58 pages • 1 hour read
V.V. GaneshananthanA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
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Content Warning: This section of the guide includes discussion of death.
Sashi is the first-person narrator and protagonist of the novel. A member of the persecuted Tamil minority in Sri Lanka, she describes her experiences during the Sri Lankan civil war that begins in the 1980s. At the novel’s opening, she is an innocent teenager who dreams of becoming a doctor. However, she is drawn into the conflict and becomes involved in the fates of her older brothers and her friend K, who join the Tamil militants. Disillusioned with the violence of the war, Sashi eventually takes on the responsibility of recording the truth about the conflict, helping her mentor Anjali compile the Reports, which document the human rights violations committed by all sides. In her role as protagonist and archivist, Sashi also works to involve the readers in her story and in the history of Sri Lanka. Her frequent asides, in which she directly addresses her readers in the second person—by saying, “You must understand,” for example (3, 231, 259, 319, 341)—are ways in which she asks for her readers’ empathy.
Sashi is a teenager and a young woman for much of the novel—she is only 24 when she leaves Sri Lanka. Throughout the war, she carries with her the memories of the people and places she once knew in peacetime and struggles to reconcile the changes that war brings. The portrait of K, sketched on the back of Dayalan’s pencil drawing of the family, is lost when Ammammah’s home is burned in the violence, but Sashi remembers it “like an old-style cameo” (51)—the kind of memento that lovers keep. She ends up with the Pillaiyar chess piece (in the shape of the elephant-headed god Ganesh) that once was her grandfather’s; it “preside[s] over [her] work” during medical school as she follows in her grandfather’s footsteps (204). She takes this with her when she travels out of the country, along with “the garnet earrings” that Niranjan bought her for her 18th birthday (322). These are Sashi’s talismans—the objects that anchor her to her homeland and her memories.
Sashi understands that she must leave for her safety—though, ironically, she can never fully extricate herself from Sri Lanka. She says, “But I could not leave such a country, or its war; it followed me and whispered in my ears, even when I clapped my hands over them and screamed for it to stop” (323). She comes of age when she accepts that her responsibility is to record the experiences of the war and tell the stories of those who suffer trauma and loss. Indeed, she believes the entire novel to be the enactment of that duty. Toward the novel’s conclusion, she reaches out to her readers and acknowledges this role, saying, “Perhaps you know all of this already […] What I wouldn’t give for that to be true! But we both know it isn’t. Because I am talking to you, because I’m sitting here and you’re sitting there, you expect me to explain” (323). She takes on the responsibility of narrating the violence and the unimaginable loss inflicted by war, just as she preserves the memories of a land and people before violence overtook them.
K, whose full name is never revealed in the novel, is a young man who lives near Sashi’s house in their village in Jaffna. Though he is ostensibly her brothers’ friend, he harbors a connection to Sashi because of their similar sensibilities—they are both highly intelligent students who wish to become doctors and have a crush on each other. However, they are foils, as well: While Sashi values her family above all else, K commits himself to the movement; while Sashi deeply considers her actions, K acts without considering the long-term consequences; and while Sashi prefers to work in privacy, K is comfortable with showmanship. Sashi knows this well before K becomes entangled with the Tamil Tigers. She notes, “Standing with my brothers in the line of men waiting to be blessed, K did not seem unusual. You would have thought him just one of many dark men with white smiles. And, you know, you would have been wrong” (11). Even as a young man, K stands out from the crowd.
His uniqueness is what makes his choices all the more frustrating and tragic for Sashi. When K comes home after a long absence, which he spent training with the militants, Sashi can see that “K ha[s] changed. […] His body remind[s] [her] of nothing so much as a sharpened knife” (137). K becomes radicalized and joins the Tigers. He becomes their political spokesperson, which makes him an ideal candidate for the hunger strike that is designed to force the IPKF to leave the country. Sashi realizes that it is a publicity stunt, and she is angry to note that the Tigers murdered K by putting him in this role. The militants make the most of K’s suffering: “I remember looking up to the screen,” Sashi reports, “where the twin heads of K and Gandhi shone. As I watched, the two heads moved closer together, merged, and blended into one” (252). The militants attempt to fashion K as a kind of saint in the model of Gandhi, practicing nonviolent resistance in the name of justice; however, they indiscriminately kill their own recruits and civilians alike. K devolves from a round character—one whom Sashi loves and admires—into a flat character whose value is tainted by his associations.
After his death, Sashi insists that he was not the martyr that the Tigers claim he was. She wishes to remember him as he was in real life. She appeals to her readers to understand her intentions, saying, “I have been waiting for you to ask me K’s real name. But there is no point in telling you” (258). The K of her memory has been subsumed by the K of legend. While Sashi has embraced a future that always has her looking back, K denies himself a future at all.
Anjali is a charismatic, outspoken, and brilliant professor at Sashi’s medical school; Sashi finds her inspirational. While Anjali teaches at the medical school, she is already a doctor herself. She is also an idealist who encourages her students to speak their minds. She is thoughtful and tolerant of various ideologies—she discloses that she once worked with the militants before deciding that their movement was too violent and closed-minded. Anjali is also brave and risks her life for her ideals. She and her husband, Varathan, publish the many Reports that record the war’s atrocities; they do so at great personal risk, and this eventually leads to Anjali’s death.
Anjali impresses Sashi with her bravery from the very beginning. Sashi notes, “In those violent days people had fallen out of the habit of sustained eye contact. But if [Anjali] spoke to you, it was with a relentless concentration that was nearly blinding” (143). Anjali will not retreat from a conversation or a conflict. When confronting the situation regarding the violence committed by the militants, the government, or the occupying Indian forces, Anjali does not hesitate to call out each group in turn. She addresses the militants and the soldiers unapologetically; Sashi says, “They never knew what to say to her, this woman who spoke to them of the terror of the Tigers in the same breath that she spoke of the terror of the IPKF” (275). Anjali is guided by principles that are greater than loyalty to one faction or another.
When Anjali is taken hostage by the Tigers who suspect her involvement in the Reports, her husband understands that he must let her go rather than sacrifice her work. Her convictions are so strong that Varathan knows that he must follow her example: “He had thought he would have given anything to have her back, but in fact what he wanted then was to do what she thought was right, because she was the measure of rightness he had always used” (313). Thus, Anjali becomes the martyr that K could never aspire to be; this is because she sacrifices herself in the name of truth and in the hope of justice, rather than for propaganda’s sake.
Sashi’s four brothers and the paths they choose affect her life deeply. At the novel’s opening, each of them has their own unique personalities: Niranjan, the eldest, is quiet but principled; Dayalan is poetic and dreamy; Seelan is impatient and sharp; and the youngest, Aran, is stoically wise. In the novel, their important actions and decisions largely take place off-stage. Niranjan is killed during the Colombo riots while Sashi hides herself and her grandmother in a neighbor’s house. Dayalan dies in a confrontation, and his death is relayed to Sashi via K. Seelan passionately adopts the ideology of the Tamil Tigers and disconnects from his family. When Sashi encounters him one final time, she demands that he cease using K’s name as an alias; Seelan is no longer a part of her Jaffna memories. Aran, Sashi’s “one remaining brother” (308), protects himself and his own principles, yet his presence fades from the central conflict as he travels into exile.
Thus, Sashi’s brothers are representative of the many young men who are lost in the prolonged civil war in Sri Lanka. The “brotherless night” experienced by Sashi is one experienced by many other sisters across the country. As the militant movement gains strength and gobbles up the young Tamil men of her country, Sashi says, “I did not know where my brother was—oh, how weary I was of that feeling, of not knowing where my brothers were—but I was surrounded by women who would not leave their sons in dark corners” (120). Her sentiments and her weariness are shared as the collective burden of these women, who long for their brothers, their sons, and their husbands to return home.
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