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53 pages 1 hour read

Shana Burg

A Thousand Never Evers

Fiction | Novel | Middle Grade | Published in 2008

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Chapters 20-24Chapter Summaries & Analyses

Chapter 20 Summary

On the morning of the garden picking, Addie Ann watches as the Black community gets ready to go at dawn. She is convinced that she needs to go to school because of Mama’s warning and because of the importance of school. However, as she sets off for school with Cool Breeze, he pulls her aside and says that he is skipping for the picking, and Addie Ann begrudgingly agrees to join him.

The Black community, led by the reverend, goes to the garden. When they get to the fence, Addie Ann hesitates, unsure if she is doing the right thing. However, as she hears her brother’s voice in her head telling her to “stand up” (161), she decides that she needs to enter the garden.

As the two sides of the community face off in the garden—with the sheriff holding a gun—they slowly come to the realization that the garden has been destroyed and overrun by butterbean vines, which someone must have planted. The Black community quickly leaves and returns to the church.

Chapter 21 Summary

The Black community gathers in the church. They agree that someone must have planted weeds in the garden to ruin the crops. The group sings and prays together, and then the reverend asks everyone to leave so that he can discuss their plan of action with the Brigade.

Having skipped school, Cool Breeze and Addie Ann cannot go home yet, so they sit with Delilah. Addie Ann realizes that the ruined garden will mean a food shortage, so the three decide to buy what they can from the store.

At the store, Addie Ann waits outside because of Flapjack while Delilah and Cool Breeze go in. Hope Worth comes up to her and tells her that members of the community had a meeting, and they decided that Uncle Bump must have ruined the garden as revenge for Elias.

Addie Ann rushes home to tell Uncle Bump. She runs through the forest, where she comes across a man with a shovel digging a hole. It strikes her as strange, but as the man yells at Flapjack, she keeps running.

Back at home, Addie Ann and Mama try to convince Uncle Bump that he needs to run and hide, but he refuses. After Reverend Walker comes and speaks with him, and he still refuses, he informs Addie Ann and Mama that “there comes a time for a man when his dignity’s worth more than his life” and that “this is Bump’s time” (175).

Chapter 22 Summary

That afternoon, the sheriff comes for Uncle Bump. Reverend Walker, Mama, and Addie Ann continue to try to convince him to run, but he refuses. Mama and Addie Ann go to Elmira to get help.

Elmira uses oils and medicine to calm Mama down. Addie Ann, however, realizes that she cannot just sit there and runs back outside.

Chapter 23 Summary

Addie Ann sees that a mob has set fire to her house and Uncle Bump’s shed and that the sheriff has taken Uncle Bump. He is going to be held in jail overnight for trial the next day.

Addie Ann is led by Bessie into a milkweed field and left. As she looks around in confusion, Elias appears. She begins sobbing at the thought of him finally returning after 96 days.

Elias informs her that he has been hiding the whole time but gives her little information about where or how. Instead, he tells her that she needs to know the truth about their father: He was murdered.

She promises Elias that she will tell their family’s story and help the Black community rally together to save Uncle Bump.

Chapter 24 Summary

Addie Ann runs back to her burning home and yells to the assembled Black community. She sends Delilah and Cool Breeze to different towns to spread the word of what happened. Everyone begins to listen to her as they gather around her to march to the jailhouse. Once there, they are joined by people from all over the county, and they form a chain around the jailhouse.

The reverend quiets the crowd so that Addie Ann can tell her story while Uncle Bump listens from inside the jail. She tells them that her father, Brayburn Pickett, was one of the best architects in the area and used to build homes in Nashville, Tennessee. He moved to Mississippi because he was tired of building homes for white people.

The white mayor of the town asked Brayburn to build him a home, but Brayburn refused. The mayor came with a group of Klansmen; forced Elias, Mama, and Uncle Buck from their home; and then burned it down with Brayburn inside.

Addie Ann nearly breaks while telling the story but realizes that the community needs to hear the story to have the motivation to finally stand up for themselves. She tells them how Buck saved her family by helping her mom raise four-year-old Elias and Addie Ann, who was born shortly after the death of her father. As she finishes, the group begins to sing, and Addie Ann collapses to the ground in exhaustion.

Chapters 20-24 Analysis

Addie Ann’s passage to adulthood is completed in this section of the text, exemplifying the theme of Finding One’s Voice in the Fight Against Prejudice. After her home is destroyed and Uncle Bump is taken from her, she finds herself at her lowest point, as “anger boils inside [her], more than [she] can take” (182). When she is led into the milkweed field and finally sees her brother again, he explains to her, “[T]here’s something Mama and me been needing to tell you a while now […] We’ve been waiting till you were old enough. I can see now’s the time” (186). Although Addie Ann is only 96 days older than the last time Elias saw her, he recognizes her growth and maturity but also the responsibility that she now has to use her voice in the Black community’s struggle against oppression. First, outside her burning home, Addie Ann puts aside her sadness and anger to direct the community to head to different towns of the county to bring other towns there. Then, outside the jailhouse, she tells her father’s story. She thinks about how, “by telling [their] history, [they] might change the future for Uncle Bump—and for all of [them]” (195). Even though it leads her to tears and exhaustion, she finds her voice to tell their story, ultimately rallying the entire county behind her in their defense of Uncle Bump.

As Addie Ann stands at the fence to the garden, it is a key moment in the development of her character. She has already decided to skip school despite Mama’s insistence that she attend, but she still has the opportunity to turn back. Her hesitation at the fence—a literal point that she needs to cross to get into the garden—represents her presence on the border between youth and maturity. The fence serves as a symbolic representation of maturity: a physical barrier that stands for the emotional barrier she must cross to grow up. As Reverend Walker throws the crowbar over the fence to Cool Breeze—a tool needed to break down the barrier—Addie Ann sees “the sunlight on the crowbar flying over the fence [covering her] in an arc. An arc of glitter. Yellow and orange glitter” and hears Elias’s voice telling her to “stand up” (160-61). Ultimately, her brother’s voice—both when he literally tells her about their father in the milkweed and when she envisions hearing him at the garden fence—is a key factor in allowing her to find her voice. It is unclear whether she is actually experiencing this and hearing him or not; however, it is ultimately unimportant, as either way, it gives her the strength and courage she needs in the fight for equality.

At the hands of Addie Ann’s growth and discovery of her voice, the Black community throughout the entire county discovers the importance of Community Support Against Injustice. As Addie Ann identifies people she knows from several towns throughout the county, she realizes that “there’s hundreds of friends plus hundreds of strangers, but it feels to [her] [they]’re all part of one big family” (193). This “family” of Black community members physically supports Uncle Bump as they surround the courthouse and form a chain, sending back members of the Ku Klux Klan who come to harm Bump. They also support him spiritually as they stand, arms linked, and sing of Moses going to Egypt to free the Hebrew people. The Black spiritual they sing, “Go Down Moses,” compares their situation to those of the enslaved Israelites in Egypt, who were freed from bondage by Moses. They see this as the moment when they will stand up to injustice and oppression as a community.

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