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79 pages 2 hours read

Sharon M. Draper

Blended

Fiction | Novel | Middle Grade | Published in 2018

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Chapters 30-44Chapter Summaries & Analyses

Chapters 30-44 Summary

The school is just getting back to normal when, without warning, the school security police come into Mr. Kazilly’s classroom and escort Logan out. Mr. Kazilly stays vague about the reason but strongly hints it has to do with the noose incident. Izzy goes to Imani’s home that night for a sleepover. The two girls have been friends since third grade, and now they talk candidly about race and racism. Izzy has always been impressed by the decorations and furnishings in Imani’s home. The artifacts reflect her family’s pride in their African identity and culture. Izzy cannot help but feel again as if she is two people. The trauma over the noose runs deep in Imani. Just seeing a noose in an Western they are watching on television is enough to cause Imani to panic.

Spring is beginning to return. Izzy’s father plants his annual daffodil garden although Darren worries he might be planting too early. Izzy whispers quietly to the struggling buds to hang in there until spring sticks around. Meanwhile, Izzy is picking up on the increasing tensions between her parents when it comes to sharing custody. The hand-offs are getting more tense and are occasionally confrontational. Each parent is getting less forgiving when the other shows up even a few minutes late. Izzy takes secret delight when, during her school’s Open House night, her parents are forced to get along: “They are so pitiful it’s hilarious” (141). In Mr. Kazilly’s class, Izzy reads Joyce Kilmer’s iconic poem “Trees.” Although delighted by the play of words and the subtle rhythms, she sees that the poem idealizes nature. The poet fails to mention the hard reality of bugs, for instance, destructive and annoying creatures that permeate nature. She composes her own parody of the poem that celebrates bugs that crawl, buzz, and fly into people’s mouths.

During her week with her mother, John Mark sheepishly asks Izzy’s permission to propose to her mother. Izzy is impressed by his sincerity and humility. She has no objections. Later, however, she begins to appreciate the dimensions of the proposal—how the custody arrangement, already complicated, is about to get more complicated. She will now have an entire white family to deal with: “I’m officially gonna be an outsider” (154). The next week, as John Mark prepares to make the proposal, he shows Izzy his newest tattoo: her name penned in elegant script on his left wrist. Izzy is touched. The next week, Izzy accompanies John Mark to the Waffle House, where, amid balloons and flowers, he proposes, and Izzy’s mother accepts.

Following a particularly angry confrontation at the mall between her parents, Izzy turns more and more to her piano as a refuge and, particularly, her preparation for her recital. The piece is under her command, but now she is starting to think about her appearance, including what she will wear and how she will do her hair. With two of her friends, Izzy heads to the mall to window shop for a recital dress. When Darren drops her off, she has a wonderfully selfish moment when she realizes that for the next few hours, she can be entirely herself: “It’s just a little me time” (165).

On a whim, Izzy and Imani venture into a high-end dress shop that offers exclusive designer clothes. Izzy is amazed by the beautiful, expensive clothing, particularly a baby-blue cashmere sweater. The girls become aware a store security guard is following them through the aisles. He comes up to them and, without any explanation, asks them to leave. He explains that his job is to “remove possible…threats” from the store (174). It takes a moment for Izzy to understand she and her friend are the threat. Imani vehemently objects, but Izzy grabs her hand and steers her out of the shop, their “brown fingers latched like a chain-link fence” (173). For the first time, Izzy understands the implications of being Black. The security guard saw them only as two Black girls and, consequently, as shoplifting threats. On her way out of the store, Izzy yanks the expensive cashmere sweater from the display and drops it to the floor. The two, both shaken, agree never to tell their parents.

Chapters 30-44 Analysis

These are the darkest chapters in Izzy’s story. Her life seems to be entangling into a series of problems she cannot resolve. Happiness seems lost, even ironic. Her only moment of joy in these chapters is when she accompanies John Mark to the Waffle House to ask Nicole to marry him. Even then, within a few hours Izzy is bothered by thorny questions about how her life will be now that her mother is remarrying. She is growing up fast. The naïve solution to hate she posed just weeks earlier, decorating the school corridors with festive hearts, is not working: “Paper hearts on the walls have faded and fallen to the ground” (124).

In these chapters, which climax with the ugly confrontation with the store security guard, Izzy begins to appreciate the seriousness of race and racism and the delicate position she is in as a biracial person. In school and at home, she begins to feel increasing pressures, rising tempers, and piled-on stress. Her quiet whisper to her Dad’s budding daffodils, struggling to survive the last few dark weeks of winter, suggests her own position. As her parents appear to be more confrontational, the school becomes more like a war zone, and her preparation for her recital brings on stress, Izzy needs to hang on. This is the winter, but spring is on the way.

The first indication of the increasing seriousness of the issues of race and her school occurs when the boy who made the snide remark in class is led out of the classroom by school security. For Izzy, the joke is suddenly exposed as something darker and more insidious. Even Mr. Kazilly, normally open for discussion and willing to examine even difficult issues, is uncharacteristically evasive: “I know this has been quite a shock. We had no way to shield you from witnessing that. I am so very sorry” (126). Izzy feels as if she is being lied to. She has only a vague and disturbing sense that Logan’s removal from class indicates something she needs to understand but still does not. When later, during their sleepover, Imani reacts strongly to just the passing image of a hangman’s noose in a Western, Izzy again understands how little she understands about the impact of racism and the trauma of racial bigotry: “Imani won’t stop shaking. I don’t know what to do” (132).

The poem that Izzy writes about bugs reveals how she is beginning to handle this uneasy sense of her own helplessness. The only strategy she knows is awareness. If hate cannot be stopped by paper flowers, then Izzy can only come to terms with that awareness. She is bothered that the Kilmer poem makes nature out to be ideal and perfect. Her response is to celebrate bugs despite the destruction they do and how annoying they are. In her own way, Izzy signals she is ready to accept rather than deny the unpleasant realities of the world. She is ready to face the complex logic of hate and racism. Nature is beautiful, her poem admits, but it is far from perfect.

The confrontation in the mall’s dress shop completes Izzy’s education into the dark reality of racism. For the first time, she sees herself as Black and, consequently, as a threat. The guard has no reason to confront the girls. In fact, when Izzy first notices they are being tailed in the store, she assumes they are being sized up so that dresses in their size can be fetched for them to try on. His demand that they leave the store comes out of nowhere. They are quietly walking about the store aisles; they are not acting in ways that appear suspect; they are 11 years old. The guard stumbles talking to the girls, carefully choosing his words, trying to avoid saying outright what they all understand. This encounter is the product of a store security protocol that is racist. Imani and Izzy are too stunned to react in any way but sheepish cooperation. When they quietly depart, they do so holding hands, their “brown fingers” intertwined, Izzy now acknowledging that her biracial status makes her vulnerable to the ugly stupidity of racism.

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