49 pages • 1 hour read
Susan GlaspellA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more. For select classroom titles, we also provide Teaching Guides with discussion and quiz questions to prompt student engagement.
Described as a big, strong farm woman, Martha is also perceptive, intelligent, and compassionate. She feels a kinship with her closest neighbor, Minnie Foster Wright, from the beginning of the story. Her sense of their connection, which began in their shared childhood, grows deeper as she discovers the truth about Minnie’s married life.
She knows John Wright as a hard and difficult man, with whom it would be impossible to live happily. She eventually castigates herself for not keeping up her friendship with Minnie. Knowing that Minnie was driven to murder her husband by twenty years of emotional and physical deprivation, culminating in the cruel murder of her beloved bird, Martha feels a sense of responsibility toward Minnie Wright. She believes that her friendship and caring could have helped Minnie through the years.
It is Mrs. Hale’s perceptions and point of view that the omniscient narrator reveals most fully. She is the one who puts the pieces together and forces Mrs. Peters to understand what has happened in the Wrights’ house. She is the one who understands John Wright’s character and Minnie Foster Wright’s life as a young girl. Furthermore, her intimate knowledge of the hard, busy, demanding, and isolated life of a farm wife means that she understands exactly what Minnie Wright’s life was like.
Through her understanding of Minnie’s life and the recognition of her own responsibility toward her neighbor, she solves the crime and absolves Minnie. Mrs. Hale’s depiction of Minnie helps Mrs. Peters to feel a connection to Minnie as well; in particular, Mrs. Peters responds to the emotional difficulties surrounding the lonely silence of the Wright home, which she shared as a result of her childlessness, and Minnie’s need to fill the silence with the beautiful song of a bird. Through helping Mrs. Peters feel this emotional and psychological connection with Minnie, Mrs. Hale gains her complicity in securing justice for Minnie, by hiding the proof that would convict her.
Mrs. Peters is the sheriff’s wife, and her first name is never revealed. What the reader learns about Mrs. Peters is most frequently reported from Mrs. Hale’s point of view. For example, Mrs. Hale doesn’t know what to make of Mrs. Peters at the beginning of the story. She is timid, quiet, and acquiesces to anything that her husband says or asks her to do. However, as the two women discover more about Minnie Foster’s life, Mrs. Hale reports that “she hadn’t at any time been perfectly sure about Mrs. Peters. She had that shrinking manner, and yet her eyes looked as if they could see a long way into things” (151).
At first, Mrs. Peters says things such as “the law is the law” (153) to justify the men’s search for evidence, in the face of Mrs. Hale’s objections to their prying into Minnie Wright’s life. However, she also indicates that she understands that something was amiss in the Wright household, and as she looks around she says, “’A person gets discouraged—and loses heart’’ (153). Mrs. Peters sees beyond the surface of things, in a manner similar to Mrs. Hale’s acute observations.
In fact, it is Mrs. Peters who discovers the most important clues and calls Mrs. Hale’s attention to them: the “crazy sewing” (155) quilting square, the broken bird cage, and the dead bird. Though she discovers these clues, it is Mrs. Hale who puts the pieces together and forces Mrs. Peters to understand why Minnie Wright killed her husband. Psychologically, Mrs. Hale’s compassionate portrait of Minnie Wright convinces Mrs. Peters that Minnie has suffered enough.
In her role as the sheriff’s wife, Mrs. Peters must decide what to do with the evidence the women have discovered. She must decide if she is indeed “married to the law” (160) as the county attorney puts it. Ultimately, Mrs. Peters decides that she is not married to her husband’s version of the law, but to a moral law. She intends to hide the dead bird but when she cannot, Mrs. Hale does.
A generally kind-hearted and respected man, Lewis Hale represents a typical, well-intentioned husband, father, and farmer. However, Mr. Hale treats the women, including his wife, as if they are jokes, making several comments that are dismissive of women in order to impress the sheriff and the county attorney, who are more important men than he is.
Sheriff Peters represents man’s law. Hiding his true feelings behind a jovial, humorous manner, Peters wants to be taken seriously as the law’s representative. As such, he also believes that the investigation must be conducted in a particular way, excluding all things that he believes from the beginning are of little consequence, including anything in the kitchen. As a woman’s domain, he considers the kitchen irrelevant to men’s concerns; it does not enter his mind that there might be significant clues there.
Mr. Peters’ jokes are often at his wife’s expense, and her timid and hesitant manner seems to be a result of his domineering, if humorously intended, insults about women’s place and women’s concerns.
Young George Henderson, the county attorney, sees more than the two older men do, but he still fails to recognize the clues all around him in the kitchen. He only sees that Mrs. Wright is a bad housekeeper and judges her harshly for the condition of the kitchen. The women, on the other hand, see the disorder and know there is a reason for it.
As the county attorney, Mr. Henderson needs to discover a motive for the crime to ensure Minnie Wright’s conviction. He searches, with Sheriff Peters, in all of the places that they think it important to look: the bedroom where the murder occurred and outside in the barn. Because he remains blinded by his views on the insignificance of women and women’s concerns, which encompasses the entire kitchen scene, he fails to solve the crime and get the information he desperately needs.
By Susan Glaspell