisela, grateful to finally have a friend.
A letter from Mamá paints a bleak picture of Santo Domingo, where guns are being passed around and everyone is on edge. Now that Ana is pregnant, Mamá writes that it is Juan’s responsibility to bring over the rest of Ana’s family.
The Ruiz brothers and their wives gather in Tarrytown. César travels with them, and Ana wonders where he stays when he’s not with them. Ana meets Yrene, Juan’s brother Hector’s wife. Yrene is Puerto Rican but was born and raised in America; she and Hector speak fluent English, and they live in a house instead of a cramped city apartment. Ana plays with Hector’s dog, who scares Juan. They all toast to the health and intelligence of Ana’s unborn baby.
Marisela comes over, upset. Her husband has returned from the D.R. and suspects that she’s cheating on him because she isn’t wearing her wedding ring. Marisela begs for the ring back and promises Ana she will continue making her payments to Juan. Ana is not supposed to go through Juan’s things or return this ring, but she does so anyway.
Juan finds the brochures on domestic abuse the hospital gave to Ana. He pins her down and tells her not to tell anyone about their business, or else the government will take the baby away and send them back to the Dominican Republic.
On the day Ana expects another visit from Marisela with her newly arrived sister, she makes a generous lunch. When Marisela doesn’t show up, Ana uses her own money as Marisela’s payment so Juan will not suspect anything. Ana doesn’t want Juan to see how much food she’s made, so she brings a plate to a kind neighbor, Rose.
When Marisela doesn’t show the next week either, Ana takes money from Juan’s secret stash to pretend it’s from Marisela. Ana feels foolish for trusting Marisela and fears that Juan will kill her if he finds out. Juan is distracted by the current events in the Dominican Republic, however, where the U.S. military has recently invaded. His plans for owning land and restaurants have been destroyed. Ana goes to the church in their neighborhood in hopes of finding Marisela. Juan lets her go alone, and on the way, Ana runs into Rose, who helps her find a seat. When Ana doesn’t see Marisela at the service, she worries that something bad has happened to her.
On April 24, 1965, José Francisco Peña Gómez, a Black Dominican, takes control of the D.R. against the government the Americans set up. The Ruiz brothers analyze the situation as best as they can, wondering if the instability will lead to better profits for their land, or if their holdings in the D.R. will disappear forever.
Juan tells Ana that once he is off the flight waitlist, he will leave her and go back to Santo Domingo for a few weeks to make sure his properties are doing okay. Ana hides her joy and fantasizes about going to the movies with César.
Juan shows Ana how to lock the doors and windows. Ana pretends she’ll miss him. Juan and Hector leave for the airport.
César is supposed to stay at the apartment to look after Ana, so she cooks him food, excited to see him. César gets in three hours late after being held up in a fight with Juan on the way to the airport. Juan accused César of stealing money from him, and César asks Ana if she’s the one who stole Juan’s money.
Juan calls Ana from the D.R. to check in with her, and she finds out he hasn’t visited her family with their gifts from America yet.
As Ana’s belly grows, her dresses fit shorter on her legs, and she notices how César’s eyes linger over her. He brings her to the Radio City Music Hall to see The Sound of Music, where protestors have gathered to protest the Vietnam War and invasion of the Dominican Republic.
Ana attends the church rectory’s free English classes. Ana learns how to introduce herself in English. On her way back to the apartment, she drops her scarf and is scared when a Black man approaches her, handing her the fallen scarf.
Ana practices her English every day. She listens to the radio for news of killings in the Dominican Republic. She calls Caridad’s phone number and says nothing when Caridad picks up. Juan continues sending love letters to Caridad.
Ana spends her days exploring the department stores and parks in the city. In a crowd, she sees Marisela and follows her to her apartment. Marisela’s sister answers the door, and Marisela pretends she doesn’t know Ana.
César finds Ana crying in bed. She admits that she stole Juan’s money to pay off Marisela’s debt. César promises that he is Ana’s friend and can get the money back from Marisela. César knows about Caridad and assures Ana that Juan won’t leave Ana for her.
In the D.R., the Ruiz businesses have suffered from the unrest. Juan discovers that his older brother Ramón, who oversees their finances there, has made a bad investment, cleaning out the Ruiz family account.
César helps Ana plan a business cooking and selling her food to the employees at his factory. Ana sells out her pastelitos and makes enough money to send home to her sister for beauty school.
César gives Ana a foot massage to ease the strain from her pregnancy. They look out the window at the movie theater, where César will bring Ana to see a martial arts film. Ana is aware of his breath on her neck.
César comes up with a plan to sell Ana’s pastelitos at the World’s Fair, where millions of people will attend. Their sales are sure to make a huge profit.
On the first day of the Fair, Ana and César sell all their pastelitos. A white woman tries to take a picture with Ana, but when César charges her money, the white woman talks about them the way Juan talks about Black people. The day is long and stressful but full of laughter and fun.
Parts 3 and 4 add new layers to the characters in Dominicana and introduce major plot developments.
Ana begins to observe Juan’s vulnerability. Juan is afraid of the police because, no matter how confident he seems, he is still a Dominican man in 1960s America. The 1960s in America are marked by upheavals in race activism. Black Americans continued the Civil Rights Movement, the Vietnam War exposed American colonial mindsets, and cities like New York grew in diversity. Juan is essentially an undocumented Dominican who hustles for money. This is a burden Juan must carry not just for himself, but for his wife, unborn child, and brothers. Juan’s masculinity is threatened in the streets of New York, which informs his controlling nature and abuse of Ana as an assertion of damaged masculinity. Juan has a gentle part to his nature, but he keeps this from Ana, thereby characterizing their relationship through his own anxieties and insecurities. Juan’s fears are different than Ana’s fears, because he is the primary earner and has people in New York and Santo Domingo relying on him. Ana begins to understand this when Marisela betrays her, seeing how easy it is to put yourself on the line and lose everything.
Meanwhile, Ana has started asserting herself more. Her pregnancy offers her some protection from Juan’s abuse, so Ana tests the boundaries of their relationship. She secretly calls herself Ana X, reappropriating her name and seizing her identity away from the Ruiz family. She demands more from Juan, such as new clothing, money, and gifts for her family in the D.R. Furthermore, Ana goes out on her own more often to run errands or go to church. She also begins keeping secrets from Juan, such as the money she saves for herself or the money she steals to pay off Marisela’s debt. Another secret Ana keeps from Juan is her knowledge of Caridad. Ana also thinks often of César but doesn’t let Juan in on her concern for or attraction to César. These small victories give Ana more confidence and set up new boundaries between her and Juan. When Juan leaves for the D.R., Ana seizes her newfound independence and freedom. She starts her own business selling food, which affords her some financial independence and brings her around the city. The attraction between Ana and César deepens, and Ana begins taking English classes. The new life she builds without Juan foreshadows future conflict that can lead to a new characterization of her marriage. When Juan inevitably returns to New York, it will be hard for Ana to give up her business, her English classes, and her independence. Will Juan accept this change, or will Ana have to fight to continue her new, more fulfilling life?
Three additional motifs and symbols appear in these chapters. The first is Marisela’s betrayal, symbolizing the difficult and unpredictable world Ana is now a part of. Ana believes that women are trustworthy because of her tightknit relationships with her mother and sister in Santo Domingo. Marisela showed Ana kindness and sisterhood, so her betrayal is an example of the harsh reality of Ana’s new life, where even women cannot be trusted. Marisela’s betrayal is also tied to the instability in the Dominican Republic. The civil war unfolding in the D.R. during these chapters pits neighbors against one another, and what people like Juan worked hard for for years is taken away in an instant. Marisela’s betrayal gives Ana a fresh perspective on Juan’s stresses and the instability inherent in building financial security. Illegal documentation also appears as a symbol in these chapters. Juan and Ana are both undocumented in New York City, and Ana’s American baby will give them the path to green cards and even citizenship. Thus, Ana’s baby is not just a new family member, but a savior. Lastly, Ana’s pastelitos business is a symbol for her newfound independence. The business proves to Ana that she can make her own way and control her own destiny. It also brings her and César closer together, symbolizing a new partnership and their shared attraction.