18 pages • 36 minutes read
Gwendolyn BrooksA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
In visual art, negative space is the area around a piece of art, which is important because that space helps the viewer understand where to focus their attention. Positive space is the object of that attention (the art piece). Brooks uses negative and positive space as a motif to reinforce the theme of Redefining Art.
The title of the poem and first several lines encourage the reader to believe that the broken window is the positive space—that is, that the observer should be paying attention to the shards of glass still hanging in the window. By focusing on the broken glass shards as art, the observer in the poem is able to ignore the socio-economic context that produces the glass and (more important) the boy. The boy disappears into the negative space around the broken window, in other words.
When the boy’s voice appears in the poem, he insists that what the observer should be paying attention to is “the hole” (Line 7). The hole isn’t negative space that draws the observer’s/reader’s eye to the broken glass. It is instead who the boy believes himself to be, making the hole the positive space. He foregrounds the hole as a sign of his invisibility. In Western art, Black people are frequently on the margins, invisible, or there as frames to whiteness. When Brooks reverses what counts as negative space and what counts as positive space, she is intervening in the representation of Black people and their experiences.
Brooks uses music as a motif to reinforce the theme of Redefining Art. Musical terms occur throughout the poem, and Brooks deploys these terms to encourage the reader to see the boy’s breaking of the window as art. For example, in Line 4, “sonic” encourages the reader to move from thinking of the broken window as a piece of visual art to thinking of the sound it makes when the boy breaks it—that is the “cry of art” (Line 1) one can hear. If the sound of the broken window is music, it is fleeting, just like the boy’s moment of rebellion. A “première” (Line 4) is the debut of any piece of art; Brooks’s word choice indicates that this is the first time the boy has made an effort to reshape the environment around him rather than allowing it to shape him. The boy’s attack on the material conditions around him can be art, especially if one defines art as acting on materials and making them into something else.
Elsewhere, Brooks relies on music to represent the invisibility and silencing of the boy, as when the boy exclaims that what he is creating is “not a note” and “not an overture” (Lines 7-8). These negatives reflect the absence of representation of the boy in United States art and culture. Finally, Brooks relies on “hymn” (Line 27) and “snare” (Line 27) at the end of the poem to invoke the ambiguity the reader/observer should feel about the future of the boy. The positive connotations of those terms lead the reader to see the boy’s frustrated effort to be heard as something sacred, as a drum calling the readers to march to create a better future for the boy. The negative connotations of those terms indicate that the boy is merely a sign of more death and destruction to come because of the conditions of his life.
The broken window in the poem is a symbol of both despair and rebellion. It is a sign of despair because it is what the boy has in place of more traditional artistic means of self-expression. As self-expression, the window is a “beautiful flaw” (Line 5), a “terrible ornament” (Line 5), a “hole” (Line 7), and “desecration” (Line 8). The connotation of these descriptions is negative and reflects the sense that the boy is invisible and unwanted, hence his despair. The broken window is also a symbol of rebellion. Breaking a window damages property, but it also disrupts the image of the boy stuck inside a neighborhood that deprives him of other avenues of self-expression. In terms of broader cultural meaning, a broken window is a symbol of neglect, especially in urban communities that suffer from a lack of resources.
This string of nouns occurs on Lines 22-23 in the final section of the poem, and they are symbols of the boy’s alienation from the broader culture of the United States. Congress and the Statue of Liberty are national symbols that represent American democracy and America’s commitment to freedom, respectively. Lobster is associated with the New England region, a luau is a traditional Hawaiian feast, and the Regency Room may be any number of luxurious hotel suites or ballrooms (the reference is unclear). These objects are symbols of abundance, luxury, and the expansive nature of United States geography. The boy’s limited resources mean he will neither experience abundance nor see any of the places conjured by these objects.
By Gwendolyn Brooks