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61 pages 2 hours read

Heather Morris

Cilka's Journey

Fiction | Novel | Adult | Published in 2019

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Chapters 6-10Chapter Summaries & Analyses

Chapter 6 Summary

Content Warning: This study guide contains depictions of genocide, rape, sexual assault, suicide, and drug addiction.

Over two weeks, Josie’s hand heals, and the women of Hut 29 get to know each other further. Cilka accepts Josie’s aloofness, and the men continue to visit the hut to rape the women. During Josie’s final hospital visit, Yelena tells Josie that there is no work for her there, and Yelena can’t show favoritism to the prisoners without compromising herself. When Josie and Cilka leave the hospital, Cilka bumps into a man named Alexandr Petrik, who works as a messenger in the camp. She notices that he is polite, a rare trait in the men she has known. The women in the hut have mixed reactions to Josie’s unbandaged hand, but Josie immediately begins helping with the hut’s chores.

Chapter 7 Summary

The next day, Cilka returns to the hospital after Josie and the rest of the women go to work. Cilka still thinks about turning down a job at the hospital. When she arrives, she works with a doctor named Yury, and they examine a male patient. Yury tells Cilka to check the patient every 15 minutes and to mark the time of his death. Cilka updates his record when he dies and says a prayer over him.

Flashback to Auschwitz-Birkenau, 1943. Cilka, Gita, and Cilka’s sister Magda sit on the grass talking about Lale, the tattooist they met when arriving at Auschwitz II. Lale and Gita have fallen in love, and Gita tells the girls of her conversation with him that morning.

Back in present-day Vorkuta, Cilka talks to Yelena before leaving for the day, and Yelena offers to train Cilka as a nurse. Cilka accepts but asks if Josie can take over her clerical job; Yelena says it is not yet possible.

Chapter 8 Summary

The days and nights are dark and colder than anything Cilka has ever experienced. She continues training as a nurse and smuggles food to her hut-mates to ease her guilt about her better working conditions, giving Antonina the largest portions. Cilka excels in her work at the hospital, and patients request her because she is kind and gentle. The men visit the hut frequently, and Josie becomes jealous when Vadim doesn’t show up, believing that he must prefer another woman to her.

Cilka and her hut-mates learn to smuggle furniture and other supplies into the hut, making it more comfortable. Antonina overlooks these additions because of the food she receives from Cilka. Those who can sew decorate the hut and their clothing with embroidery made from the sheet thread and discarded bandages that Cilka brings from the hospital. Spring and summer arrive, bringing 24-hour daylight. The women struggle to sleep during what the other prisoners call the white nights, causing tempers to flare. At Yelena’s suggestion, Cilka devises blindfolds for the women and takes them back to the hut on a Sunday, when the women only have a half day of work. The women hear a commotion in the yard and see the other prisoners walking around, enjoying time outside. The women join the other prisoners and explore the camp, feeling a sense of freedom. Josie wants Cilka to help her find Boris and Vadim so they can walk around as couples, but Cilka refuses to go with her. Instead, Cilka goes back to the hut. When all the women have returned, she puts her blindfold on and sleeps.

The sun doesn’t set for eight weeks, and Cilka slowly relaxes and enjoys the Sunday evening strolls. One evening, Hannah pulls Cilka away from Josie and threatens her, telling her she knows that Cilka slept with Nazis to survive Auschwitz and uses this information to extort Cilka, threatening to tell their hut-mates if Cilka does not do as she says. At the close of the chapter, one year has passed since Cilka first came to Vorkuta. Hannah continues to remind Cilka of her threat, though she has yet to ask for anything specific. Autumn turns to winter, and the darkness returns.

Chapter 9 Summary

On January 1, 1947, Cilka works in the hospital alongside one of the doctors. She convinces him to allow a male patient to stay two more days, and the patient is grateful to her. Yelena tells that Cilka she’s now qualified to be called a nurse, but Cilka feels guilt and shame. Yelena also gives her a note notifying Antonina that Josie will begin work at the hospital tomorrow as a clerical assistant. When the other women return to the hut that night, Natalya, who is only five or six weeks pregnant, goes into labor. Josie, Elena, and a woman named Margarethe stay to assist Cilka, who delivers a stillborn baby boy and leaves Natalya to sleep with him in her arms. The next morning, Elena and Margarethe stay with Natalya while Cilka and Josie take the baby to the hospital.

Josie is slow to learn her work duties, but Cilka helps her while excelling as a nurse. Working at the hospital helps improve Josie’s attitude and behavior toward Cilka. They return to the hut after work one day to find that Natalya has disappeared. Cilka comforts Josie, knowing how close the two women are. Another summer arrives, and the occupants of Hut 29 shift and change. One evening, Hannah corners Cilka outside the hut and demands pain medication in exchange for her silence. Cilka agrees out of fear of losing her friends. As Cilka tries to enter the hut, Boris appears and asks her to walk with him. He takes her to the men’s section of camp to meet his friends and show her off. Another man tells Boris to prove his manhood and have sex with Cilka in front of everyone, causing Cilka to run. Boris catches up to her and promises he’d never do that, showing that he cares for her. Cilka begs him to let her return to her hut, and he does. She can’t sleep, and images of people she has lost haunt her, making her despondent about the future.

Flashback to Auschwitz-Birkenau, 1944. At Block 25, Cilka orders four women to bring out the bodies of two women who died overnight. She helps them with the task, gently moving the bodies and treating them with dignity. Cilka then prepares for Schwarzhuber’s visit, as she plans to ask him to move Lale to a different block.

Chapter 10 Summary

Four-year-old Katya, the daughter of Commandant Alexei Demyanovich Kukhitkov, enters the hospital screaming from the pain of a broken arm and a gash on her head. Yelena and Cilka bring her and her mother, Maria, into the ward, and Maria explains that Katya followed her brother onto a roof and fell. Cilka and Yelena examine Katya’s injuries, and Cilka speaks to the girl gently and calms her down while Yelena treats her various injuries. The commandant suddenly storms into the room, demanding to know what happened, and Yelena assures him that Katya will recover. Another doctor tries to take charge of the girl’s care, but Maria insists that Yelena and Cilka continue working with her. The commandant leaves, asking for a report when they’ve finished.

Yelena and Cilka take Katya to the operating room and set her arm. Katya wakes soon after, and Yelena tells Maria her daughter is doing well. Katya recognizes Cilka’s voice and smiles. When the girl is ready to go home, Maria tells Cilka to let her know if she ever needs anything. Cilka studies the woman, who reminds her of her mother. At the end of her shift, Cilka steals some pain medication from the dispensary for Hannah. She steps outside to go home, and upon seeing Alexandr, she watches him smoke a cigarette and feels something shift inside her emotionally.

Chapters 6-10 Analysis

This section demonstrates the stark differences between Cilka’s and Josie’s personalities and capabilities despite their similarities in age. For example, Cilka can adapt to camp life more quickly than Josie and tries to help her friend navigate their new culture and surroundings, but Josie lacks the experience and knowledge that Cilka gained from her years in Auschwitz, so she doesn’t always understand the hard-won wisdom that drives Cilka’s choices. This inability to empathize causes a rift in the women’s relationship. In further development of the differences between the two women, it becomes clear that Cilka possesses superior intelligence and learning abilities, for she quickly impresses the nurses and doctors with her knowledge of multiple languages and her facility as both a clerical assistant and a nurse. By contrast, Josie takes much longer to learn her duties when she replaces Cilka as a clerical assistant. Despite her greater survival skills (or perhaps because of them), Cilka shows kindness and teaches Josie how to navigate the clerical position at the hospital even as she thrives in her new role as a nurse. This kindness is another element in which the two women differ. Because Josie lacks Cilka’s experience and maturity, she also lacks the ability to be kind in the face of injustice and opposition. Not fully understanding the nuances of their situation, Josie initially feels betrayed when Cilka allows Vadim to rape her and holds a grudge against Cilka for a time. Although her reaction is understandable, it also demonstrates her inability to adapt as well as her lack of compassion and empathy for Cilka, who has tried to take care of her since they first met on the train.

Now that two years have passed since Cilka arrived at Vorkuta, conditions in the winter versus the summer become abundantly clear, particularly the sharp contrasts between dark and light, and Morris uses these literal differences to convey an implicit commentary on the inner psychological evolution of the women as well. Although Cilka and her hut-mates first arrive at Vorkuta during the summer, it is late in the season, and snow is already on the ground. Thus, the women’s first few months settling into the camp are almost entirely in the dark, symbolizing their mental state. When they experience the onset of summer and the constant light, the women must adapt again, as they can’t sleep during the white nights when the sun doesn’t set. However, with the arrival of summer comes the women’s ability to walk around camp on Sunday evenings after only working a half day, and these walks allow them to meet other prisoners and experience a slight sense of freedom, thus “lightening” their lives in a spiritual sense as well as a literal one. Thus, while the light initially disturbs their sleep, it also symbolizes a sense of freedom, hope, and rejuvenation. This cycle of despair and hope continues through each year of the women’s confinement and drastically affects their moods, their treatment of one another, and their ability to adapt and survive.

Lastly, Morris’s use of flashbacks continues to illuminate Cilka’s true character, which conflicts with other characters’ perceptions of her. For example, Hannah believes that Cilka is a coward for complying with the Auschwitz’s commandant’s demands, and her feelings on the topic are particularly strong because she and Elena were part of the Polish Home Army and fought against both the Nazis and the Soviets. However, despite these sordid details from Cilka’s past, her flashbacks primarily serve to demonstrate her kindness and compassion for others, most notably in her work at Block 25. Although Hannah accuses Cilka of helping the Nazis kill Jews while wearing a fur coat and enjoying other comforts, Cilka actually used her position as block leader to soften the condemned women’s experiences by protecting them from the SS officers, pretending to yell at and berate them while actually protecting them by distracting the SS officers. Through flashbacks, Morris illustrates who Cilka truly is despite what other prisoners at Vorkuta may believe.

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