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64 pages 2 hours read

Markus Zusak

Bridge of Clay

Fiction | Novel | YA | Published in 2018

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Part 8, Chapters 89-100 and EpilogueChapter Summaries & Analyses

Part 8: “cities + waters + criminals + arches + stories + survivors + bridges + fire”

Part 8, Chapter 89 Summary: “joker in the hallway”

The day after Penelope announced her impending death, her sons are in various states of disbelief and distress. Penelope exits the bedroom and makes a joke about dying, leading the boys to cry and embrace her.

Part 8, Chapter 90 Summary: “the silver mule”

Clay goes to McAndrew, who drives him to Silver with Achilles in a trailer. McAndrew admires their progress on the bridge and chats with the Murderer (Michael) about Clay.

Part 8, Chapter 91 Summary: “before first light had hit the house”

Penelope plays word games with the medications she is given to help ease her suffering. She tries to keep up a positive attitude about the situation but experiences a swinging scale of wellness as treatments work and fail. She lives beyond the six months originally granted to her. When she comes home from another stint at the hospital, she spends time playing the piano.

Part 8, Chapter 92 Summary: “pact with the devil”

The Murderer (Michael) assures Clay that he is the only one who can finish the bridge. Clay thinks about the legend of Pont du Gard, where villagers made a deal with the devil for a bridge to be made overnight. He tells his father that while he would never make such a deal to complete a bridge, he would sell his soul to bring his loved ones back to life.

Part 8, Chapter 93 Summary: “the seven beers of penny dunbar”

After surviving for 13 months, Penelope asks to go drinking at a pub down the street. The boys convince Michael to agree; he originally stays on the lawn, but Clay helps lift him upright so that they can walk as a family. At the bar, Penny orders a beer for each member of her family, and the bartender gives them to her without fuss and without charge. The boys barely drink theirs and she finishes what they do not.

Part 8, Chapter 94 Summary: “the walking tour of featherton”

Clay becomes obsessed with the bridge, working for 120 days without rest. The Murderer (Michael) tells Matthew when he leaves for the mines so that someone will call and check on Clay in his absence. Finally, the Murderer forces Clay to take a weekend off and travel to Featherton. He gives Clay the tour of his childhood hometown, matching the stories Clay heard to reality. As night falls, the Murderer asks if Clay wants to dig up the old typewriter. Clay rejects this offer, believing that the act of writing the story did not belong to him.

Part 8, Chapter 95 Summary: “merchants and swindlers”

As the Dunbars grapple with Penelope’s impending death, they grow even more chaotic. Matthew is offered a fulltime job at the age of 16. While he likes English, he is drawn to work as the family’s bills start to pile up. Michael realizes why Matthew has made this decision and has an outburst. The boys fight over a game of Monopoly, but when Penelope calls Matthew’s bluff without even looking at him, the boys are all struck by what it is they stand to lose.

Part 8, Chapter 96 Summary: “football in the riverbed”

The Dunbar brothers travel to Silver to see Clay in an unexpected trip. They arrive as Clay and the Murderer (Michael) are removing supports from the arches of the bridge, making it look complete. The brothers play football in the riverbed, occasionally stopping to marvel at the bridge. Matthew, recognizing how much the bridge is a part of Clay, calls out to the Murderer to have him join the game.

Part 8, Chapter 97 Summary: “the world cup of dying”

Penelope continues to survive her prognosis, substitute teaching when she can. Shortly after her third Christmas with cancer, the doctors make arrangements for her to die at home. She tells Clay the unedited versions of their family stories, including directions of where to find the family typewriter. She asks Clay to tell the stories back to her and dies three weeks later.

Part 8, Chapter 98 Summary: “portrait of a father as an older man”

The bridge is completed, and Achilles is the first creature to cross it. Clay decides to work with Matthew in the city, but before he goes, he and the Murderer (Michael) survey their work. The Murderer shows Clay a sketch of him sitting in the city kitchen, holding a broken clothes peg.

Part 8, Chapter 99 Summary: “the bright backyard”

Penelope’s condition continues to deteriorate. When the boys aren’t around, she asks Michael to help her die, a conversation that Clay overhears because he has started to skip school to watch the house. Michael carries Penelope outside, meaning to help her die by car exhaust inhalation, but he cannot complete the act. Clay picks his mother up and carries her into the garage, placing her in the car. As he does, he is certain the last thing that she sees are the bright plastic clothes pegs hanging in the sunlight.

Part 8, Chapter 100 Summary: “the hour of greatest water”

Matthew describes how Clay returned to school after putting Penelope in the car but was quickly collected by his brothers and the police. At home, Michael claimed he left the house and that Penelope committed suicide in his absence.

By winter, the rainy season arrives. Clay works with Matthew and goes running in the racing quarter, checking to make sure that Carey’s bike is unmolested. The day the rainy season starts, he unlocks the bike and gives it to a girl walking home through the downpour. The Dunbar boys travel to Silver to see if the bridge survives the water, joining the Murderer (Michael) in his house. The water of the Amahnu rises so high it submerges the bridge and the boys wait for the water to drop. Clay finds more drawings of himself that the Murderer has done. He wakes every day before dawn to check the water.

After four days, Clay wakes the others to watch the sun rise over the still-intact bridge. They are all frozen in the wonder of Clay’s accomplishment. Achilles steps onto the bridge.

Epilogue Summary: “after the end: the old tw, revisited”

In the novel’s actual present, Matthew grapples with the story he has told thus far and struggles to tell what is left to be told. The day after the bridge emerges from the water, the Dunbar boys return home. Clay stays up for two nights telling Matthew the whole story of their family, Carey, and Penelope’s death. He leaves the next day, taking time to say goodbye to each of his brothers. He gives Matthew the note with Claudia Kirkby’s number on it.

Eleven years pass from the day the Murderer (Michael) first visited. Tommy goes to university and becomes a social worker with a therapy dog; of the childhood pets, Achilles is the only one still alive, living out in Silver. Henry becomes a real estate agent and marries a woman he met at a yard sale. Rory reconnects with their father and regularly gets drinks with Matthew to talk about their past and Clay. Several months after Clay’s departure, Matthew finally asks Claudia out and begins to mend his relationship with his father.

The Bernborough track is replaced. The Novacs leave, but The Surrounds remains. Matthew has two daughters with Claudia who often ask him for the family stories. Matthew proposed to Claudia, but the two agreed to wait for Clay to return before they hold a ceremony. While waiting, years passed, and they finally agreed that if Clay did not return home by the time Matthew turns 31 they would have the ceremony without him. With the deadline approaching, Matthew goes to his father and begs him to find Clay. The Murderer travels Italy, waiting in the Florence gallery. Finally, Clay arrives.

The day of Matthew’s wedding, the Dunbar men assemble in the kitchen of the Archer Street home. Clay arrives just in time and is tackled to the front lawn by his brothers. Matthew embraces Clay and cries with him.

Part 8, Chapters 89-100 and Epilogue Analysis

It is finally revealed why Clay carries clothes pegs with him and where his desire for physical punishment stems from. He carries clothes pegs as a reminder of the last thing his mother saw before he helped her die by suicide; the pegs stand as a final connection to her as well as a representation of what he has done. This also reveals Clay’s willingness to forgive Michael at the novel’s outset when all his brothers were so resistant. Clay and Michael were the only two who knew how ready Penelope was for death and the only two present in the moments of her passing. This experience bonded them together in a way the other brothers could not conceptualize without a more intensive understanding of Penelope’s end. With their knowledge, Michael and Clay are thus the instigators of reconciliation.

The day the bridge is finished is also the day the Dunbar boys welcome their father back into their lives, literalizing the idea of building a bridge. The Dunbars play football in the shadow of Clay and Michael’s creation, mingling their chaos with collaboration. In this moment, Matthew is the one to extend his father the invitation to play with the unspoken agreement of his brothers. This moment cements that Forgiveness Must Be Freely Given, as Matthew does so without coercion or pressure. After months of knowing his father and sharing Clay with him, Matthew gains a new perspective on grief after Carey’s passing and uses that perspective to reconnect with his dad. This relationship becomes central over the next decade, as Michael becomes the figure who finds Clay to bring him home.

Clay’s departure is an extension of his mourning for Carey, another example of his self-punishment habits. He leaves his home on Archer Street and his home with his father behind, seeking new places and finding new bridges. He exiles himself from the place he is most comfortable because it is haunted by Carey; by removing himself from his home, he similarly becomes a ghost, not tied to any location or group of people. His loneliness is his punishment now that he has surpassed all physical burdens; he returns only when he is explicitly needed by his family, arriving to watch Matthew be married. This further reinforces that Love Is Omnipotent: Love keeps Clay away from the place where he belongs just as it can pull him back home after years of guilt.

The novel ends on the lawn, the scene of most chaos and violence within the story, such as the physical altercation between Clay and Matthew. The lawn which hosted Clay’s punishment is also the lawn that hosts the outpouring of love between the brothers. This shows how much they have grown and matured despite their struggles with emotions and survival. The Dunbar boys survive to become Dunbar men, stepping into their mutual future with love, respect, and reconciliation.

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