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Herman MelvilleA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Content Warning: This section discusses racism and enslavement.
The deteriorated condition of the San Dominick symbolizes the revolt happening aboard it, developing the theme of Slavery and Racial Bias as Dehumanizing. When Captain Delano first lays eyes on the vessel, he notices the absence of a flag, a standard maritime protocol. This details hints at irregularities, and the ship’s decay becomes apparent as Delano approaches it. The figurehead is concealed beneath a cloth, and Delano states that “her keel seemed laid, her ribs put together, and she launched, from Ezekiel’s Valley of Dry Bones” (11). This is a biblical allusion laden with significance. In the Old Testament, Ezekiel witnesses the divine transformation of a valley of dry bones into living people, symbolizing the restoration of the enslaved Israeli people. In the context of Benito Cereno, the bones are the enslaved Black passengers, once resigned to hopelessness but now seizing control of their destiny and seeking to return to their homeland. The fact the San Dominick is worn and weathered also represents the horrors and atrocities of the revolt.
Despite this symbolism, Delano, characterized by his trustful and naive nature, fails to grasp the gravity of the situation. One element of the ship stands out particularly in this respect: the covered figurehead, eventually revealed to be the skeleton of the enslaver Aranda. This barely concealed horror symbolizes the reality of the revolt, but it also speaks to the horrors of slavery, which similarly transpire in plain sight. It is notable too that Aranda’s skeleton replaces a bust of Christopher Columbus, a symbol of colonialism and the enslavement that accompanied it. In making the switch, the rebels lay bare the brutality of both.
The motif of leadership permeates the novella, conveying the themes of The Unreliability of Appearances and slavery and racism as dehumanizing. The phrase “follow your leader” recurs several times; Delano initially encounters it chalked on the side of the San Dominick. The phrase takes on a macabre significance when it’s revealed Babo used it to threaten the Spanish sailors and when, after Cereno’s death, the narrator states that he “did, indeed, follow his leader” (122). Here, the concept of following one’s leader is not a call to embrace a noble cause but rather a grim march toward death. The misinterpretation of this sentence by Delano as a motivational motto for the San Dominick’s sailors underscores the central theme that appearances can be deceiving, masking the ominous presence of violence.
Moreover, Delano consistently misjudges the leadership dynamics abord the San Dominick. Believing Cereno to be in charge of his ship, he often questions his leadership skills; observing his apathetic behavior, Delano concludes that “had Benito Cereno been a man of greater energy, misrule would hardly have come to the present pass” (16). He therefore attributes the strange happenings on the ship to Cereno’s weak leadership, never considering that the Black passengers might actually be in charge. In stark contrast to Cereno, Babo emerges as a true leader. Originally captain of the enslaved passengers, he is the mastermind behind the revolt and subtly asserts his authority even in Delano’s presence: When Delano gives out navigational orders, Babo echoes them, reassuring the rebels that he is still in command. Cereno, in sharp contrast, remains weak and passive, confined to his cabin. The novella therefore exposes the absurdity of ascribing “natural” leadership abilities to people on the basis of race, class, etc.
The knot that Captain Delano sees a sailor making aboard the San Dominick symbolizes the convoluted situation aboard the ship. During his stroll on the vessel, Delano witnesses a Spanish sailor meticulously tying a rope composed of various nautical knots. When queried about its purpose, the sailor responds that it is “for someone else to undo” and asks Delano to “undo it, cut it, quick” (56). A Black passenger then throws it into the ocean. This composite knot symbolizes the tangled and complex situation aboard the San Dominick that Delano is now tasked with unraveling and that proves too intricate for Delano to decipher. Just as he is puzzled by the knot, Delano is bewildered by Cereno’s behavior and the strange incidents on the ship, deceived by the rebels’ performance.
On a larger scale, the knot is a symbol of the complexities of racial dynamics in Herman Melville’s time. Much like the convoluted knot, addressing the nuances of racial relations and finding a solution requires a careful and patient approach. However, the enslaved man’s decision to discard the knot into the sea implies a preference for hasty, aggressive solutions. Delano’s perplexity underscores the daunting nature of the challenge and his inability to comprehend or resolve it.
By Herman Melville