49 pages • 1 hour read
Rick BraggA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Bragg begins by talking about his grandmother, Ava:
She could be gentle as a baby bird and sweet as divinity candy, but if her prescription was off, or if she just got mad, she would sit bolt upright in bed at three o’clock in the morning and dog-cuss anyone who came to mind, including the dead (5).
Ava had a difficult life, including burying two daughters, “one just a baby, one full-grown” (6), and although she was a fiery woman in her youth, she had mellowed a bit in her old age.
She babysat for Bragg when he was younger, and he remembers the other grandchildren joking with her about getting a boyfriend. She would tell them no, “I ain’t goin’ to get me no man” (7), because she already had Charlie Bundrum, her deceased husband who passed a year before Bragg was born:
[Charlie] was a tall, bone-thin man who worked with nails in his teeth and a roofing hatchet in his fist as hard as Augusta brick, who ran a trotline across the Coosa baited with chicken guts and caught washtubs full of catfish, who cooked good white whiskey in the pines, drank his own product and sang, laughed and buck-danced, under the stars (7).
Bragg says that “for most of [his] life,” his grandfather remained unknown to him:
[H]e was no more real, no more complete, than a paper doll. I learned scarp by scrap, that he was a carpenter, roofer, whiskey maker, sawmill hand, well digger, hunter, poacher, river man, born at the turn of the century in a part of the country that is either Alabama or Georgia, depending on how lost you are, or if you even care (8).
Bragg didn’t learn these things until he was much older because his family didn’t talk about Charlie after he died—it was too painful to conjure his memories.
In writing this book, Bragg explains that he wanted to document a complete picture of his grandfather: “The one thing I am dead sure of is that [Charlie’s] ghost, conjured in a hundred stories, would have haunted me forever if I had whitewashed him” (11). Bragg wanted to write about his grandfather with honesty and not omit unflattering facts: Although he was a good, loving, and moral man, Charlie made and drank “likker” (11), and he got into fistfights. Bragg’s mother, Margaret, had moved back in with her mom and dad because her husband was abusive. She was one of Charlie’s self-proclaimed favorite daughters and recalled how in the last year of Charlie’s life, he loved and doted on her eldest son, Sam (Bragg’s older brother). As Bragg details, Charlie spent the end of his life protecting the family:
People still say what a shame it was that [Charlie] died so young, at fifty-one, but I cannot say he died too soon. He lived long enough to see most of his children grown. He lasted, with his liver and heart ravaged by whiskey and hard living, till my brother Sam came into this world, and then he hung on, to save my mother and big brother from the sadness beyond his door, for as long as he could (17).
One day while fishing with his big brother Sam, Bragg hears Sam say that the “big fish won’t bite on a bluebird day,” and Bragg thinks about how modern men don’t talk like that anymore; it reminds him of something that his grandfather might have said, a saying “passed down to him, to us, like a silver pocket watch” (18).
Ava first met Charlie in the 1930s, and from that moment on, they were passionately committed to one another:
Ava met him at a box-lunch auction outside Gadsden, Alabama, when she was barely fifteen, when a skinny boy in freshly washed overalls stepped from the crowd of bidders, pointed to her and said, ‘I got one dollar, by God.’ […] But to remind him that he was still hers, after the cotton rows aged her and the babies came, she had to whip a painted woman named Blackie Lee (19).
While Blackie is at Ava and Charlie’s home resting and washing her clothes, Ava is working in the cotton fields miles away. However, she hears a rumor that a pair of silk stockings are hanging on her clothesline back home. Ava drops her bag of cotton and walks in a mad rush to her house. Around dark, she arrives to see Blackie on the porch. Blackie sees how angry Ava looks and runs inside: “[Ava] beat her all through the house. She beat her out onto the porch, beat her out into the yard and beat her down to the road, beat her so hard that her hands swelled up so big she couldn’t fit ‘em in her apron pocket” (22). When Charlie gets home that night, Ava starts to beat him, too.
Despite that moment, Ava and Charlie stay together and seem to love each other wildly, even though they often pick on each other. In their younger years, Charlie often plays the banjo in the evenings and Ava dances and sings to his music.
Bragg remembers when he saw his “real buck dance” (28). It was almost dark, and he was in a bait shop parking lot waiting for his mom. He looked over at some fishermen who were drinking by a fire and listening to music from their truck radio. One of the men started hitting his fist on his leg to the music, and “commenced to dance” (29). The bizarre sight was unfamiliar to Bragg, and the dance itself “was not rhythmic, not fluid. The old man stomped hard at the gravel, then shuffled a bit before stomping down hard again, as if he was trying to stamp out fired or snakes” (29). Bragg explains that buck dancing was native to his people: “Folklorists trace it to Ireland and Wales and other places, and it became, over time, the odd ballet that [he] saw on a riverbank not far from the falls, the stench of burning tires in the wind” (29).
Bragg’s grandfather “was a buck dancer” (29), and the way he danced always reflected his mood. Charlie couldn’t read, and many of the men in the family couldn’t either. Bragg notes that although there wasn’t a written record of the family history, he believes the Bundrum men faced similar plights: “The first Bundrum, if the connection is correct, was just one more poor fool was got run off from someplace else. And being run off, I learned, is a rich family tradition” (31).
The first Bundrum was “Jean Pierre Bondurant […] He was a Huguenot. Wandering people, set adrift by the religious wars of the sixteenth and seventeenth centuries, they were the disenfranchised French Protestants” (31). Bragg’s family only knows about Jean Pierre because of ship records: He moved from Geneva to England to America, and his descendants made their way south. As they moved, the name “Bondurant” slowly turned into “Bundrum” (32).
Jimmy Jim was Charlie’s father and Bragg’s great-grandfather. Despite his playful nickname, Jimmy Jim was a severe man:
His temper was hot as bird’s blood, and his eyes seemed to burn, even in photographs. He had a hooked nose and thick brown mustaches and wore overalls with a black suit coat over them, and was known to carry a little .22 pistol in his coat pocket. He largely disregarded any laws or influence outside his own will, and some people did not like to look him dead in the eye because it made them feel weak (36).
In Jimmy Jim’s time, “hard drinkers gathered in the cool of the evening to swap lies and trade dogs and cut each other up a little bit, to settle differences” (39). Jimmy Jim was also a heavy drinker and a fighter. Bragg recalls how one night, when a man attacked Jimmy Jim, his great-grandfather bit off his own finger to save himself. Jimmy Jim had seven children with his wife, Mattie Mixon, and he was hard on them.
Jimmy Jim was “as well known for his likker as his lumber” (42). Law enforcement continually chased Jimmy Jim, trying to bust his whiskey stills, so he would have to go into hiding for long periods of time, leaving his wife and children alone. When Charlie was 12 years old, a milk cow kicked his mom’s hip and shattered it. Although the injury left her crippled, she managed to take care of her children without her husband. While Charlie’s dad was hard on him, he and his mom were close. She died when Charlie was 15, and the loss of his mom crushed him.
During his young life, Charlie is a roamer: “He could run, man, he could run. Up and over the ridges and down, down into the hollows, he trailed the dogs that trailed the possums, his ears tuned to their music” (47). He catches possums and sells them to people for a little bit of money, or at least the hope that someone will invite him to dinner. Everything he owns can fit in a little sack, and he is skinny. People call him “whistle britches” (50) because his clothes are too big, and the wind always seems to blow right through them.
Despite being so skinny, he has strong, dirty hands—working man’s hands. He likes to drink homemade whiskey, but he is never mean. In fact, he is incredibly talkative and jolly when he drinks. He has his own sense of morality, believing it’s wrong to steal or lie, but it’s okay to drink. Although he can’t read or write, he is business smart and knows how to do “carpenter’s calculations” (54). Charlie wants a big family and is a man of simple pleasures:
He wanted enough work to live decent, and on a Saturday he wanted a drink of likker, because it sent the silver shivers down him and that was good. He wanted a ham and biscuit. He wanted to hear some music, and watch a pretty girl walk down the street in town, if he could do it and not be obvious about it (54).
Bragg describes his grandmother, whom he maintains “God made just one” (56). As a little girl, Ava had a huge personality, something that stayed with her throughout her whole life. Despite her visual impairment, she read avidly: “She loved learning, people said, and if it had been another time or place Ava might have been anything, done anything. But love, and luck, set her walking down a different road” (57).
Ava’s family was better off than Charlie’s, and her family encouraged her to read and write. As a young girl, Ava’s family belonged to a Congregational Holiness church, “where people get happy and just start to yell, where people begin to speak in tongues, fall out on the floor and weep and laugh and go into trances, as if dead” (58).
Ava loved music, which came naturally to her, and her family was distantly related to Elvis Presley. She first met Charlie during a box lunch event, where young, eligible women made lunches, which men bid on to spend an afternoon with the woman of his choice. Charlie bid on Ava’s lunch, which her sisters actually made because Ava didn’t cook. At the lunch, Charlie and Ava fell in love quickly:
They lied about their age and got a preacher named Jones to marry them in his house in Gadsden, when she was sixteen and he was seventeen. And Ava just walked away from the upstanding, church-going life she had been raised in and followed a boy, a boy who could not even read or write, into uncertainty (63).
The Prologue explains why the narrator, Bragg, chose to write this book, and introduces the main character, Charlie Bundrum. For Bragg, this book is his way of getting to know his grandfather, a man he never met. Growing up, Bragg never heard stories about his grandfather because it was too painful for his family to remember the beloved man they lost. When Bragg was older, he began to question who his grandfather was, and people began to finally share stories about Charlie that they had kept quiet for so long. Bragg’s intention in writing this book was to tell Charlie’s story, in all honesty, and to memorialize him.
Chapter 1 explores the complicated yet loving dynamic between Charlie and Ava. They married young, and despite loving each other fiercely, they lived a hard life, with both Charlie and Ava working difficult physical labor to provide for their many children. In Chapter 1, Ava beats a woman who seemingly tries to flirt with Charlie. While Ava demonstrates her anger with Charlie for letting this happen, she also shows her fierce love for him when she tells Newt not to touch him. Much of Charlie’s story is intertwined with Ava’s, which is why this opening chapter starts with a revealing scene from their marriage, rather than at the beginning of Charlie’s life.
Chapter 2, however, reveals Bragg’s family roots and shows the origins of his family’s unique culture. Most notably, he focuses on “buck dancing” (29), the roots of which are traced back to his descendants from Ireland and Wales. However, his Appalachian family made this dance uniquely their own. The way buck dancing evolved from presumably the Irish river dancing reflects how his family’s culture evolved with the changing landscape. As Bragg describes it, buck dancing is a primal dance done at night around campfires, with banjo music and whiskey drinking going on in the background.
Chapter 3 focuses on Jimmy Jim, Charlie’s dad, and paints a picture of Charlie’s young life. The chapter depicts the cultural climate of Charlie’s youth and highlights how he is a product of his time. The Appalachian foothills from 1900 to 1920 were a wild place, where men got into murderous fights while drinking homemade whiskey around campfires:
Scots, Irish, English, and French, men who had starved across the water, came to the foothills to farm, log hardwoods and pine, strip-mine granite, make whiskey, raise kids, hunt deer, breed hunting and fighting dogs, preach, curse and brawl (37).
Chapters 4 and 5 focus on Charlie and Ava’s young adult life, and in doing so, these chapters create a juxtaposition between how each character grew up. While both Charlie and Ava are moral characters, Charlie’s sense of morality is self-made. That is, he thinks certain things are wrong, like stealing, but thinks other things are right, like drinking. However, Ava’s sense of morality comes from her Congregational Holiness background. Her perceptions align with what the Bible considers sin, so she believes drinking is an immoral act. Another way these characters differ is in their educational background. Charlie couldn’t read or write, but Ava’s family taught her to read and seek knowledge. In this way, Ava’s family had positioned her for a much different life than Charlie could offer, and they didn’t want her to become romantically entangled with him. However, Ava loved Charlie, and she gave up whatever life she could have had for a life of poverty and hard work with him.
By Rick Bragg