33 pages • 1 hour read
Christopher IsherwoodA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Similar to his earlier decisions, George impulsively walks down to the ocean and reminisces about his and Jim’s life after World War II’s end. His nostalgia propels him to visit a beachside bar called The Starboard Side. He sits at his favorite table and spots Kenny writing at the bar. George approaches a surprised Kenny, who tosses his writing aside. And yet, Kenny says he came to the bar specifically to find George and knows where he lives. The “talking head” suggests that George invite Kenny over for the night. George is already drunk but drinks with Kenny and enjoys their conversation. George describes it as a “symbolic encounter [...] [where] even the closest confidence, the deadliest secret, comes out objectively as a mere metaphor or illustration, which could never be used against you” (124). Comfortable, both men fall silent and beam at each other until George breaks the silence by bringing up death. Kenny, in his youth, rarely thinks about death. The two become more and more lost in philosophical thought and feel a connection forming between them. Kenny asks what it’s like to grow older and mature, and George explains that there is no such thing—people just get sillier. To test George, Kenny suggests they go swimming in the ocean, and he accepts.
George describes the next moment in vivid detail, from the way Kenny’s “face [is] still lit by the boardwalk lamps” (131) to the evolution of their relationship from a symbolic one to a real one. They dive into the ocean, and Kenny becomes “a water-creature absorbed in its element” (132) while George struggles to stay afloat amid the tremendous waves. Finally, George gives in to the power of the ocean and feels pure, like his very self is being washed away. Kenny drags him out of the water. George is amazed and aroused by Kenny, both of them naked and wet on the shore. Kenny invites himself over to George’s house, and the two get dressed and walk home; Kenny jests to George that “They ought not to let you out on your own, ever. You’re liable to get into real trouble” (134).
As George sobers up, he becomes self-conscious and tries to act polite—but when Kenny starts making sexual noises in the shower, he becomes aroused again and dresses in a bathrobe. He meets Kenny in the kitchen, who is wearing nothing but a blanket. The two eat and flirt for a while, and George starts another rant. He concludes by demanding Kenny take off his robe, but then passes out from too much alcohol. When George eventually wakes, Kenny is gone and left a coy note asking to see him again. George masturbates to the thought of Kenny, but it upsets him, so he imagines the tennis players at school instead, and begins to calm down and drift off to sleep.
George experiences only “partial surfacings, after this. Partial emergings, just barely breaking the sheeted calm of the water” (148). His thoughts darken upon turning to Kenny never returning and Charlotte leaving for England—trying to convince himself that neither matters. George thinks of Jim and how his life continues to revolve around him, then reminds himself that “Jim is Death” (149) as he cannot hope to live a fulfilling life while caught in the past. He wants to stay in Los Angeles because it is where he met Jim, and he hopes to find a new partner in the future. Despite his age and the challenges he faces as a gay man, he still maintains hope.
George’s body gives out organ by organ, and he dies in his sleep. George’s body is no longer George himself, and “is now cousin to the garbage [...] Both will have to be carted away and disposed of, before too long” (153). In George’s final moments, he dreams of a bright day ahead and the prospect of finding love again. His final dream comprises the day he first saw Jim, sitting in The Starboard Side in his Navy uniform.
The final events of George’s day, his life, are dream-like due to his drunken state. The narrative becomes unreliable as George’s emotions are running high; any experiences post-him leaving Charlotte’s house may not be as described. He stumbles his way to the bar where he and Jim first met, and overwhelmed with alcohol and loneliness, finds Kenny there. The two flirt and make their way to the beach where they go swimming. It is in the water that George feels free and light for the first time in possibly years—perhaps conflating past experiences with a spontaneous present. Kenny ignites lust and youthful joy in George, the “face of the child” (2) whom he refers to each morning. However, George gets (literally) carried away by his emotions and almost drowns. Considering the way the narrative ends, Kenny simply delayed the inevitable. The near-drowning evokes a birth or rebirth of sorts, a life without meaning and the finality of death being two of George’s greatest fears. This moment is the climax of George’s day and sparks an epiphany while he lies in bed.
As George dies, his final moments are presented as a stream of consciousness. He drifts into an extended metaphor comparing the people in his life to rock pools that disappear, that become indistinguishable, when the tide is high: “The rocks of the pool hold their world together. And, throughout the day of the ebb tide, they know no other” (150). As the ocean washes over the rocks, they drift off to “sleep” and become unknowable. While there is only so much George can truly know about Charlotte, Kenny, etc. as they are their own worlds, they are all driven by a human desire to hope—to want to hope and make something of themselves. After years of living in the past and being unable to see a future for himself, George realizes he must live and try to find love again. In one final twist of irony, his organs shut down and he dies. George mused and worried about death all day, but before he is given the chance to live in the present, he becomes “cousin to the garbage in the container on the back porch” (152). In the end, George dies alone, which speaks to the lonely life that he was forced to lead due to a lack of acceptance of his orientation, the loss of his partner, and his characteristic differences from those around him.
By Christopher Isherwood