58 pages • 1 hour read
V.V. GaneshananthanA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
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Content Warning: This section of the guide includes discussion of death.
Brotherless Night takes place against the backdrop of the decades-long civil war in Sri Lanka. The conflict was the result of religious, linguistic, and cultural divisions between the majority Sinhalese and minority Tamil groups, as well as the consequence of colonial policy. The colonial era in Sri Lanka lasted from the early 19th century until the middle of the 20th century (circa 1815-1948). During this time, the British brought over significant numbers of Tamil laborers from India to work the plantations (rubber, tea, coffee) in Sri Lanka. They also elevated certain high-ranking Sinhalese to positions of power and enforced English as the national language. This created divisions among the populace. Once Sri Lanka gained independence in 1948, the Sinhalese majority gained control of the government and often took punitive measures against the Tamils. They also declared Sinhalese as the official language of the island nation. The Tamil insurgents, in turn, wanted to form their own country, with their own language and ethno-religious traditions. This led to a continuous state of war, beginning in the 1980s and (officially) ending in 2009.
Brotherless Night is set during the tumult of the 1980s. Sashi is Tamil, and she understands the history that she inhabits as one of continuous persecution against the Tamils. As she sees it, “Tamils [a]re considered expendable,” though her father supports the political ideals of nonviolent separation, “like the Gandhians, whom [they] admire[]” (13). However, according to the Tamil Tigers (and two of Sashi’s brothers), this kind of peaceful resolution is no longer viable. They are dissatisfied with the current state of affairs and the politicians who promise change that never comes. Thus, the militant groups gain prominence, and the violence escalates. The arrival of the Indian Peace Keeping Force only exacerbates the violence and prolongs the civil war.
Sashi describes the atrocities committed by all sides: the Sri Lankan government; the Tamil separatists, including the Tigers, to whom her brothers are bound; and the Indian Peace Keeping Force. Many contemporary writers, politicians, international observers, and journalists consider the Sri Lankan conflict to be ongoing, with political corruption and economic difficulties fueling anti-government sentiment to this day. Other fictionalized takes on the civil war in Sri Lanka include Anil’s Ghost by Michael Ondaatje and Shehan Karunatilaka’s The Seven Moons of Maali Almedia, which won the Booker Prize in 2022. Ondaatje also focuses on the civil war in Running in the Family, a memoir about his childhood years spent in Sri Lanka.
One prominent distinction between Sri Lanka’s majority Sinhalese population and the minority Tamils is one of religion. While most Sinhalese practice Buddhism, most Tamils identify as Hindu, and one of the defining characteristics of Hinduism is the practice of caste. Caste refers to a rigid social hierarchy wherein a person inherits a particular social class, often associated with a specific profession or trade, level of wealth, and traditional rank. The highest caste of Brahmins are, traditionally speaking, wealthy scholars or priests, while the Kshatriyas are associated with soldiers and rulers. The Vaishya caste consists of merchants and tradesmen, while the lower caste, Shudras, is made up of menial laborers. The lowest caste—the Dalits, who were once called the “untouchables”—provide labor like street cleaning and leather making. The Dalits have been the subject of discrimination for centuries, though Mahatma Gandhi worked to rehabilitate their image, christening them Harijans, or “God’s people.”
In Brotherless Night, Niranjan is acutely aware of caste and its inherently prejudiced system. He does not enjoy visiting the temple because people of certain castes (for example, the Dalits) are not allowed inside, lest they “pollute” the surroundings. He tells Sashi, “Think sometime about the people who can’t come here, Sashi […] And it isn’t only the temple where they aren’t welcome” (33). Niranjan is critical of the entrenched exclusion of certain social classes, especially because caste cannot be circumvented by accomplishment or character. A person is born into their place in the hierarchy, and this can never be changed. Sashi is, ultimately, convinced by Niranjan’s arguments; she reasons, “[If] there were a god, no god I was willing to worship would observe caste” (108). She comes from a family of educated physicians and administrators, but her caste privilege does not make her less empathetic to the fundamentally inequitable nature of caste.
One of the recruitment tools that the Tamil Tigers offer is the incentive of circumventing caste—or so they claim. Thus, disaffected young men from the lower castes are drawn to the movement; it is an opportunity for them to escape from a destiny of discrimination and menial labor. Still, Aran questions the Tigers’ commitment to this (and to all other forms of social justice that they purport to address). Several murders are committed within their village in Jaffna, and all the victims are members of the Dalit caste, labeled as traitors. Aran believes that this is a convenient way to rid the ranks of lower-caste recruits. Though Sashi is not as cynical as Aran, she understands the ways in which caste contributes to the growing separatist movement, fueling the cycle of violence that befalls her country.
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