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72 pages 2 hours read

Stephen King

Different Seasons

Fiction | Novel | Adult | Published in 1982

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Themes

The Importance of Male Friendship

Content warning: This section of the guide discusses the Holocaust.

The theme running through all four stories is that of men’s relationships. In three of the stories, those friendships are essential to the characters’ well-being. In “Apt Pupil,” the relationship between the young man and the old corrupts both, but even there, the relationship shows how important men are to one another.

Primarily, the role of the masculine relationships in the stories is to create a standard of masculinity for the characters to live up (or down) to. In “Rita Hayworth and the Shawshank Redemption,” Red and Andy form a friendship of convenience that is never particularly emotionally intimate, but it initiates Red’s character development. Red has been helping Andy to acquire small items that he needs. After Andy’s escape, when Red is finally paroled, he has been so changed by his long years in prison that he is no longer able to function outside. Now Andy reaches back a hand to help Red, giving back far more than the little items that Red found for him. Andy offers Red the same kind of guidance for living outside that Red gave him on living in prison.

The boys in “The Body,” particularly Gordie and Chris, build each other up. King particularly uses Chris to explore the subtleties of these relationships: Chris recognizes that Teddy and Vern are holding him down and will drown him–offering obstacles to the standard of masculinity to which he aspires–Gordie gives Chris the hand that pulls him up. Chris tells Gordie that he is he only one who will amount to anything—that he has a gift that he must use to get out. Chris and Gordie in particular illustrate the chivalric ideal of manhood in medieval chivalric romances, encompassing courtly love, loyalty, courage, and duty.

In the frame story of “The Breathing Method,” the men in the gentlemen’s club offer David Adley belonging in a world of magic and power and wonder that he has missed all his life. The offer is made for reasons that are never given, though King uses David’s enchantment with the other-dimensional library and in the club to indicate a shared sense of cultural capital in an exclusive club. David finds meaning in relationships that are personal and private to men and excludes his wife. In “The Body,” the club in the treehouse is described in very similar terms.

The relationship in “Apt Pupil” takes the opposite arc. Todd and Dussander establish a standard of masculinity that degrades one another and results in fatal violence. Together, their relationship becomes symbiotic in the sense that they generate a new standard of morality for each other: Todd’s obsession with the horror of the World War II German concentration camps leads him to feed Dussander’s violent compulsions.

Rather than emphasizing individuality and self-sufficiency, King uses male friendships to explore masculinity that contains tenderness and camaraderie. His male characters seek intimacy—sometimes an unspoken intimacy—among themselves. In “Apt Pupil,” the lack of tenderness in Todd and Dussander’s bitter intimacy descends into violence.

The Arc of Transformation

Transformation is a common theme in literature in which the structural arc follows a character with a flaw who must overcome that flaw. The novellas in Different Seasons draw attention to catalysts for change for characters who undergo an arc of transformation, like Red’s murder of his wife and her friends.

In a coming-of-age story like “The Body,” the transformation is a leap of understanding into adulthood that changes the course of the protagonist’s life and establishes the kind of person the protagonist then sets out to be. Chris, in contrast to Gordie, is held back by the belief that his social status won’t allow him to have the kind of future that Gordie does. Gordon holds the false belief that he is insignificant, and his wound is being overshadowed by his older brother, yet King traces his narrative arc to adulthood in which Gordie is a successful author.

“Rita Hayworth and the Shawshank Redemption” is, as the title announces, a redemption story. The protagonist, Andy Dufresne, doesn’t change. The transformation takes place in Red, who is resigned to a life in prison for a crime that he now regrets. Red’s false belief is that, after so many years behind bars, he can’t survive outside. He receives grace from Andy who holds a place open for him in the outside world. Red’s arc of transformation reinforces the hope of spring in the subtitle.

In “Apt Pupil,” the characters are transformed by their interactions with each other. Both Todd and Dussander have inner wounds before they meet, and together their narrative arcs descend towards a degree of violence that neither would have reached alone. Through their transformations, King inverts the narrative arc of overcoming a character flaw.

The frame narrator David Adley in “The Breathing Method” undergoes a transformation when he discovers a world outside of his ordinary life. The other members of the club behave as if a nexus of time and space is perfectly ordinary, but for David, it is a precious secret that changes him within. He finds that the world is more wonderful than he knew. His transformation is juxtaposed with that of Sandra’s static characterization.

Free Will and Existentialism

Much of “Apt Pupil” concerns the theme of free will and existentialism. Existentialism concerns the idea of the individual as a free agent directing their own development through personal choice. Through Dussander, King explicitly raises the idea of existentialism when he and Todd discuss the morality of following orders versus making personal choices. His references to these choices foreshadows the murders that Todd will eventually commit.

Free will remains a question throughout the story, contributing to the rising action in which Todd and Dussander both decide to murder people and animals. Dussander’s insistence on hiding from Nazi hunters and remaining free reinforces the notion of free will in the action of the novella. Dussander’s actions contrasts with those of Red in “Rita Hayworth and the Shawshank Redemption,” who felt remorse for his crime and believes that he deserved punishment. Through Red, King also raises questions about existentialism by indexing Red’s criminal activity to his socioeconomic circumstances.

King uses the environments in with Dussander and Todd commit murder to further explore free will and existentialism, since both exist in racist and oppressive cultures. Dussander was caught up in a culture of antisemitism and claimed to follow orders to escape being brutally murdered. Todd was at an impressionable age when exposed to sexual, antisemitic images. Furthermore, Todd’s parents give him little moral guidance. Todd’s father is often racist and oppressive, and King draws attention to the fact that he makes no effort to monitor or contextualize Todd’s reading.

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