57 pages • 1 hour read
Piper HuguleyA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Over the next two years, Ann and Cora grow closer. Ann understands when Cora starts dating again, however. Ann’s granddaughter, Audrey, will soon be married, and Ruth is pregnant.
In 1953, John F. Kennedy is elected president. Ann writes Jacqueline a note about making her inauguration dress, but she never hears back.
At the doctor, Ann finds out that her glaucoma has worsened. The doctor tells her to stop reading and working; her eyes need rest. Ann doesn’t tell him this, but she can’t quit her life’s calling. Arthur wouldn’t want her to quit. She soon gets a huge commission for a festival in Nebraska, and they’ll need 33 dresses in total. Ann feels excited and hopeful about this job.
In February 1962, white men from the IRS confiscate Ann’s shop. They barge in and seize everything in the shop because she owes too many back taxes. Arthur was the mathematical bookkeeper, so without him, Ann didn’t do the taxes correctly.
Ann goes berserk, crying and screaming. She clings to the shop’s door frame, but Sallie pulls her away since the men will harm Ann and her precious hands if she doesn’t cooperate.
Sallie and Ann try to think of ways to continue their business. While Ann recovers from her depressed state over losing the store, Sallie finds her work at Saks Fifth Avenue again.
Thanks to Ann’s popularity and reputation, she transitions well into the Adams Room of design at Saks. Many of her clients already shopped at Saks.
The eye doctor says that Ann may lose her right eye soon if she doesn’t stop working. Ann is scared, but not enough to quit. She continues to keep her failing eye health a secret.
She gets a letter from Jacqueline inviting her to the White House. Ann and Sallie travel there, and Ann attends a meeting with Jacqueling. She expresses her concerns about Ann losing her shop and then tells her that she won’t have any further difficulty with the IRS. She took care of the trouble, perhaps through her husband or paying for Ann’s debts. Ann is grateful.
Though Jacqueline’s help with the IRS was substantial, Ann still owes other fabric vendors and suppliers. She works at Saks to pay them all back.
In 1963, Ann welcomes her great-granddaughter, Clara, Audrey’s baby. A few months after, however, the eye doctor must remove her right eye since it’s deteriorated so much. Once Ann recovers from surgery, she works with one eye. She stays at Saks and explains designs to other sketch artists.
Jacqueline and John have a baby boy, Patrick, but he dies two days after birth. Ann prays for them.
The eye doctor warns that her left eye is now getting stressed, so she should retire. Sallie wants a second opinion. Ann finds another doctor, who performs surgery on her left eye. Afterward, she can see better than ever. She vows to use her talents to dress Black women from now on and to give back, no matter the money.
In 1965, Ann opens Ann Lowe Originals, and her clients and staff return. Evyan Perfume commissions Ann for a special project designing miniatures of all the first ladies’ inauguration dresses. She agrees and sets to work making the doll-sized clothes for the special exhibit.
Ann takes Donna Dean under her wing, a young Black woman in design school. They work closely together on the Evyan project. Donna learns the history of dresses as they make them and study them in an exhibit. She’s the most talented sketcher Ann has ever seen.
Sallie becomes more worn out, so Ann has her do less sewing and more fitting. Ann worries about her sister’s age.
In 1967, Nell Greening (née Lee) visits New York City and drops by. Ann is thrilled to see her. Nell and her daughter ask Ann to come back to Tampa for a ball that they want to throw in her honor. Ann can’t believe it. Nell insists that the Gasparilla organization wants to honor her fashion across over 40 years.
Ann tells Nell about her background, her upbringing as a little girl, Mama and Grandma saying that a colored girl never went to balls, and her abuse with Lee. Nell cries for her hardships. Ann tells her not to worry; times have changed things. People like Martin Luther King, Jr., and Rosa Parks stood up for her people, and now she’s going to be honored with a ball.
In 1968, Ann and Ruth attend the ball in Tampa. She’s interviewed by reporters and feels special. The ball is also a fashion show of her work—the first show she’s ever had. Nell introduces Ann with some background on her life and states that her family was blessed to have her.
When Ann gives her speech, she is at a loss at first. Then, she speaks of Mrs. Lee, her patron, who is the reason she was able to find so much success in life. She thanks everyone for seeing her as an equal human being and allowing her to live her dreams.
Ann losing her shop to the IRS is a major conflict because it takes away her life’s work—while also sparking character growth—and shows her reliance on Sallie. Stealing her store is almost akin to taking her soul since her entire self is connected to designing: “It wasn’t the same as losing Arthur, but my shop, my livelihood reflected my art and who I was” (326). The immersive, sensory details of Ann hanging onto the shop door for “dear life,” screaming at the IRS, and crying mirror Ann’s internal turmoil. In fact, she risks her precious hands being harmed by the door and IRS men, and only Sallie can save her: “Sallie’s voice, still loud and clear, again shattered my focus. All of a sudden, her warm arms wrapped around me and I sobbed against her chest” (325). Sallie is characterized as the protective, reasonable force in Ann’s life, saving her from harm and ridicule. Losing her shop affects Ann deeply, but this setback also makes her return to designing stronger and wiser. For instance, the shop seizure makes Ann finally hire a bookkeeper to replace Arthur. Learning from her mistakes, Ann grows into a savvier businesswoman instead of only focusing on the creative side. This highlights the benefit of Resilience and Creativity in the Face of Adversity.
Ann having one eye removed is a symbolic physical hardship that exemplifies her tenacity and shows her raw talent. After getting her eye removed, she never spends time feeling depressed or pitiful. Instead, she gets right back to work. The fact that she can still design impressive, beautiful garments conveys her innate talent and expertise since she designs better than people who have both eyes. This shift to relying on one eye also symbolizes her resolve and devotion to her art. Even with the threat of going blind, Ann cannot give up sewing.
Furthermore, losing her eye makes Ann realize that she can make a difference for other Black women, a positive pushback on Racism’s Impact on Artistic Recognition. In fact, her surgery acts as a catalyst for her to combat racism. Since she’s so thankful to have sight, she has an epiphany right after surgery about giving back:
It was past time to make sure that lovely women with brown skin got to wear Ann Lowe gowns.
I was thrilled to be able to make good on my promise the next week, for a young Negro concert pianist who attended Juilliard and was looking for a concert gown. I charged her less than what the gown cost to make. The money didn’t matter (345).
Ann choosing to make her services more feasible for Black people like her is an intentional decision that gives her a higher purpose. Now, she is using her talents to serve people of her race, who are often disadvantaged. Ann’s decision to advocate for Black women makes her a champion for racial equality, a major message of the book and a lasting part of her legacy beyond the pages.
Ann’s legacy culminates in the ball to honor her. She’s given the recognition by name that she has always deserved, thanks to shifting thoughts about civil rights and equality—which Ann attributes to advocates like Martin Luther King, Jr., and Rosa Parks. Nell throwing Ann the ball to celebrate her lifetime of achievement is a symbolic event that captures Ann’s legacy. Being validated for her years of impact in the fashion world ensures that Ann’s name will finally be known and shared with pride, rather than kept secret due to her race. The speech that she gives exemplifies Huguley’s main purpose in writing this novel: getting people to recognize the real-life Ann as one of the most talented fashion designers in history and giving people Ann’s perspective instead of white people’s.