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72 pages 2 hours read

Dan Brown

Angels and Demons

Fiction | Novel | Adult | Published in 2000

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Background

Series Context: The Robert Langdon Series

Brown’s Angels and Demons is the first in a seven-book series. The series centers on protagonist Robert Langdon, a professor of art history at Harvard University who specializes in religious symbology. These action-adventure novels require Langdon to draw on his considerable expertise in symbology to solve pressing mysteries, and they often involve historical or religious elements. Langdon’s historical knowledge has application in suspense-filled, present-time situations. The action also emphasizes Langdon’s considerable physical finesse, intuition, and resourcefulness.

Common themes and motifs recur throughout the series: Conspiracies within powerful institutions (primarily the Catholic Church and political bodies) and in opposition to them is a frequent plot element, for example, and the series draws on popular assumptions surrounding the Church, the Illuminati, and the Freemasons. Langdon’s skill in semiotics and his historical knowledge means that the plot of each book typically takes place in academic institutions and historical sites, and Langdon’s advanced knowledge is the key to unraveling the mystery of each novel. Langdon is often positioned as a lone man seeking out the truth in defiance of accepted history. As such, some scholars have criticized the series for blurring the line between fact and fiction and promoting an inaccurate view of history that gives credence to unfounded conspiracy theories (Lacy, Norris J. “‘The Da Vinci Code’: Dan Brown and the Grail that Never Was.” Arthuriana, vol. 14, no. 3, 2004, pp. 81-93).

Nevertheless, the series experienced massive popularity throughout the 2010s and helped give rise to the phenomenon of escape rooms; Brown coined the term “cryptex,” and the code-word lockboxes he invented for The Da Vinci Code are now widely available. Three of the Robert Langdon books were adapted into films starring Tom Hanks, and the series endures as a staple of airport fiction.

Social Context: Church-Led Controversy Over Dan Brown’s Robert Langdon Series

The 2006 film adaption of Brown’s novel The Da Vinci Code, the sequel to Angels and Demons, was criticized by the Roman Catholic diocese, who objected to plot points that contradict church dogma or stray from historical records. A Senior Cardinal, Tarcisio Bertone, was appointed to research and debunk specific plot points in the book and film. Some of the Vatican’s criticisms include the claim that Jesus married Mary Magdalene and had a child with her and that the Catholic organization Opus Dei is an extremist cult. Bertone engaged in publicity campaigns urging booksellers to stop selling the book and church followers to avoid reading the book or seeing the film. (Pauli, Michelle. “Vatican appoints official Da Vinci Code debunker.” The Guardian, 15 Mar 2005). For its part, Opus Dei produced a document including 127 points of contention with its characterization in The Da Vinci Code.

This media attention meant that the subsequent filming of Angels and Demons, released in 2009, was at the center of further controversy. The Catholic Church refused to allow filming to take place in the Churches of Santa Maria del Popolo and Santa Maria della Vittoria despite the impassioned pleas of film producer Ron Howard. Monsignor Marco Fibbi, a spokesman for the diocese, justified the decision based on the fact that the book and film, as in the case of The Da Vinci Code, mistreats and misrepresents religious facts and beliefs. This decision was likely bolstered by the fact that the book’s antagonist is a Catholic priest who murders the Pope and four cardinals in a scheme to boost the Church’s credibility.   However, some Catholics view Brown’s books as a blessing in disguise, sparking interest in Catholic doctrine, Vatican City, and religious history and art (Colina, Jesús. “Dan Brown and the Catholic Church.” Global Catholic Network, 17 May 2009).

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