64 pages • 2 hours read
Joanne HarrisA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Reynaud leaves the shop full of rage, believing that Vianne has attacked the church’s community, festivals, and sacraments. He notes a dandelion that he weeded, already grown back. Muscat meets him and disparages Josephine, blaming her flaws for his abuse. Reynaud censures him, despising his attitude. Reynaud believes that Josephine should return to him due to the sanctity of marriage, not because of Muscat’s pride or to do Muscat’s domestic chores. Muscat blames Vianne, too, and suggests that there might be a fire at the shop. Although the thought has tempted him, Reynaud is horrified that Muscat might see his silence about the Romani people as complicity. He forbids Muscat from harming the shop, as it is not their place to interpret the laws of the land or God. He feels fury that Muscat is trying to control the situation and that he’s forcing him to protect his enemy.
Reynaud feels that he must repress Vianne within three weeks, when her festival will start. People ridicule his stance against chocolate, even the Clairmonts. He censures himself for the thought that, unlike Caro, Vianne is no hypocrite co-opting religion for her social standing. He knows that he should be impartial to serve his community and church.
Josephine’s confidence flourishes while working in the shop. She borrows Vianne’s colorful clothing and looks prettier. Armande, Luc, and Guillaume eat chocolate together. Roux comes in, looking thinner and with minor injuries from the fire. He is taken aback, recognizing Josephine from the café, but she says that she lives here now and introduces herself with her birth name. Vianne asks if he would do some work for her, but he responds with hostility that he doesn’t need anyone’s help. He only came to ask if she saw anyone near his boat that night. He leaves angrily, and Josephine is shaken. Nonetheless, Vianne thinks that he’ll stay in the village, as he has nowhere else to go.
Luc has been visiting Armande and planting colorful flowers for her. He plans to buy her a silk slip for her birthday. Roux will not respond when Vianne calls at the derelict house in which he is holed up. She leaves Anouk playing by the river, sailing a paper boat and imagining a crocodile attack, which Vianne can almost see. Later, they have pastries with Josephine. She asks if the fire could have been an accident and what would happen if Roux found out who caused it. Vianne asks her who did it, but Josephine claims not to know. Anouk says that she saw Roux: He offered to build her a proper boat and invited her in, as long as she didn’t tell Vianne. Josephine warns her not to go back in case Roux is violent, but Vianne says that it’s fine as long as Anouk tells her.
A funeral in the village reminds Vianne of her mother’s low-key cremation. She wanted to go out with a bang, so Vianne scattered her ashes on the Fourth of July. Josephine finds it somber, but Vianne thinks that life should be celebrated, as is traditional in Chinese funeral parties. Narcisse comes in and explains that the deceased person experienced mental decline years ago and was in a nursing home. Though he and Josephine feel that they shouldn’t, out of respect, they accept some confectionary. Roux runs in. Ashamed of his outburst, he visited Armande but found her half-conscious. He gave her brandy, and she collapsed. Remembering that she is diabetic, he fears that he has killed her trying to help, and he is afraid that the police will blame him. Vianne and Roux run to Armande. Vianne injects her with insulin, familiar with needles because she administered her mother’s morphine in her final weeks. To Roux’s intense relief, Armande revives. She explains that she won’t change her ways—she does not want to restrict her life in order to live longer when everyone must die eventually. Caro, Reynaud, and the doctor arrive with other villagers. They tell her that she must take better care, and Caro advocates for the nursing home. Armande asserts her independence and asks them all to leave except Roux, to whom she wants to speak. Caro questions this contemptuously, but everyone leaves.
Reynaud visits Armande, but Roux won’t let him in. He argues that she is risking death just for chocolates. Waiting in the rain, he grows dizzy and leaves. He believes that he has failed with Armande and Josephine. He is tormented by the sound of laughter and the scent of chocolate and perfume wafting from the shop. He dreams of chocolate, so he cuts down on his sleep and his food even more. In the churchyard, he struggles to contain the colorful, wild vegetation, even though the Bible says that people have mastery over plants. However, while walking by, Vianne compliments the garden. He tells her that she must influence Josephine and Armande to do the right thing, and he pities Anouk being raised without God and morals. Vianne does not believe in sin, prioritizing happiness, though she says that Anouk knows right from wrong. To Vianne’s surprise, Reynaud warns that Armande will go blind soon, revealing the full details of her condition.
Armande admits to Vianne that her diabetes is destroying her sight. She wants to die before this happens, to avoid losing her independence in a home. Unlike Charly, she has a choice. She comforts a crying Vianne, who remembers both shock and relief at her mother’s death. Armande plans to take her medicine until her birthday and invite everyone to a lavish party catered by Vianne.
Roux works on an attic room for Anouk. Vianne works hard on chocolate for the festival with Josephine. She has spread the word to larger towns nearby, and other locals have planned events and stalls. Should it go well, she and Anouk could afford to settle properly. She is amazed by Josephine’s optimism in humans despite what she’s been through. She sees Reynaud’s misery working in the garden and is baffled by his motives. Anouk says that he came into school to talk about Easter, but he was nice, inviting her to visit the church and see St. Francis’s animals. Vianne tells herself that the Black Man is just a myth and that she does not have to flee when the wind changes like her mother. In their shared room, Anouk asks her to sing the song about the wind again.
Caro bemoans Luc’s friendship with Armande to Reynaud, over which they have argued. Reynaud sympathizes with Caro, and they blame Vianne for this and other disruptions. Reynaud says that, as Vianne hasn’t broken the law, nothing can be done. Caro says that the group of loyal villagers can ruin the chocolate festival, driving her out financially. Reynaud says that he cannot be seen as being involved. He despises Caro’s spite and her fawning to him, but he sees her as a necessary agent for his work.
Roux works on Anouk’s room and stays with Armande. He plans to work for Narcisse over the summer and then buy an old riverboat to do up. Caro and Joline come to the shop and tell Vianne that Anouk has been bringing up pagan ideas and asking questions when Reynaud visits the school to talk about Easter. Vianne offers them chocolate, and they leave. The next day, she and Josephine find leaflets proselytizing that the chocolate festival corrupts the Christian Easter. Josephine, afraid, admits that Muscat started the fire, having beaten her when she tried to dissuade him. She feels guilty, as someone could have been hurt. Vianne wonders if that’s why Josephine avoids Roux. She says that she has to tell him and gives her a cup of chocolate to take to help. She goes for a walk to give Josephine and Roux space, admiring the flowers by the river. When she gets back, they seem happy. They start to spend time together, and Josephine decides to go and fetch her things from the café when Muscat is in church on Sunday.
In this section, Harris builds up tension to lay the ground for the climactic final part of the book. The chapter titles continue to mark the days passing, moving toward Easter, and Reynaud counts down, “three weeks until her grand festival” (244). This heightens the sense that the narrative is moving toward a climax.
Harris also establishes another huge event that the narrative builds toward—Armande’s party and death. The party has been mentioned before, but its significance is revealed in this part: It is intended as a final celebration before she dies. Harris foreshadows this reveal in the preceding section, as Vianne, Josephine, and Narcisse see the funeral next door. Vianne describes the contrasting funerals she’s heard of in China, in which “death [is] a celebration of the dead person’s life” (257), introducing the arguments that Armande gives regarding her choice. Harris uses the universal subject of death to bring together her main themes. The Power of Community is evident in their ability to come together to decide how to mark this event; it has spiritual significance, marking The Importance of Spirituality. Armande, Vianne, and the Chinese practices she describes view death as an acknowledgement of life, appropriate to celebrate with sensory pleasure, highlighting Pleasure Versus Denial. Intergenerational Influences pass these practices on and create obligations for the living—Narcisse has to attend the funeral of his distant older relation, and Vianne finds a way to mark her mother’s life that fits her spirituality and respects Armande’s choices. Harris therefore ties all her themes into the approaching specter of Armande’s death, building toward this emotional climax.
As well as Vianne’s ethos regarding life and death, Harris explores Reynaud’s ethos regarding moral codes. Regarding Muscat’s arson, he thinks, “Suddenly I was appalled at the thought that he might have taken my silence that night for complicity” (243). This reveals the nature of his rigid moral code, ostensibly built around the set rules of his religion: He thinks that he can remain upstanding as long as he maintains separation from things he secretly endorses, such as this type of aggression, and the things others around him do, such as Caro’s campaign against the chocolate festival. Harris suggests the danger of a morality drawn from a rigid rulebook and highlights the mental gymnastics that Reynaud performs to maintain his worldview and his sense of self, making him an unreliable narrator.
Indeed, despite his similarities to his parishioners, he sees them as beneath him, and this develops his antagonism in this section. He says that Muscat “disgusts [him] with his excuses” (241), and he says of Caro, “I feel utter contempt for her, panting and fawning […] but it is with such contemptible tools, père, that our work is often done” (293). He is complicit in Muscat’s violence, both toward his wife and the houseboat community: He encourages Josephine to return to him due to the sanctity of marriage despite what he knows from the confessional, and he contemplates and implicitly sanctions Muscat’s actions against Roux and his community. Caro’s devotion to him, as he sees it, mirrors his own to his père, and he encourages her behavior. Again, he is an unreliable narrator in describing her manner toward him, seeing it through the lens of his own history (fully revealed in the final section). Harris highlights his hypocrisy and pain as he tries to impose a rigid spiritual framework onto both his community and himself.
His hatred of these characters despite their shared traits briefly mirrors Roux’s character arc in this section. Following the attack on his boat, Roux becomes withdrawn and hostile and isolates himself. Vianne explains that “he feels helpless and angry, and he doesn’t know who to blame” (249). Reynaud similarly has feelings of helplessness and anger, and he cannot blame his père due to both the pedestal he puts him on and the fact that he is in a coma. He projects his blame out into his community and feels intense guilt himself, trying to impose harsh self-denial onto not only himself but also the village as a form of spiritual atonement. The parallel of Roux and Reynaud seeking someone to blame conveys a warning against unchecked hostilities in small communities.
Roux’s hostility also mirrors Vianne’s mother’s attitudes, revealing one of the reasons for her itinerant and fearful lifestyle. He retreats from community, saying, “I should never have got involved with you in the first place” (249). Like Vianne’s mother, his awareness of his status as an outsider is self-perpetuating, as settling into a community makes him vulnerable to betrayal in his eyes. However, Armande’s collapse gives Roux perspective, and Josephine’s confession about Muscat also helps him regain his trust in his allies. He sees The Power of Community and learns that there is a community that can be his, even if others will always exclude him.
By Joanne Harris