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70 pages 2 hours read

Andrew X. Pham

Catfish and Mandala: A Two-Wheeled Voyage through the Landscape and Memory of Vietnam

Nonfiction | Autobiography / Memoir | Adult | Published in 1999

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Chapters 9-13Chapter Summaries & Analyses

Chapter 9 Summary: “Mecca-Memory”

Pham arrives in Vietnam, and he describes the scene on the plane while descending. He feels scared, an emotion he hadn’t anticipated, at his return after 20 years. Most of the Vietnamese passengers jump out of their seats and begin taking items out of the overhead bins. A man says hello to Pham, and Pham returns the greeting in Vietnamese. The man asks if he is visiting family. Pham replies that he might but is really there to see the fatherland. The man feels sorry for him, as tradition dictates that Vietnamese see relatives when they visit and writes his brother’s address on the back of his business card, inviting him to visit if he gets lonely. Then he and his wife join the horde of people pushing toward the exits.

Both the captain and the flight attendants struggle to restore order. Watching the Korean and Japanese businessmen flinch from his fellow Vietnamese, Pham feels embarrassed by their behavior. After he goes through immigration, Pham looks for his bicycle in the luggage area. He sees an airport worker trying to cram it into a small opening on a conveyor belt and rushes over to take it from him. It’s badly damaged from the flight, as he hadn’t boxed it up.

He then lines up to exit in an unruly mass of people. Overdressed coming from winter in Japan, he gets hotter and more impatient the longer he waits. The line isn’t moving, so he grabs his bags and holds his bike over his head with one arm to cram his way forward Vietnamese-style. “Out of my way! I’m coming through!” (66) he yells, as he pushes people aside. Despite officials’ protesting, he exits between two X-ray machines and finds himself outside. His mother has told her relatives of his arrival, so his grandmother’s cousin-in-law (whom he calls “Grandaunt Nguyen”) and her three sons—Viet, Khuong, and Hung—are waiting for him. Pham feels ashamed because he has no gifts; returning relatives should always bring gifts from abroad for their family, but he had no extra room in his sparse belongings.

On the ride home, the scenes out the window remind him of his childhood, and he thinks about the day Saigon fell to the Communists. There was chaos as everyone fled. People discarded everything they had in the street and just left. To a young boy, it was a bounty of free stuff. He slipped out of the house while his parents were packing and met up with other kids who had found guns they were playing with. He grabbed one as well. Older kids then arrived, also armed, and wanted to take their guns away. Pham grabbed some other loot and ran with his pistol down an alley and out onto a large street full of people streaming out of the city. Fires raged, gunfire erupted, and helicopters flew low overhead. He lost the bullies in the crowd and then ran back to his house, screaming, “Let me in! I want to come home!” (70).

Chapter 10 Summary: “Strange-Hearth”

They reach the Nguyens’ home in the wee hours of morning, and the rest of the family rouses from sleep to welcome Pham. He’s instructed to greet Granduncle, the patriarch, first, according to custom. The family prepares tea to welcome Pham formally. When talk turns to his planned cycling trip, everyone tries to dissuade him not to go. Grandaunt says: “Don't do it. There's nothing out there but jungle and bandits. You’ll die” (72). By the time they retire to bed, Pham begins to wonder if they are right.

After breakfast the next morning with Grandaunt’s three sons, Pham gets his bicycle fixed at a roadside repair shop. The old man who runs the shop gets it in perfect order in about 20 minutes, despite bent rims, a flat tire, broken brakes, etc. Pham lets the old man ride it around the block since he’s clearly enamored with the foreign bike. At the end of the day, Viet takes Pham for a ride around the city on his motorbike. Due to heavy traffic congestion, there’s a ban on trucks on the city streets until 6 pm, when they can then enter to make their deliveries. There are few traffic lights and no rules to regulate the flow, and Pham is nervous the whole time.

Finally, they stop at a bar, where they meet a friend of Viet’s named Binh. Over beer and peanuts, they talk about Pham’s bike trip. Binh is a tour operator who has organized group bike tours and has one coming up. He invites Pham to join them, but Pham prefers to be alone. Like Pham’s family, Binh thinks this is a bad idea. Pham tells him he’s read of other Americans who have done it. Binh hesitates before saying that Vietnamese cannot do it; they don’t have the stamina. Westerners are stronger. 

Chapter 11 Summary: “Fallen-Leaves”

This one-page chapter details a memory from when Pham was four years old. He and his sister Chi were playing outside when a large green army truck pulled up. Soldiers got out—Westerners with blond hair and large builds. They smiled at him and taught him games, then swung him through the air like an airplane. A black man emerged from the truck. The boy had never seen a black person, and Chi told him the man’s skin was chocolate. So, Pham ran up and bit the man but only tasted salt. The soldier yelled, and then gave him a piece of gum to chew instead. 

Chapter 12 Summary: “Divergent-Rhythm”

Pham describes Grandaunt’s three sons. Hung, the youngest, is a bit of a playboy. Pudgy and extravagant, he enjoys blowing money on alcohol and other hedonistic pursuits. He is a filmmaker who makes decent money filming weddings and making portraits. His wife and daughter live in America, having joined his mother-in-law, who was a refugee from the war. Immigration laws only allow immediate relatives to join family members in the US, so he had to stay behind. He hasn’t seen them in four years and worries that his daughter won’t remember him, and his wife will become independent and no longer need him.

Khuong, the middle son, is a dutiful child, hardworking with a good career as an academic; Pham describes him as more sophisticated than his brothers. The oldest son, Viet, has a master’s degree in chemistry and started his own soda business, which at its peak had 30 employees. Since then, both Pepsi and Coca-Cola have entered the market, nearly bankrupting him. He is fun-loving and pumps Pham for sexual slang, enjoying the explanations of wordplay.

 

Pham spends most of his time in Saigon drinking and bonding with the three brothers. They spend every other day getting drunk, either at home or in a bar. During his second week, they all go to Snake Village, where the specialty is poisonous snakes. At their table, a bartender removes a cobra from a basket, knocks it unconscious with a mallet, and proceeds to slice into the skin, exposing its still-beating heart. He then surgically removes it and plops it into a shot glass of rice wine, the heart pumping out blood into the liquid. One by one, they go around the table like this, each downing a shot glass, until it is Pham’s turn. He passes, but the brothers and other patrons prod him on, insisting it’s good for his libido. Finally, he accedes and drinks up. Feeling the heart on his tongue, he spits it on the floor and alcohol rushes into his nose. Everyone around him erupts with laughter.

Just as often, Pham and his relatives drink at home, sitting around in a circle and sharing a bottle of Johnnie Walker. The women make them snacks but otherwise stay out of the way. There are Thuy and Hanh, the brothers’ siblings, and Mo, Viet’s wife. Hanh’s life is especially difficult. Her husband was a soldier in the South Vietnamese army exposed to Agent Orange. He died 11 years earlier. Their only daughter is now 15 and suffers from mental and physical disabilities. Pham becomes fond of all of them, but has a special affection for Hung, the brother who is his age. Hung introduces him to Son, a larger-than-life figure of extreme contradictions. “Together,” Pham writes, “Hung and Son show me every vice, depravity” (86).

Chapter 13 Summary: “Dying-Angels”

Chapter 13 returns to the story of Pham’s family fleeing Vietnam, picking up after Pham and his siblings had made their way back to the beach in Phan Thiet, lying in wait for their parents. Their mother arrived first, then in the dark of night their father and an aunt joined them to wait for the boat that would pick them up. Midnight came and went, and Pham’s parents worried that something had gone wrong. His father wanted to abort the plan, worried that dawn would catch them on the road, but his mother insisted they were coming.

Finally, the fishing boat appeared as a shadow on the water. Using a flashlight, Pham’s father gave the prearranged signal to show their location, and the boat flashed back. They all ran across the beach toward the water. Pham fell down and Chi picked him back up, held his hand, and carried his bag. Once in the water, they had to swim to reach the boat, about 50 yards offshore—they carried the youngest boys, but Pham had to swim with the others. He felt himself falling behind and tried to yell for help but swallowed some seawater instead. The boat’s captain, Tai, came to help him; Pham held on as Tai swam toward the boat.

The family huddled in the fish hold just behind the bow. The boat was small, about 30 feet long, and Pham’s father was angry that the captain had brought two others along who were not part of the plan. He didn’t know if they were trustworthy, but Tai told him they were his cousins. A faint glow peeked through the eastern horizon as the crew threw out a net to pretend they were fishing. They’d already started the engine, and the pilot slowly rotated the boat away from the net. Nevertheless, the propeller stuck in the net and the engine died. The crew dived into the water with their knives to cut it free, but the net was so strong and wrapped so tightly they were unable to cut through it.

Just then they spotted a patrol boat rounding the coast and coming into view. Pham’s mother remembered that she had grabbed a kitchen knife when packing their things, so she gave it to the crew. The patrol boat was nearing, so everyone lay down flat on the bottom of the boat, out of sight, while two crew members stood on the engine house, fussing with the net to look like they were really fishing. The patrol boat then turned away from them, heading toward shore, and the crew finally cut the propeller free. Slowly, they began moving in the direction of the sunrise. Ironically, the delay caused by the net likely saved them; if they had started earlier, the patrol boat would have spotted them making for the open sea and given chase.

By afternoon, they had lost sight of land and were on their way. It was sunny and fairly calm, but the women and children all got seasick, while the men seemed to be enjoying themselves. Then a freighter appeared and began coming closer. The crew assumed it must be either Vietnamese or Russian, so Pham’s father told his mother to quickly make a Japanese flag. She unpacked a sheet and a red dress, cut a circle from the dress, and pinned it to the sheet. With the freighter coming directly toward them, Pham writes, “all we could do was sit and wait” (93).

Chapters 9-13 Analysis

These chapters describe Pham’s return to Vietnam and his stay with Grandaunt’s family (the Nguyens). This visit shows the strong family ties in Vietnam. Grandaunt is actually a cousin-in-law of Pham’s grandmother and he hasn’t seen her for almost two decades. Yet, after returning from the airport, they wake up the whole household late at night to formally welcome him by drinking tea. By comparison, Pham’s American nature reveals itself: He’s embarrassed for not bringing them a gift as is the custom, hinting that he’s more American right now than Vietnamese.

The theme of searching for cultural identity continues in these chapters. A family friend tells Pham that he shouldn’t try to complete his bike trip because Vietnamese do not have the endurance for it—only westerners do. In addition, the role of alcohol in male bonding surfaces in Chapter 12, as Pham describes getting to know Grandaunt’s three sons. Together they drink at home and out at bars. In one memorable scene, they each do shots of rice wine that contains the still-beating heart of a cobra. When Pham hesitates, one of the brothers tells him somewhat forcefully to drink it:

It is his show, his idea to blow a week’s earnings on this excursion, and he has counted on me to reciprocate his friendship with my follow-through. ‘You said you want to be Vietnamese. You want to try everything we do. It doesn’t get more Vietnamese than this’ (84).

These examples highlight the inroads that Pham attempts to make in identifying with Vietnamese culture through connecting with others, yet they also highlight how there are still glaring differences between the two cultures.

Ho Chi Minh City has been the official name of Saigon since 1976. Except for one reference to this name when his plane is approaching the city, Pham uses the old name of Saigon throughout the book. This choice stems from either habit or a reluctance to give up his roots in South Vietnam. Pham also balances these chapters concerning his arrival in Saigon with Chapter 13’s description of his family’s departure from the city in 1977, highlighting a stylistic choice of the author in pairing the cities with a two-decade span to reflect the continuity of history. 

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By Andrew X. Pham