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Weeks go by, and the commander has them woken every other night to sign the paper, but they continue to refuse. During the long hours of waiting at gunpoint, Lina “allowed [her]self to wish from the deepest part of [her] heart” (170). She does this in order to escape the present and draw strength from this almost meditative state. Eventually, however, some people give in and sign the document, including the grouchy woman. Lina and her mother can tell who is likely to sign by the defeat on their faces, and while her mother tries to talk to them and give them hope, Lina draws their faces and writes down how they were pushed to their defeat.
Lina herself feels strengthened by her opposition to the NKVD. She questions why anyone would give in to their tormentors and lose their self-respect. After the grouchy women signs, screaming that she has to feed her daughters and that the rest of the hold-outs are “imbeciles” (171), they decide to take advantage of her decision and bribe her to mail their letters for them: now that she has signed the paper, she is allowed to visit the town.
Elena offers the grouchy woman a sterling silver serving piece to carry their letters for them and to bring back any news. She accepts. The bald man has already told them that Hitler drove Stalin out of Lithuania, but Lina wonders how he gets his information. She remembers listening to her father talk with his colleagues about Stalin and Hitler and which one was worse, with her father’s Jewish friend Dr. Seltzer telling them about Hitler’s treatment of the Jews.
One day, while they are working in the beet fields, Kretzsky comes to have Lina draw a map and copy a photograph in exchange for two cigarettes. When they are in sight of others, Kretzsky is rough, but when they are alone, he leaves her alone. Along the way, they run into two NKVD guards, one of whom points his lit cigarette at Lina’s face but stops before burning her. Kretzsky laughs with the guards but then lets his shoulders drop when they walk away. He lights a cigarette and laughs again, before dragging Lina into the office.
Several officers are present while Lina draws the map, but only Kretzsky stays with Lina while she copies the portrait of a man who “had bright eyes and a warm smile” (178). She wonders who the man is and wants to draw something “his wife and children would like to look at” (179). She also wants to keep the pen she is drawing with and drops it in her lap when Kretzsky isn’t looking. She uses the leftover coffee grounds in Kretzsky’s cup to create textures in the man’s hair, and just as she finished, the commander arrives with her cigarettes.
As Lina hurries away from the NKVD office, she hears someone crying and it turns out to be Mrs. Arvydas. Andrius is with her and he tells Lina to leave. Mrs. Arvydas has a “bloody welt that blazed across her cheek” (180). When Lina sees it, she apologizes and runs away, forgetting to give Andrius the cigarettes she had meant to give him as a peace offering. When she gets back to her shack, she does not tell Jonas what’s wrong. Instead, she draws Mrs. Arvydas until she calms down. Soon afterwards, her mother comes home, having gone out to meet the grouchy woman on her way back from town. Miss Grybas tells them to hurry and hide the things the woman has gotten for them because the NKVD is rounding them up again to try to get them to sign the papers. Lina remembers a time at the Vilkas’s dinner table, when Jonas was telling them about a child at his school who was sent to the principal’s office for talking about hell. When his father asks him why his friend would be talking about hell, Jonas reports that his friend’s father told him that they’ll all end up in hell if Stalin comes to Lithuania.
The next day, Elena tells them what she has learned from the grouchy woman about the nearby town, which is called Turaciak. They also learn that the “Germans have taken Kiev” (185). The bald man argues that Hitler is no better than Stalin and that their “fate is genocide, no matter whose hands [they] fall into” (185). They talk about people back home whom they might write to, and Mr. Stalas tells them that they will endanger people with their “love letters” (185).
Time goes on and the weather turns colder. Andrius still will not speak to Lina, and her mother is reassigned to teach school to the Altaian and Lithuanian children in Russian. The NKVD will not allow Miss Grybas to teach, even though she is a teacher by trade, unless she signs the paper, which she refuses. Jonas is also reassigned to chop wood instead of making shoes with the two old women he had become friends with, but his Russian steadily improves. Lina is reassigned to haul “sixty-pound bags of grain on [her] back through the snow” (187). She learns from Jonas how to pilfer a few grains at a time by moving the weave of the sack aside. They learn to steal from the garbage, as well, and subsist on what they can scavenge and occasional help from the Arvydases.
Though Lina is able to speak with Andrius during this section of the book—apologizing once again when she happens to see him with Mrs. Arvydas, whose battered face speaks to the suffering she is enduring, despite being well-fed and sheltered—they are still not reconciled, and their relationship does not evolve beyond Lina’s feelings of guilt and remorse.
We do learn more about Kretzsky, however, whose behavior around Lina is markedly different depending on whether or not there are other NKVD guards around. Though Lina sees little reason to interpret his behavior with a sympathetic eye, it seems that he does what little he can to protect her from significant harm, defusing potentially violent situations with other guards before Lina gets hurt.
This section highlights one other important aspect of Lina’s character—that she gains strength in opposition to her enemies, rather than being drained of energy by their brutal ways. Her inability to understand why anyone would sign the paper the NKVD want them to sign, thus losing all self-respect and giving into their tormentors, foreshadows her later realization that despite all the suffering, she has never wanted to give up her life. Though her acts of resistance up until now have been childish—all talk and cartoonish drawings—they are evolving into a more substantial kind of resistance. The risks she takes become more calculated and purposeful.
By Ruta Sepetys