64 pages • 2 hours read
M. T. EdvardssonA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
On the stand, Amina admits that one night at Tegnérs, after Stella left early due to a headache, she ended up going home and kissing Christopher. She left in a panic and did not tell Stella about it initially. Later, Christopher called Amina to plan a surprise for Stella’s birthday, but during that meeting, they kissed again. Amina confessed her feelings for Christopher to Stella, leading them to agree that he was not a good person and to cut ties with him. However, Amina admits that she didn’t stick to this agreement.
Ulrika reflects on the challenges of parenting Stella, who often manipulated her parents. Amina, her best friend, acted as a mediator. Ulrika felt a connection with Amina, admiring her courage and honesty, especially when Amina shared her concerns about Stella’s troubling behavior and associations. This revelation led to a tough period for Stella’s family as they sought professional help.
Ulrika observes Alexandra, comparing her to her own mother. The courtroom scene focuses on Amina’s testimony, where she clarifies her continued interactions with Christopher Olsen. She explains that despite agreeing with Stella not to see Christopher, he persisted in contacting her. Amina eventually met with Christopher, intending to end things, but they ended up spending time together. This revelation, delivered in court, leaves Stella visibly shaken.
Ulrika reflects on her complex professional and personal life, particularly her affair with Michael Blomberg and the strain it put on her family. The affair, initially a source of self-fulfillment for Ulrika, became a point of contention when she realized its impact on her relationship with her husband and their daughter. Ulrika decided to end the affair, but the situation was complicated further when Stella overheard Ulrika’s phone call with Blomberg.
Amina, questioned by Jenny Jansdotter, reveals her traumatic encounter with Christopher Olsen on the night of his death. Amina admits to kissing Christopher but says she felt immediate regret and discomfort. When pressed by Jansdotter about previous police statements in which she denied seeing Christopher after Stella’s birthday, Amina reveals that Christopher sexually assaulted her. She explains that she didn’t share this during the police interrogation because she was a virgin and the experience was deeply traumatic. This atmosphere shifts in the courtroom, with Jansdotter and others struggling to process this new information.
Ulrika recalls the dreadful phone call from Adam that informed her what Robin did to Stella. Ulrika demanded immediate police involvement and a medical examination, but Adam decided to bring Stella home without contacting the authorities, leaving Ulrika upset. Adam wanted to protect Stella from public scrutiny and judgment, but Ulrika regrets the path they chose and vows to make it up to Stella this time.
In a flashback, Ulrika destroys potential evidence, including Stella’s phone and a blood-stained blouse. The arrival of Stella’s friend Amina further complicates matters.
Amina confesses to Ulrika about the night Christopher Olsen assaulted her. Ulrika listens intently as Amina recounts grabbing a knife during a struggle with Christopher, after initially trying to use pepper spray. Amina, overwhelmed with emotion and guilt, expresses her regret over her actions and her deception of Stella. Ulrika, realizing the gravity of the situation and the potential implications for both girls, faces a profound moral and legal dilemma about how to protect her daughter and Amina.
Ulrika explains to Amina the legal nuances of their situation. She suggests a strategy that hinges on the presence of two potential perpetrators at the scene, creating reasonable doubt in the prosecution’s case. Ulrika proposes that they wait until the trial to reveal this information, ensuring it catches the prosecution off guard and maximizes the chance of acquittal for both girls. Despite Amina’s hesitance and concerns about Stella’s well-being in jail, Ulrika persuades her that this is the best course of action to protect both their futures.
In the present, Amina’s testimony about the night Christopher died triggers Ulrika’s memories of Stella’s past trauma. Amina’s words, filled with fear and regret, also strategically shift blame onto Ulrika, portraying her as a mother who previously chose not to report Stella’s sexual assault because of how unjust sexual assault trials are. This tactic aims to protect Stella at the cost of Ulrika’s reputation. Ulrika is torn between guilt and maternal instinct but knows Amina chose a good strategy.
Ulrika struggles with the weight of her actions during the closing arguments of Stella’s trial. Prosecutor Jansdotter argues for Stella’s guilt, citing jealousy and revenge as motives for murder and pushing for a 14-year prison sentence. Ulrika is haunted by the prospect of Stella missing 14 years of life. Meanwhile, Michael Blomberg effectively dismantles the prosecution’s case, emphasizing the lack of conclusive proof and introducing the possibility of Amina’s involvement. The trial concludes, and deliberations begin.
The narrative flashes back to Ulrika manipulating events to ensure Stella’s alibi and convincing Adam to lie to the police. Ulrika’s past relationship with Michael Blomberg, Stella’s attorney, complicates matters further. Ultimately, Ulrika destroys crucial evidence by crushing phones and disposing of the murder weapon, a knife, in a quarry.
In the present, Ulrika and Adam anxiously await the verdict. When Stella is exonerated, the relief is overwhelming. Ulrika realizes her risky plan has worked, but at a great personal cost.
In an Epilogue narrated by Stella, she searches for Amina on the night of the murder. When she finally encounters Amina, fleeing from Christopher, the situation escalates rapidly. Stella’s protective instincts for Amina, combined with her own traumatic past, drive her actions. Confronted with Christopher, Stella’s emotions transform into anger and hatred. The realization that Amina has been sexually assaulted and that Stella failed to prevent it fuels her actions. Stella takes the knife from Amina.
The final chapters resolve the narrative’s central conflicts and provide a deeper understanding of the characters’ internal struggles and transformations. These chapters focus on the character arcs of Ulrika and Amina, as well as the implications of their choices, set against the backdrop of the trial’s conclusion and the revelation of the truth.
Ulrika’s character arc reaches a significant point as she confronts her past decisions, current actions, and the consequences of her choices, both in her personal life and in the courtroom. The exploration of her affair with Michael Blomberg reveals her longing for appreciation and validation: “Maybe sometimes all it takes to believe you’re in love is being appreciated and valued” (352). This affair symbolizes her disconnect from Adam and her own identity crisis. As she says, “My relationship with Michael went hand in hand with my increasing inability to deal with Adam” (352). These revelations humanize Ulrika, showing her to be a flawed character.
Amina undergoes a significant transformation as well. Her decision to risk her “good girl” reputation and confront her father’s disappointment illustrates her growth and complexity. The choice to pursue Ulrika’s legal strategy is not just about self-preservation but also about reciprocating the protection and loyalty Stella has always shown her. Amina’s testimony and actions in court reflect her bravery and the depth of her friendship with Stella, a relationship built on mutual protection and understanding.
The details of Ulrika’s plan emerge in these chapters, showcasing the extent of her dedication to her family. Her actions, including the destruction of crucial evidence and the disposal of the murder weapon, symbolize her willingness to sacrifice her career and principles for her daughter and continue developing the theme of Subjective Morality and the Ambiguity of Justice. For a lawyer to interfere so dramatically in the legal process suggests that the system is fundamentally broken: Regardless of whether the trial can uncover the truth about Christopher’s death, Ulrika has no faith in its ability to secure a just outcome.
The Epilogue, narrated by Stella, is critical in unraveling the mystery of Christopher Olsen’s murder. This section deepens Stella’s and Amina’s characters. Stella’s guilt and protective instincts come to the forefront as she grapples with the consequences of her decisions—particularly their impact on Amina. The moment Stella takes the knife from Amina is laden with thematic significance, illustrating the theme that extreme circumstances can push anyone to the brink of moral ambiguity. As she tells Christopher, “People like you don’t deserve to live” (388). In this moment, Stella not only seeks to protect Amina but also assumes responsibility over life and death. The novel ends on this decision, leaving the question of whether Stella was right to kill Christopher unresolved.
The issue of “true” reality proves almost as ambiguous. While the Epilogue does provide seeming closure to the novel’s central mystery, the use of alternating points of view destabilizes any sense that the events are straightforward, developing the theme of Perception Shaping Reality. Each narrator’s account offers a different version of events, and some of these versions are incompatible with one another; Ulrika and Eric each blame the other for the decision not to report Robin’s actions. This underscores the elusive and multifaceted nature of truth.