31 pages • 1 hour read
Langston HughesA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
The story’s protagonist is Cora Jenkins, a 40-year-old African American woman living in a predominantly white, rural town. Hughes writes little of her physical appearance, apart from specifying her race. She has lived in the town of Melton all her life. The narrator’s statement that she’ll probably die there signifies her lack of resources and opportunities. Cora is the eldest of eight children, whom she helped raise. She dropped out of school in eighth grade and has worked as a “maid of all work” for the Studevant family ever since (4), where she is treated quite roughly.
Much of Cora’s characterization is revealed through authorial interpretation. The narrator calls her “an inoffensive soul” (3), humble and unashamed about life, and informs readers how Cora responds to each major event in her life, whether humbly or not. This prompts consideration of a thematic concept in the story: society’s hypocritical expectations regarding the way Black individuals should behave. Authorial interpretation paints a picture of Cora as someone wholly selfless and kind with admirable inner strength.
Cora’s actions provide a corresponding sense of who she is and what she values. From her youth, she sacrifices her own needs and opportunities to take care of her parents and siblings, leaving school to work and putting all her pay toward her family’s needs. She labors tirelessly for the Studevants, never complains, and cares for Jessie like she would her own daughter. Her desires seem to solely involve taking care of and supporting others. Cora’s only apparent flaw is her belief that she, as a Black woman, can’t get by in life without working for white people and allowing them to treat her poorly. The final stage of her character arc sees her escaping that relationship and finding she can survive without being part of an unjust and degrading social system.
Of all the Studevants, Mrs. Art Studevant takes the most active role in mistreating Cora and escalating the conflict that leads to Jessie’s death. Mrs. Studevant is Jessie’s mother and appears to be the primary manager of the household. Her age is not revealed, nor is much of her personal history. All that is said of her appearance is that she and her husband are beginning to look their age, with “graying hair and sagging stomachs” (9). Authorial interpretation reveals that Mrs. Studevant thinks Jessie is stupid and is ashamed of her. Most of her characterization, however, is revealed through her own actions. When she tells Cora not to bring Josephine to work, it suggests she lacks empathy for Cora. Her neglect of her youngest daughter adds to her unsympathetic portrayal.
Mrs. Studevant’s defining character traits are hypocrisy and bigotry. Because she is “one of the pillars of her church” (10), the reader can assume Mrs. Studevant espouses certain values in public that conflict with forcing her daughter to have an abortion. Instead of being humbled by her own sins, she goes on a “campaign of purity,” aiming to rid the town of foreigners and ethnic minorities under the guise of ousting “objectionable tradespeople and questionable characters” (15). Mrs. Studevant’s reaction to Jessie’s pregnancy shows she is more influenced by fear of scandal than by love for her daughter, a stark contrast to Cora’s motivations. Mrs. Studevant’s actions, which result in Jessie’s death, prompt the turning point in Cora’s character arc, pushing Cora to finally reject her dependence on this racist family.
Jessie’s birth to Mrs. Studevant is relayed in Part I of the story. She is the same age as Cora’s daughter, Josephine, and helps fill the hole in Cora’s heart when Josephine dies. At the beginning of Part II, Jessie is 19 years old and about to graduate high school. She has been a poor student, often failing classes, and is graduating late. Jessie plans to attend Normal, a college devoted to training teachers, but she is still unable to live up to the examples of her successful mother and older siblings. She is described as “a plump, dull, freckled girl, placid and strange” (10). Jessie is afraid of her mother and has no bond with her father, but she feels more comfortable with Cora than anyone else in Melton. Below the surface of her insecurities, Jessie can be talkative and witty, and she can cook wonderfully. Jessie’s presence in Cora’s life gives Cora purpose and brings the older woman the only happiness she knows.
Jessie is a tragic character, defined by her sense of being a failure in her parents’ eyes. Simultaneously, she is a lovable young woman with the possibility of a bright future. Jessie’s dual characterization represents the two worlds in the story—Cora’s and the Studevants’ worlds—and reflects the power of elevating love over shame. In the end, the influence of hate and hypocrisy at the center of her parents’ world proves to have a greater hold on Jessie, and she pays with her life. The bright future she might have had, something that was never really a possibility for Cora, is taken away.
Cora’s mother, Ma Jenkins, is the matriarch of the only Black family in Melton. She is defined by two main characteristics: She is always ailing and always quarreling, nearly the only two activities the narrator describes her engaging in. Ma quarrels when Cora comes home late, when her other children don’t write, and when Pa is drunk. She cries over Cora’s pregnancy and is too sick to attend Josephine’s funeral. As a woman with too many children to care for and a husband who has an alcohol addiction and wastes his meager income, Ma is a sympathetic but flat character. Her role in the story is to demonstrate the reasons for Cora’s sacrifices, as well as to foreshadow Cora’s inevitable future in a society that denies opportunity to Black women.
Pa Jenkins is Cora’s father. His defining characteristics are his alcohol addiction and disreputable habits. Despite having a wife and eight children to support, he works minimally, driving his junk wagon and doing odd jobs. Most of his meager income goes toward “the stuff that makes you forget you have eight kids” (5). For the most part, Pa is an unsympathetic character. His usual pastime is drinking and telling long, comical lies to the town’s other riffraff. He demonstrates his selfish attitude toward his daughters’ misfortunes with comments like “Ruinin’ ma name…ruinin’ ma good name! They can’t go out berryin’ but what they come back in disgrace” (6). Pa’s main role in the story is to create circumstances that rob Cora of her childhood and any opportunities for a better life. He doesn’t take care of the family, so she must.
By Langston Hughes