58 pages • 1 hour read
Mary Jane AuchA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Content Warning: This section of the guide contains descriptions of sexual assault.
Rose runs home with the supplies to make paper flowers. Elsa and her daughters are already home and are suspicious of Rose’s activities. Hildegarde even tries to pry the information out of her, but Rose plays innocent, claiming just to have been out for a walk. After Patrick leaves the next day, Rose, Maureen, Bridget, and Ma get started on the rose-making project and have several difficulties. Ma starts to make rose stems with leaves because she thinks they’re prettier, but Rose tells her to do it the way she told her so that they will get paid. She expects to be scolded, but Ma complies unhappily. They’re about to pack up their supplies for the day when Elsa, her children, and Trudy’s beau walk in. Trudy screams and collapses in a faint. Walter carries her to a sofa, and Elsa tells him to leave. After he does, Trudy revives and yells about how humiliated she was to see immigrants working in her own home as if it were a sweatshop. Hildegarde taunts Rose and her family, and before Rose can react, Maureen tackles the girl and ties her braid-buns over her mouth like a gag. Ma lets it happen. Just then, Uncle Patrick comes home. Bridget starts crying, and Elsa hauls Patrick into the bedroom, where she and her two daughters yell about Rose’s family. Ma isn’t angry with Maureen because she believes that Hildegarde deserved what she got.
When Uncle Patrick emerges from the bedroom, he has coffee at the table with Ma, and they discuss the old days back in the Island Parish of Limerick. They reminisce for a while until Patrick gets to the point and states that Ma and the girls can no longer stay there. He offers to find them a place and pay their expenses until Michael returns and finds work. Ma refuses, not just because she doesn’t want the charity, but because she wants to return to Ireland. Rose and Patrick both try to convince her to stay, but Ma starts crying. This scares Rose, who has never seen her mother cry. Uncle Patrick returns later with tickets for a ship that is due to leave the next morning. Rose is frantic, trying to think of an argument that will make her mother agree to stay. Rose knows that she has no prospects in Ireland and does not want to leave America.
The next morning, Uncle Patrick puts them in a carriage headed for the pier. When they get to the pier, Rose tries once more to convince her mother to stay. Ma refuses, so Rose suggests that she stay by herself. She’ll return the second-class ticket and make her own way until Da returns. Despite her resistance to this idea, Ma finally relents, and Maureen declares that she will stay with Rose. Rose doesn’t want that, but Ma tires of arguing. The ship signals that it is about to leave. Ma hands over the two tickets, making the girls swear that they will go back and stay with Uncle Patrick, write to her every day, and enroll themselves in school. They promise and hug Ma and Bridget goodbye. Ma leaves Rose and Maureen with the feather bed. The girls return their tickets and try to wave to their mother and baby sister. Rose decides that she’s not going back to Uncle Patrick’s.
Rose and Maureen look for lodging. Maureen wants to work during the day, but Rose insists that she get an education. Eventually, they find Broome Street and see signs of places for rent. However, the owners all turn them down, not wanting to rent to girls. On Sullivan Street, they talk to Mr. Garoff, an old Jewish man with a room to rent. At first, he declines, but upon hearing that he has a daughter, Rose asks if they could talk to her. He tells them to come back at seven to meet her, but Rose points out that it will be dark by then, and if the answer is no, they will be out on the cold streets. She convinces him to let them pay to stay one night and then, if he doesn’t want them there, they will leave. If they are allowed to stay, they will eventually have to move out when Garoff’s relatives come over from Russia. The room is barely more than a closet, but it is more than enough. Rose and Maureen worked on the stems of the paper flowers until they can’t see very well. Mr. Garoff overhears them and provides an oil lamp. When his daughter Gussela returns, they all have tea together. They learn that Gussela (or Gussie, as she is known) works as a seamstress at a large shirtwaist factory. Maureen and Rose continue making roses through the weekend, and with Gussie’s help, they find a Catholic church to attend. They both have sore fingers from the work and wonder if they’ll be able to keep doing it.
Early on Monday morning, Rose takes the paper roses to Mr. Moscovitz’s shop. The other girls laugh and shake their heads at her as he goes through the pile and discards many seemingly good roses. He tells her to come back when the shop closes at eight to get her money. While waiting for that time, she goes shopping with Maureen to buy tea and a kettle. They also want a knife for their bread, but things are more expensive than they expected. At closing time, she returns to the shop. Tessa sees her then and tells her that she is a fool for returning. Moscovitz invites Rose in, has her remove her coat, and offers her tea and a pastry. He tells her that he is planning to expand the shop and will need someone like her to be the manager. He then grabs her and forces kisses on her. She bites him on the nose and manages to yank open the door and run out. Out on the street, she realizes she left her coat in his office. Thinking of the assault, she vomits.
Rose runs back to the apartment, collapsing on the feather bed and sobbing. Maureen notices that her sleeve is ripped, but Rose won’t tell her what happened. Gussie sends Maureen out with her father and comforts Rose. After Rose tells Gussie what happened, Gussie tells her about the strikes that working women arranged two years earlier to get better treatment. She was arrested, and a police officer broke her arm. Because Rose no longer has work, Gussie offers to teach her how to use a sewing machine so that she can get a job at the Triangle factory. When she learns that Rose didn’t get paid for her flower-making and also left her coat with Mr. Moscovitz, Gussie insists that they go back there in the morning to demand both.
The next morning, Rose starts having qualms about facing Mr. Moscovitz. It is not in her character to fight or make a fuss, especially since there is the potential for harm, but Gussie convinces her that if she remains meek, other employers will take advantage of her, too. When they arrive at the shop, Rose vomits again out of nervousness. With Gussie’s support, Rose takes her coat and demands that Mr. Moscovitz pay her what he owes her. She argues that it’s the law and that Gussie, as a union representative, is there to make sure he follows it. She threatens to have him arrested. The other workers start whispering among themselves, so he gives Rose some money and tells her to get out. As Rose and Gussie leave, they hear the workers shouting at Moscovitz. Back at the apartment, they tell Maureen about it, and Gussie points out that technically Rose’s claim was inaccurate, since Moscovitz is not bound by union rules. She believes he paid her partly because he may not know enough about the labor union and partly because Rose may have inspired the other women to stand up to him. Maureen wants to go to work with Gussie and Rose, but Gussie says that it’s illegal for children under 14 to work, even though some employers break the law by hiring children as young as 10. Maureen stomps away, angry that Rose and Gussie insist she must go to school instead of working. Rose spends the rest of the morning sewing up the torn sleeve of her dress.
Ironically, for all the hardships that immigrants face from the local population upon their arrival, it is the Social Inequalities Among Immigrants that upend Rose’s fragile vestiges of home, as living with Uncle Patrick and his unwelcoming family proves to be trying for everyone’s patience and dignity. In addition to struggling with their new surroundings, Ma and her girls have all been holding their tongues and trying to be on their best behavior despite the constant rudeness they must endure from Elsa and her daughters. When Maureen’s outburst and Elsa’s reaction make the situation untenable, Rose recognizes, “[W]e had just crossed some sort of line here and […] there was big trouble ahead” (100). However, the “line” means different things to Rose and to Ma. While Rose believes that the family must cut ties with Uncle Patrick and strike out on their own, Ma believes that she must concede defeat and return to Ireland. As she tells Patrick of their short stay in America, “We’re like fish floppin’ on a beach here. If we stay any longer, we’ll perish for sure” (104). Her hopeless tone reflects her unwillingness to adapt to the new country and her longing to reunite with her husband and son. By contrast, Rose’s brave forays into the streets of New York and her early attempts at problem-solving foreshadow her determination to stay and make a life for herself, even in the absence of her parents.
From the beginning of the story, Rose’s determination has been evident in many ways, and her confrontation with her mother at the pier is therefore in keeping with her character. As she takes a stand against her mother, the conversation reflects her dedication to braving The American Dream and Its Challenges, for she knows that if she boards the ship, she will only “be headin’ for a future with Dennis O’Reilly and a houseful of ugly babies” (117). Because she has “better things planned for myself” (107), she wins the stand-off with her mother and ventures forth into a new life as an independent person and the caretaker of her younger sister, Maureen. While building a new life is a tall order for such a young girl, her courage and impetuousness implies that she will be well-suited to braving the unforeseen challenges of her new environment.
As she and Maureen search for a place to stay, they encounter additional aspects of the Social Inequalities Among Immigrants, for Rose is not aware that many places refuse to rent to women or girls who are unaccompanied by a man. Even the room they rent from Mr. Garoff is small and basic, but Garoff and his daughter are at least kind, unlike Moscovitz, who takes advantage of Rose’s inexperience in a variety of ways. This section also introduces the concept of the labor union, as Gussie reveals her vehement determination to correct such injustices and improve working conditions however she can. As she coaches Rose to stand up for her rights and obtain her wages from Moscovitz, Gussie tells the girl that there “are people running sweatshops all over the Lower East Side who would love to hire a meek little greenhorn like you” (143). Thus, when Rose follows Gussie’s advice and successfully confronts her corrupt employer, she finds a new confidence to navigate the world and set her own boundaries in the face of injustice. Her wherewithal is further demonstrated in her determination to learn the necessary skills to land a job at the Triangle factory and support Maureen’s schooling.
Rose’s initial lessons on the issue of workers’ rights and safety foreshadows its greater presence in the latter part of the story. As the girls’ desperate attempts to earn money soon prove, even the seemingly simple job of making paper flowers has its hazards. After making their fingers painfully sore from hours of stem twisting, Rose muses that the work must not hurt the more experienced workers so much, and she naïvely assumes that “[n]obody would do this job if it stayed so painful.” However, Maureen articulates the desperation that many such workers feel when she answers, “They would if they wanted to eat” (129). However, in the face of such difficulties, Rose also learns the value of rising up against injustice, for her confrontation with Moscovitz has “broken open a hornet’s nest for that man,” and as Gussie also tells her, “If one girl stands up to him, you did a good deed” (146-147). Thus, Gussie teaches Rose the valuable lesson that workers must fight for things like fairness and safety instead of simply assuming that employers will provide them. This lesson becomes more relevant when Rose begins work with Gussie at the factory.
Books on Justice & Injustice
View Collection
Books that Feature the Theme of...
View Collection
Class
View Collection
Class
View Collection
Coming-of-Age Journeys
View Collection
Family
View Collection
Irish Literature
View Collection
Juvenile Literature
View Collection
Mortality & Death
View Collection
The Best of "Best Book" Lists
View Collection