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46 pages 1 hour read

Amy Chua

Battle Hymn of the Tiger Mother

Nonfiction | Autobiography / Memoir | Adult | Published in 2011

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Part 2, Chapters 18-22Chapter Summaries & Analyses

Part 2, Chapter 18 Summary: “The Swimming Hole”

Chua invests in an expensive violin for Lulu. Lulu performs well in her audition, and Mrs. Vamos agrees to have another session with her. She suggests that Lulu pursue lessons with Kiwon Nahm, a recent graduate from Yale’s School of Music, in order to apply for the Pre-College program at Juilliard. The move is costly; Chua offers to pay Kiwon for her time as a tutor and her travel time. Jed objects, but ultimately, Kiwon is hired.

Part 2, Chapter 19 Summary: “How You Get to Carnegie Hall”

Chua and Sophia attend a piano lesson in preparation for a competition whose winner will play at Carnegie Hall and is open to musicians from all over the world. Chua enjoys the lessons even more than Sophia; they become her “favorite thing,” and she “religiously takes notes” (124). For the competition, Sophia plays a Prokofiev piece, “Conquering Juliet,” though, initially, Chua wants her to play something “hard, like Rachmaninov” (123). Chua hires a professional sound engineer to edit Sophia’s pieces onto a CD, and they send it off to the judges.

Part 2, Chapter 20 Summary: “How You Get to Carnegie Hall, Part 2”

Lulu prepares for her Juilliard Pre-College audition. Jed is reluctant for her to compete because he attended Juilliard’s Drama Division and was kicked out for insubordination (afterward, he decided to go to Harvard Law School). Chua’s parents were not impressed by this when she started dating Jed, and they also are not sure why she is pushing the Pre-College program so hard. Sophia wins the competition and is scheduled to play at Carnegie Hall the night before Lulu’s Juilliard audition.

Part 2, Chapter 21 Summary: “The Debut and the Audition”

Chua goes overboard for Sophia’s performance, purchasing a floor-length gown from Barney’s for Sophia to wear and renting out the Fontainebleau Room at the St. Regis New York and catering an elaborate feast for the reception afterward.

Chua makes Sophia practice until 1:00am the night before, and when the time comes, Sophia gives a spectacular performance. Lulu, unfortunately, gets food poisoning after going to a deli for lunch with Kiwon. Despite this, she performs well in her audition. She is not accepted to Juilliard, but one of the judges recognizes her talent and calls to invite Lulu to study at her private studio.

Part 2, Chapter 22 Summary: “Blowout in Budapest”

Sophia and Lulu are invited to perform together at the Old Liszt Academy in Budapest, and Chua puts her daughters through a heavy regimen of practicing in preparation. She contemplates if she is going to great lengths for her daughters or for herself but is convinced that everything she does is for them. When the family arrives in Budapest, the girls are alarmed by the strict guidelines of Mrs. Kazinczy, their instructor. Lulu has a tantrum, but the performance goes well.

Part 2, Chapters 18-22 Analysis

An aspect of the story that may stand out to readers but that Chua does not address directly is that Chua’s tiger parenting would not be successful without her family’s wealth. Chua hires a professional sound engineer to edit Sophia’s competition submission and spends thousands of dollars on her Carnegie Hall afterparty. She maintains that her tendency toward indulgent displays of pride is because she’s Chinese but never questions the appropriateness of her expenditures. Sophia did work her way to Carnegie Hall, but this was enabled by Chua spending thousands of dollars on private instructors and professional aid to make her playing sound as perfect as possible. At no point does Chua consider this an uneven playing field or consider the position of less-privileged competitors. Rather, she attributes Lulu’s rejection from Juilliard as proof that parents from Eastern European and Asian countries have the luxury of being stricter without as much pushback from independent-minded American children.

More of Jed’s backstory is revealed in these chapters. Initially, the reader encounters Jed as a lawyer who has never encountered anything but success; here, Chua reveals that acting was actually his goal, and that despite the considerable privilege of his network and background that enabled his admission to one of the most prestigious acting schools in the world, he managed to get himself kicked out. Chua frames this inciting incident as taking place because of an oversensitive director, not acknowledging the irony of this argument: The same power dynamics that she claims Jed’s former professors abused are used by Chua and Jed now that they are in positions of power at Yale. They use their connections to hire Kiwon, a recent Yale graduate, and access other resources that are only available to insiders.

In retrospective anecdotes, Chua the Narrator walks a curious line, at once critical of and oblivious to the missteps of Chua the character. Rather than learning from her mistakes, she often doubles down and uses them to confirm that she is right. For instance, after berating Sophia in front of the sound engineer, he tactfully suggests that she leave to get them coffee. Without the overbearing presence of her mother, Sophia performs well enough to secure a final take for the audition tape. However, Chua does not reflect on the ramifications of this moment: While she recognizes that the event is “traumatizing” (127) for Sophia, she resumes her hovering though it is clear that her daughters relax and perform better when she leaves them alone.

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