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Timothy B. TysonA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
The story begins on May 12, 1970. Timothy B. Tyson, age 10, is playing basketball in the driveway of his parents’ home in Oxford, North Carolina, when his young friend Gerald Teel tells him about something that happened the previous night: “Daddy and Roger and ’em shot ’em a n*****” (1). Tyson’s mother calls him inside for dinner, where an awkward silence prevails. After dinner, Tyson and his younger sister, Boo, sneak out to the street corner for a glimpse of the Teel house, where a group of rifle-wielding men gather on the front porch, several of them wearing white robes and hoods. That night, a riot erupts in Grab-all, Oxford’s “black ghetto,” where Robert Teel’s store is located and where the Teels had murdered Henry Marrow on the previous night (4). At McCoy’s Pool Hall and the Soul Kitchen in Grab-all, a group of Black Vietnam veterans plan their next move. The next day, Tyson walks to school amid broken glass and other signs of destruction. Recalling these events more than three decades later, Tyson marvels at how they shaped the course of his life. As a professional historian, he now views them as part of a larger story in which the Black Power generation played a pivotal role: the quest for freedom in the waning years of the civil rights movement.
Tyson’s family has deep roots in eastern North Carolina’s tobacco country. The people of Granville County, where Oxford is located, are hospitable yet slow to embrace outsiders. The Tysons arrive in town in 1966. Tyson’s father, Vernon Tyson, is a Methodist minister and a New-Deal-style liberal like his father, Jack. Vernon takes over the Oxford Methodist United Church and discovers that the congregants are uneasy about his liberal views on race. White supremacy prevails in Oxford, from a segregated theater to a police force that was nearly all white. Oxford has been slow to follow either the letter or spirit of the 1964 Civil Rights Act. Tyson’s mother, Martha Buie Tyson, hails from a wealthy family whose assumptions and habits are steeped in racial paternalism, though Martha herself escaped this mold as a young woman. Tyson’s maternal grandmother, Jessie Thomas, had married Charles Buie, general manager at a textile mill. Five Black people worked in their house. Jessie always believed that she had good relations with her Black employees, and one of them, a gardener named Joe Dunlap, once told young Tyson that he should be proud of his grandfather Charles, who died when Tyson was an infant. Tyson believes that Dunlap was sincere in his assessment of Charles Buie. As an older man and a professional historian, however, Tyson recognizes that everything about the relationships between his grandparents and their Black employees, including Jessie’s insistence on saving pairs of old shoes to give to “some nice colored people,” was saturated with racial paternalism (27). Furthermore, whereas white people grew up on stories of good relations between the races, Granville County’s Black residents heard stories of family members being sold away from one another and separated forever during slavery days.
Tyson uses a humorous story as a segue into one of slavery and segregation’s ugliest aspects. One day in 1966, after being caught smoking cigarettes and listening to other boys talk about what happens during sex—which the then-seven-year-old boy clearly did not understand—Tyson and his older brother, Vern, fear punishment from their father. Instead, Tyson receives the birds-and-bees talk. This serves as a gentle introduction to the difficult historical subject of race and sex. In short, for centuries in the American South, white men had enjoyed free access to Black women, while Black men and white women were kept as far apart as possible. Even as legal segregation begins to crumble, this particular taboo endures. According to the men who killed him, Henry Marrow had made a suggestive comment in the direction of a white woman, Judy Teel, 19-year-old wife of Robert Teel’s son Larry. Furthermore, as of May 1970, Granville County’s schools are set to integrate that fall. Tyson explains that “the molten core” of integration-related fears among whites “was the specter of sex between Black males and white females” and that this this taboo is so strong that “the allegation that Henry Marrow had made a lewd remark to a white woman turned public murder into justifiable homicide” (42).
The book’s opening chapters establish all four major themes. Tyson dismisses the idea of voluntary desegregation as A Sanitized History filled with “cheerful and cherished lies” (10). He describes White Supremacy as so thoroughly pervasive in the American South of his childhood that “most people could no more ponder it than a fish might discuss the wetness of water” (17). He introduces his father as a Methodist minister and New Deal liberal doomed to clash with his congregants over the issue of race. Finally, he recalls walking past The Confederate Monument on his way to school after the first night of riots following the Henry Marrow murder.
These opening chapters also introduce three crucial elements of the story, all of which relate to one or more of the book’s major themes.
The first crucial element is racial paternalism (See: Index of Terms). While the book’s action revolves around violent episodes or phenomena such as the revival of the Ku Klux Klan in eastern North Carolina, the Marrow murder, and the riots that ensued, the most subtle and in some ways most insidious aspect of white supremacy involved paternalism. Well-to-do white Southerners assumed their own superiority and thus took their privileged positions for granted. Day-to-day interactions between whites and Blacks occurred in the context of this assumption. Well-to-do whites, for instance, often provided less fortunate Blacks with charity or other material assistance, but the provisions always came with an expectation that each party would play its prescribed role. The Black beneficiary must show the most effusive gratitude, smile the widest smile, and acknowledge the white benefactor’s generosity with a series of “Yes, sirs” and “Thank you, ma’ams.” The white benefactor, meanwhile, derived from these demeaning performances an exaggerated sense of importance, as well as a distorted impression of the true state of things between the races.
The second crucial element is the sexual taboo that got Henry Marrow killed. Few people who lived in the South during the waning years of segregation really understood the taboo’s origins. Tyson did not understand it either until he became a professional historian. When Marrow allegedly made a flirtatious remark in the direction of a white woman, he violated a centuries-old proscription on anything that even hinted at sex between white women and Black men. Tyson traces this proscription as far back in Southern history as the 17th century, when Virginia’s colonial legislature began to codify the statuses of interracial offspring. For much of its early existence, colonial Virginia operated primarily on the labor of white indentured servants; by midcentury there were only a few hundred enslaved Black people in the colony, and surviving records show that skin color was no impediment to land ownership or even to the ownership of enslaved people. Everything changed, however, when the legislature upended English common law by determining that children would inherit the status of mothers rather than fathers. This opened the way for white masters to take sexual liberties with enslaved female while knowing that any offspring would remain legally Black and therefore enslaved. It also meant that Black men and white women had to be kept as far apart as possible, for enslavers could not risk a competing population of light-skinned Blacks who inherited freedom from white mothers. “The whole system of racial bondage,” Tyson writes, “rested upon the fact that free white men could father ‘black’ slave children, while black men could never father ‘white’ children” (37). It would be impossible to overstate the significance of these laws for Southern history. In fact, Tyson believes that “‘[r]ace’ itself could have meant something entirely different without these rules about sex” (38).
The third and final crucial element introduced in these early chapters is the role of Black Vietnam veterans in the targeted violence that erupted in Oxford after Marrow’s murder. These veterans conducted military-style operations against high-value, white-owned economic targets, all the while escaping the notice of Oxford’s white-dominated police force and municipal government. Tyson describes one veteran’s reflection on the Oxford riots: “‘We tried to tear that bitch up,’ one of them boasted” (6). The phrase “one of them” illustrates that even by 2004, when the book was published, the men who participated in the riots still did not want their identities revealed.
By Timothy B. Tyson