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32 pages 1 hour read

Jerzy Kosiński

Being There

Fiction | Novel | Adult | Published in 1970

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Chapters 1-2Chapter Summaries & Analyses

Chapter 1 Summary

Chapter 1 introduces the reader to Chance and establishes his realm within the Old Man’s garden. Chance loves gardening and spends most of his time there. He works meditatively, paying attention to the flow of water over the leaves and petals. He thinks about how plants are similar to yet different from people. They cannot think nor can they know themselves. They do not have human awareness, but like people, they require care and nurturing to thrive.

Chance lives the other part of his life in his bedroom. He watches television with the same rapt attention with which he gardens. When he turns the channels using the remote control, he muses on how television transforms the complex world into a series of easily digestible images. By changing the channels, he can move backward and forward in time. The process of watching TV brings him into being.

Chance cannot read or write. His mother, who had intellectual disabilities, died in childbirth. The Old Man took Chance in as a child. He is not a blood relation and has intellectual disabilities. When Chance was young, the Old Man threatened to send him to an insane asylum if he strayed from his designated areas—his room and the garden. A maid brought Chance’s meals to his room so that he need not enter any other part of the house.

At the end of the chapter, Chance hears the maid screaming. He enters the Old Man’s room for the first time and finds her shouting into the phone. The Old Man is propped up in bed, slumped dead against the window. Chance looks at him, says a peremptory goodbye, and leaves.

Chapter 2 Summary

After his death, the Old Man’s lawyers arrive. Chance is excited to meet people he has never seen before. He believes that, just as when one watches television, people cease to exist if you do not see them. He believes that seeing others and being seen is a confirmation of his identity.

The lawyers, Mr. Franklin and Miss Hayes, arrive and question Chance about his background. Chance has never held an official position as a staff member in the household and lacks personal documents such as a birth certificate or identification card. The lawyers do not believe that Chance is the longstanding gardener, no matter how detailed his description of his life and duties. The maid, who is new, cannot vouch for him, and his lack of documentation renders him suspect.

The lawyers tell Chance that he must sign a paper withdrawing his claim to the estate. Chance knows that he should not reveal his illiteracy. He knows that on television, people who cannot read or write are often ridiculed. He makes a show of considering the document before telling the lawyer that he cannot sign it. The lawyers tell Chance that he must vacate the premises by noon the following day.

Chapters 1-2 Analysis

The novella is constructed as a hero’s journey, a phrase coined by the American writer Joseph Campbell. In a hero’s journey, a protagonist “goes on an adventure, learns a lesson, wins a victory with that newfound knowledge, and then returns home transformed.” (“Writing 101: What Is the Hero’s Journey? 2 Hero’s Journey Examples in Film.” 2021. MasterClass.com.)

The first two chapters establish Chance’s world: the Old Man’s house and garden. The reader sees Chance in his element, working in the garden, watching TV in his room, eating meals that the housekeeper has prepared. This will be a stark departure point from what develops: Chance will meet wealthy and important people in society, including the President of the United States.

Kosiński provides Chance’s backstory as a foil for his later experiences. We learn details which are integral to the plot, that Chance cannot read or write and has never been outside the house’s grounds. We also learn about Chance’s state of mind. The nature of his intellectual disability is never specified, but it is one of his defining features. He can mimic appropriate social and emotional responses, even if he does not understand them. The theme of acting versus experiencing is one of the novella’s central themes.

The story’s inciting incident, the Old Man’s death, is the call to adventure. In a hero’s journey, a reluctant individual is thrust into an uncomfortable situation from which there is no turning back. The lawyers force Chance to abandon the only world he has ever known, creating the basis for the plot and character growth that follows.

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By Jerzy Kosiński