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Beth MooreA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Moore’s memoir opens with a scene recounting her first experience with the ocean at age six, when a wave knocked her down and her father pulled her out of the water. Moore believed her father took too long to rescue her, and she was unable to tell either parent this.
The eight members of Moore’s family, the Greens, were “river people” from Arkadelphia, Arkansas. Located at the foot of the Ouachita Mountains, Arkadelphia is where the Ouachita and Caddo rivers converge. When Beth Moore was six, her father, Major Albert Green (called Dad), purchased a Volkswagen bus and took the family on a camping road trip to visit cousins in north Florida.
Dad and his wife, Aletha Green (called Mom), had five children. At the time of the road trip, Tony was four, Beth was six, Gay was nine, Wayne was 14, and Sandra was 18. Moore’s maternal grandmother, Minnie Rountree (Nanny), lived with them and also went on the trip.
The family stopped at the Fort Walton Beach campsite in Florida, where—after Dad struggled to set up the tent—they all piled inside.
Moore pauses the story to reflect on how separate each family member was despite their physical closeness and shared history. “All my knotted-up life” (14), she writes, she has longed for the “sanity and simplicity” of knowing who is good and who is bad. She wishes God would sort this issue out for her, but God remains “aloof.” Moore attributes her wish for clean-cut categories to the fact that most of her life has been a “slow baptism in the lukewarm waters of a silty gray Jordan” (15).
Moore returns to relating the adventure of the camping trip. A lightning storm terrified the family and caused the tent to collapse. They ran to the VW and spent the night at a diner. The subsequent visit to the cousins was a success. Dad returned the tent to Sears, and the family went home.
When Moore was nearly eight, the family moved to a new house called the “Ligon house” after its previous owner, and it was closer to the children’s school and activities. Now nearly 20, Sandra was married, and Dad had retired from the Army and begun working as the manager of a theater and a drive-in. The new home was bigger, and Moore was able to share a room with Gay instead of Nanny. The house also had a music room featuring a piano belonging to Wayne, a talented musician.
During the day, Moore loved playing with Gay’s makeup and reading the notes from her sister’s friends. At night, she had a recurring dream that a phantom called “The Shadow” made its way down the hall and toward her bed. It had a “strike of lightning” (35) on its head, like the white stripe in her father’s dark hair.
The Greens became regular moviegoers at the Royal Theater, where Dad worked. Although ten years had passed since the Supreme Court declared school segregation to be unconstitutional (making the year 1964), Black movie patrons were forced to enter a separate door and sit in the balcony. Arkadelphia public schools would not fully integrate until 1970. Moore recalled seeing a Black classmate enter the theater; both girls looked away. Moore sometimes sneaked upstairs to see what sitting in the balcony was like but decided that sitting in someone else’s seat didn’t tell her anything; she’d have to “sit in the same skin” (39).
The Green children watched the movies multiple times and worked in the concession stand. They also cleaned the auditorium between showings. As the children matured, they came of age at the theater by learning how to kiss and spying on their classmates and church members.
The only place where Moore spent more time than the Royal Theater was the First Baptist Church of Arkadelphia. The “palatial” building was more of a home to her than the Ligon house. The Greens attended long church services three times a week: twice on Sunday and all afternoon and evening Wednesday. Congregants prided themselves on outward displays of piety, such as singing loudly and placing their offering checks face-up.
Church was also a place to make public statements, such as Moore’s decision to be baptized via full immersion by Brother Reeves at age nine. The baptism was swift, and back in the pews, Moore contemplated the congregants. They include her church choir teacher, her Sunday school teacher, and her girls’ mission class teacher, who served the girls foreign food to talk about missionaries in a particular country. Moore says the best days of her childhood were spent in the church and the theater, but “best would soon become a relative term” (56).
Moore describes having seen the havoc a twister can wreak at the movies. Now, she says, she “lived it in [her] own skin” as madness “came for us” (58). She was eleven, had just received her first training bra, and would not get her period for another year. As she was coming back from the orthodontist in Little Rock, her father parked the car, told her to sit next to him, and then sexually molested her.
She could not name the abuse at the time but knew that “no kind of good dad” did what her father did to her (60). She wanted to tell her mother, but her mother became ill soon afterwards, falling into what seemed to be a depressive state. With Sandra off with her own family and Wayne in college, the three younger children felt abandoned. Occasionally, Mrs. Green seemed like her old self, doing household tasks, but she would then display signs of psychiatric disability such as writing on the wall or threatening suicide.
Dad became possessive of Mom, refusing entry to her room to Nanny and the children. When he was out of the house, the children formed a chain and walked into her room to wake her up. Mom believed Dad was cheating on her, while Dad said she was making the story up. Moore concludes that their mother wasn’t “crazy” but “caught.”
One night, Mom disappeared. Nobody called the police because they were an upstanding Christian family. The girls had been shielding Tony from the family’s dysfunction, but he had to be told that Mom was missing. Finally, Dad walked in with Mom, whom he found at the river. Moore concludes that they were a “different kind of river people” now (68).
As Moore entered ninth grade, she tried to pretend nothing was wrong with her family. She wore makeup and short skirts and had boyfriends but “no tools for handling them” (68-69). She began going out with Gay and was a “good girl doing bad things” (68).
The experience of nearly drowning recounted in the Prologue foreshadows Moore’s betrayal by two major forces in her life: her father and her church. She considers both her blood relatives and her fellow church members to be family, and the foreshadowing supports the theme that All Families Are Complicated. In both her drowning and her sexual abuse by her father, “Dad” betrayed her sense of safety, and she was unable to talk to either parent about the betrayal. Decades later, the Southern Baptists turned on her for trying to usurp the traditionally male role of a preacher; she compares this betrayal to a current that sucks her under and out to sea. This depicts the abandonment by one’s support structure as an overwhelming force; both the gender-based abuse she suffered as a child and the misogyny within the church have lifelong impacts that leave Moore feeling as if she is trying to keep her head above water.
Her discussion of the Baptist congregation’s belief in “doing stuff in front of people” (47) is also an instance of foreshadowing in support of the theme of complicated families. The discussion links her simple faith in her church to the crisis she will experience as an adult when church leaders turn on her. When she left the church in 2021, she made her departure public—in front of people.
The book’s opening chapters focus heavily on the theme of The Dangers of Performative Religious Practices. The Green family belonged to the Southern Baptist Convention (SBC). An evangelical church with a focus on the redemptive love of Jesus Christ, the SBC would not denounce racism publicly until 1995. Moore experienced racism firsthand at her father’s segregated theater and perpetuated it when she looked away from her Black classmate. Only as an adult could she reflect that one must “sit in the same skin” (39) as another person to fully understand them; she could never entirely comprehend the experiences of another person, but she could face the issue directly and develop empathy that overcomes their differences.
The congregants at the First Baptist Church of Arkadelphia could also be hypocrites, with their displays of piety. No member embodied hypocrisy more than Moore’s father, a pious Baptist who rarely swore and banned alcohol from the home but began sexually abusing Moore when she was eleven. The other children absorbed his approach to outward piety and inward turmoil, as seen when Mom disappeared from the house. Nobody called the police because it would reflect poorly on their family’s prominence in the community.
The chapters also begin building on The Limitations of Moral Absolutism. The book’s title comes from Moore’s reflection in Chapter 1 that she wished all her life that God would make it clearer who was good and who was bad. However, God was “aloof on this uncomplicated request” (14). Throughout the memoir, Moore will show that nobody is entirely one thing or another: Churchgoers were hypocrites, her beloved Nanny was a racist, and a girl doing “bad things” like herself could become an evangelist. This uncertainty surrounding moral absolutes indicates a friction between Moore and her faith, one that she will struggle with for a large portion of the narrative.
Within her congregation, there were also strong women who would model for Moore how to be a Christian woman. As she describes gazing at the congregation on the day of her baptism, the people she names are all women: her choir teacher, her mission class teacher, and her Sunday school teacher. While Moore’s Call to Minister to Women was years away, her love for her religion was forming under the guidance of these devoted female teachers.
The image of a tornado frequently appears in these chapters. Moore often uses this metaphor to describe the turmoil in her life in support of another major theme: God Is Stronger Than Your Personal Trials. She first describes the tornado in Chapter 5 as the “furious twister” that “layered our faces, blanketed our bodies, entered our pores” (57). Her vivid language shows the shattering effect that her father’s abuse and her mother’s four-year bout with depression had on the tightly knit group of younger children in the Green family. The desertion by both of her parents would affect Moore’s self-esteem for many years.