53 pages • 1 hour read
Rigoberto GonzálezA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Content Warning: This section of the guide includes discussion of anti-gay bias.
The Bracero Program was a program that ran from 1942 to 1964 that granted Mexican agricultural laborers temporary work permits to work seasonally in the United States. The related term “bracero” is used to describe temporary agricultural workers who come to work in the United States, like Rigoberto’s maternal grandfather did before marrying. Rigoberto González notes that his family’s home state of Michoacán has been the largest exporter of labor to the United States since the beginning of the Bracero program.
César Chávez (1927-1993) was a Chicano agricultural labor leader. He was a co-founder of the National Farm Workers Association, which later joined with another union to become the United Farm Workers (UFW) labor union. Chávez and the UFW organized many successful labor strikes and boycotts to improve working conditions for Chicano agricultural laborers, particularly in the 1960s and 1970s. Rigoberto describes approvingly how his mother took part in the UFW, but he also notes how the strikes and labor disruptions led to a work shortage and financial difficulties for his family.
El Día de Muertos, or the Day of the Dead, is a Mexican holiday celebrated in the beginning of November, typically November 1 or 2. During the holiday, it is tradition to leave offerings to dead people and to visit gravesites, as well as tell stories about the deceased. It is also traditional to exchange gifts including candy skulls and pan de muerto, a kind of sweet bread. In Butterfly Boy, González’s family gathers on the first Día de Muertos after his mother’s death to pray for her and mourn.
Mariposa in Spanish literally means butterfly. Butterflies are a motif that runs throughout the text. As a child in Zacapu, Rigoberto is fascinated by the migrating monarch butterflies. He also compares his family’s migratory existence to that of the butterflies. However, mariposa has a dual meaning. It is also a derogatory slang term for a gay person, one that Rigoberto describes as his “favorite” (184). This reappropriation of the term is similar to the way other slurs for gay people have been reappropriated by the community to have a positive meaning, like “queer.”
The Purépecha are an indigenous people who live mainly in the mountains of northwest of Michoacán, Mexico. Rigoberto’s mother and her side of the family are “full-blooded Purépecha Indian” (61).