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98 pages 3 hours read

Margaret Peterson Haddix

Among the Hidden

Fiction | Novel | YA | Published in 1998

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Symbols & Motifs

The Woods

The woods surrounding Luke’s house, and trees in general, symbolize safety to Luke. This symbolism is introduced in the very first chapter of the book to establish the drastic changes that Luke is going through in the opening chapters.

In Chapter 1, the first sentence of the novel describes Luke witnessing “the first tree shudder and fall, far off in the distance” (1). Luke’s mother demands he get inside immediately, and Luke understands the danger of not doing so. With the government’s decision to level the forest for a housing development, Luke loses one of his only freedoms: going outside. Despite existing illegally, Luke has lived his life until this point with the freedom to “cradle new baby pigs in the barn, climb trees at the edge of the woods, throw snowballs at the posts of the clothesline” (11). The woods provided a barrier between Luke’s family property and the outside world. Now, with the destruction of the forest, “everything was brighter, more open. Scarier” (3). Without the woods surrounding the house, Luke is at a greater risk of being seen by people who would turn him in to the Population Police.

Trees as a symbol of safety return when Luke takes the greatest risk of his life in Chapters 12 and 13. He knows the leaves will soon fall and leave the trees bare, creating less cover for Luke as he moves between the houses. Luke acknowledges “He needed those leaves to hide him on his way to the Sports Family house” (52), leading him to act on the seasonal time constraint and brave the outside with the small amount of safety the remaining trees offer him. Luke’s understanding of the shelter that trees provide him and the buffer they create between him and potential danger shows the way the woods and the trees around his house symbolize safety to him.

Luke’s House

Luke’s house represents imprisonment and restriction of freedoms. This symbolism is developed over the first 13 chapters and maintained throughout the novel. After the forest surrounding Luke’s family’s property is leveled, Luke must now be confined to the interior of his family home to be protected from the Population Police.

Once the forest is gone, Luke’s freedoms even within his home begin to dwindle. The first of these freedoms is Luke’s ability to look out the window. In Chapter 1, Luke asks if he’ll “have to stay away from the windows” once the houses are built and inhabited (3), but his father responds angrily that Luke must “stay away now! Everybody and his brothers going to be tramping around back there, to see what’s going on” (3). When Luke tries to sneak peeks outside, desperate for a view of the outdoors he used to love, he is scolded each time and eventually gives up. In Chapter 4, Luke loses more of his freedoms. Worried that it will look suspicious if they keep the shades pulled down all the time, Luke’s parents force him to give up his place at the dinner table and instead eat his meals sitting on the bottom step of the stairs that lead to the attic. Luke notices that “[h]is chair wasn’t even in the kitchen anymore” (22), solidifying the fact that this is a permanent change for him.

Once he’s confined to just his attic and the stairs, Luke’s life becomes more like that of a prisoner. His space is limited and “[h]e hated having to duck under the rafters on the far side of his bed” (15). His only view of the outside world is through the grated vents at the top of the attic walls on either side. This limited view parallels the barred windows of a prison unit, further developing the symbolism of Luke’s home as a prison. Luke acknowledges this link in Chapter 13, after he leaves his house for the first time since the forest came down. While at first he feels he “should go back. He’d be safe there” (55), Luke then acknowledges, “It wasn’t a sanctuary. It was a prison” (55). 

Jen

In Among the Hidden, Jen functions not just as a character but as a symbol of hope for Luke, particularly after her death. When Luke first discovers Jen in Chapter 8, he becomes filled with hope and wonder. It is the first time in his life he has known about another child like him. The idea of a potential child who understands what Luke goes through gives Luke enough hope for “a crazy idea [to grow] in his mind” (51), leading Luke to take a risk and discover Jen.

Upon meeting Jen, Luke gains new perspective on his situation and on the lives of other shadow children. At the end of Chapter 15, during Luke’s first meeting with Jen, Jen tells Luke, “You have come to the right place. Forget that hiding-like-a-mole stuff. I’m your ticket out” (65). This moment instills hope and curiosity within Luke and motivates him to continue to get to know Jen. Although Luke does not agree with Jen’s plan for a rally, thinking it’s going to be too dangerous, her hope is infectious. When Luke tells her, “It’s people like you who change history. People like me—we just let things happen to us” (117) in their final conversation, Jen encourages Luke to change his perspective, replying “No. You’re wrong. You can make things happen” (117). This motivation from Jen, along with her infectious hope for change, stays with Luke after Jen’s death.

When faced with the opportunity to get a fake ID from Jen’s dad, Luke recalls his final conversation with Jen, thinking “But maybe that was wrong. Maybe he could succeed where Jen had failed” (146). The hope Jen has instilled in Luke gives him the strength to agree to a fake ID. Luke acknowledges Jen’s role in his hope for the future as he rides away from his home. He whispers to her, “I’m doing this for you, too, Jen” (152), promising that “[s]omeday when we’re all free, all the third children, I’ll tell everyone about you. They’ll erect statues to you, and name holidays after you” (152-53). Luke’s promise to Jen shows that he believes there will be a day when third children are free, and he contributes this hope for future to Jen. Luke carries Jen in his heart as a source of hope going into his new life as Lee Grant, showing how Jen is not just a character but a symbol of hope in the novel.

Character Names

The main characters in Among the Hidden each have names that symbolize either major characteristics or highlight their overall role in the story. Luke’s family name is Garner, which is a name that suggests their role as farmers since it refers to the occupation of keeping stores of food. The boys’ names—Mark, Matthew, and Luke—are three of the Four Evangelists who are said to have written the canonical Gospels of the Bible in the Christian tradition. It is noted that Luke’s mother wanted four children. Based on this, had there been a fourth boy in the family he would certainly have been named John. Luke’s name in particular suggests that he will be set apart from the family and be an important figure in creating changes, since St. Luke the Evangelist was the only non-Jew among the Four Evangelists and his writing, known as the Pauline Letters, are foundational to the development of Christian tradition and dogma.

Moving away from the biblical references is Jen, which is generally short of Jennifer. The name Jennifer is extremely common, thus setting Jen up to be somewhat of an everyman for the story. Jen represents all the third children and the risks they take exposing themselves.

Finally, the name Luke takes on with his new identity—Lee Grant—is perfectly suited for his mission to change the perspectives when it comes to third children and the general governance of his world. While extremes can be seen in how Luke’s family behaves in reaction to the propaganda and how Jen attempts to enact change, Luke, as Lee Grant, sets out to find a balance between the two conflicting ideologies with the first name recalling a famous Confederate soldier (General Robert E. Lee) and the last name recalling the leader of the Union armies (Ulysses S. Grant).

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