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61 pages 2 hours read

Danielle Jensen

A Fate Inked in Blood

Fiction | Novel | Adult | Published in 2024

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Chapters 8-15Chapter Summaries & Analyses

Chapter 8 Summary

Before Snorri and Freya can consummate their marriage, Ylva stops them, saying that she cannot bear for Snorri to have sex with another woman. Instead of binding Freya to them through a consummated marriage, she suggests using runic magic to create a binding oath. Preferring not to have sex with Snorri, Freya encourages this option, on the condition that he vows never to touch her. However, they must keep this arrangement a secret to prevent others from breaking the oath by killing its creator, Ylva. Freya and Snorri agree to pretend to consummate the marriage. Ylva tells Freya that if she ever betrays her and Snorri, Ylva will torture her family and make her watch, then bury her alive.

Ylva completes the binding ritual, using Snorri and Freya’s blood. Freya pledges her allegiance to Snorri and vows to protect him. Afterward, Freya decides to learn more about the prophecy by finding the seer who made it. As she walks through the village in the dark, looking for signs that a seer resides there, she runs into Bjorn. The two of them hear oars in the water and see drakkar—raiding ships—approaching.

Chapter 9 Summary

Bjorn concludes that the raiders are not from Nordeland. He suspects that they have come from another jarl’s territory to kill or capture Freya. He explains that the raiders do not want to be ruled, and his theory proves correct. The raiders are warriors in the service of Jarl Gnut Olafson, whose stronghold is one fjord over from Selvegr. When Snorri learns of the raid, he orders Freya to stay away from the fighting. He is not willing to have his “possession” killed so soon after he has finally acquired her. However, because she is desperate to help protect the people of Halsar, Freya escapes from the Great Hall and climbs to the roof. From there, she sees homes burning throughout Halsar.

Freya also sees a much larger force of Gnut’s warriors silently approaching the great hall from the south. She realizes the attackers that came by boat were a diversion. Freya knows that the enemy will burn down the great hall and everyone in it. Help from Bjorn and Halsar’s other fighters will not come in time unless she can alert them. She jumps from the great hall’s roof to another roof and inadvertently falls into a pig pen.

Chapter 10 Summary

Bjorn finds Freya in the pig pen and urges her to escape from Snorri entirely. He says that Snorri will not punish her family because he will believe that she died or was taken by Gnut. Freya says she doesn’t want to escape; she wants to help. She convinces Bjorn to aid her in getting past Gnut’s guards on the beach and setting fire to their ships in the hopes that his attackers will leave the great hall and try to save the ships. Freya and Bjorn swim through freezing waters to approach the ships from behind. Using Bjorn’s fire axe, they light three drakkar on fire. The ploy works, giving Snorri’s men enough time to regroup and push Gnut’s army to retreat. Bjorn calls it Freya’s first victory. She is freezing as they exit the water, so Bjorn holds her against him. Warmth and comfort give way to arousal and sexual tension, but soon they hear people looking for Freya, and she pulls away. She decides to maintain distance from Bjorn because being close to him makes her lose her head, and she cannot afford that.

Chapter 11 Summary

Eighteen Halsar residents were killed in the battle, and many more were injured. Freya sees herself as the reason for the attack and blames herself for the deaths. Angry glares suggest that the people of Halsar blame her, too. Funerals are held in the morning. As they light the pyres, Freya sees a hazy, hooded figure on the beach. It appears as if smoke and bits of ember and ash are emanating from it. Then the figure disappears.

Ylva urges Snorri to punish Freya for disobeying his order to stay in the great hall, but he doesn’t. Nor does he punish Ylva for failing to keep Freya there, as Bjorn suggests. Instead, he says that Hlin’s warning about the dangers to Freya will not go unheeded again. He orders Bjorn to teach Freya to fight and also tasks him with protecting her. Bjorn tries to protest, but Snorri insists, saying that after tonight, Bjorn must stay by Freya’s side until she has fulfilled her destiny.

Chapter 12 Summary

While Freya waits for Bjorn to start their training the next morning, she talks with the healer, Liv, who reveals that when King Harald of Nordeland heard the prophecy and learned that Snorri was seeking the shield maiden, he kidnapped Bjorn to keep Snorri from moving against him. Bjorn’s mother, Saga, was killed during the abduction. Freya also learns that Snorri was already married to Ylva when he conceived Bjorn with Saga in “a moment of indiscretion” (110). Snorri made many attempts to free Bjorn, but he wasn’t successful until three years ago. Ylva has a 15-year-old son with Snorri named Leif, but as Snorri’s firstborn son, Bjorn is Snorri’s heir.

When Bjorn finally arrives to start Freya’s training, he is not his usual charming self. His attitude toward his new obligation hurts her feelings. She asks him why he is so angry about having to train and protect her. Bjorn says that Snorri’s interpretation of his connection to Freya is “bullshit”; his destiny isn’t tied to hers, it’s just Snorri twisting things to get what he wants. His fate, he says, is to win battles, not to spend day and night defending another man’s wife. Freya vents her own rage at the situation, leading Bjorn to apologize. When Freya asks about Bjorn’s imprisonment in Nordeland, Bjorn says he was made to swear a blood oath to never try to escape. Snorri’s efforts to rescue him were motivated by selfish ambitions; he needed a god’s fire—Bjorn’s fire axe—to find and reveal the shield maiden. Bjorn also says that the seer who made the prophecy is dead and reveals that the seer was his mother, Saga.

Chapter 13 Summary

Freya meets Ylva’s son, Leif, when he returns from a hunting trip. Leif and Bjorn are friendly and clearly care about each other. Leif and an older warrior named Ragnar report capturing a spy while hunting, but the spy refuses to tell them anything. Ylva suggests that they “put fire to her feet” (121) to make her talk. They bring the spy in, but as soon as they remove the bag covering her face, Bjorn severs her head from her neck. He says she is named Ragnhild and is sworn to King Harald. She is also a child of Hoenir, so she can speak into the mind of whoever holds her tokens and show them visions. Ragnhild has no tongue because Harald cut it out. He wears it on a necklace as her token, so he was the only person she could speak to. Bjorn killed Ragnhild because he feared that she would send a vision to Harald as soon as she saw Freya, alerting him that the shield maiden had been found. Bjorn says that Harald and his army could attack within a matter of weeks, and the people of Halsar cannot withstand Harald on their own. Snorri plans to gather all the jarls of Skaland and convince them to unite and resist Nordeland’s attack. First, however, they’ll ride to Fjalltindr to pay homage to the gods.

Chapter 14 Summary

Fjalltindr is a sacred temple at the top of a mountain called Hammar, where people from near and far gather every nine years to make sacrifices and pay the gods tribute. On the way, Freya sees the same hooded figure that she saw on the beach. Nobody else can see it, so they say it must be a specter. The figure tells Freya to make a sacrifice at the temple on the night of the first full moon, or her thread will be cut short and the future that was foreseen will be unwoven. After they make camp that night, Steinunn asks Freya to describe how she felt when the specter appeared so that she can capture the experience authentically in the ballad she is composing. At Snorri’s orders, Steinunn will chronicle Freya’s actions as she fulfills the prophecy. Bjorn makes his dislike of Steinunn clear. He tells Freya that the skald’s power is intrusive because it allows everyone else to see and feel one’s innermost thoughts and feelings. Bjorn and Ylva quarrel that night. Ylva admits to wishing that Leif were Snorri’s heir, not Bjorn. She feels that Bjorn has been away too long and is more Nordelander than Skalander and declares that their people deserve to be ruled by a legitimate son.

Later, Bjorn helps Freya apply a salve to ease the pain and stiffness in her burned hand. The intimacy of his touch arouses her desire for him, though she tries to hide it. As Freya tries to sleep that night, attackers fall on their camp and shout to each other to kill the shield maiden and to kill all the women to make sure of finding their target. Freya calls on Hlin’s magic. Bjorn, Snorri, and the other warriors join her to make their shield wall, and Freya’s magic spreads to cover all the shields. They repulse the attackers, then take the offense. Freya draws on her rage to kill and maim. When the fight is over, her rage turns to horror at the gory scene. The leader of the attack, a jarl named Torvin, is identified. Just before dying, he says everyone is coming for Freya. Bjorn expects that more jarls’ warriors will ambush them on the way to Fjalltindr. Snorri tells Bjorn to take Freya on a different route known as the Path to Helheim: a set of stairs and tunnels inside the mountain. Bjorn calls it a suicide mission because the tunnels are full of draug, the undead.

Chapter 15 Summary

Snorri insists that Steinunn and one other warrior accompany Freya and Bjorn. As the four of them near the mountain’s cliff-side, they find the ground littered with human bones. Some bones have been made into wind chimes and are hanging from the trees. A haze of steam drifts toward them, filling the air with the smell of rot. Bjorn says he won’t force Freya to go into the tunnels, but she decides to continue onward. They leave the other warrior with the horses, then convince Steinunn not to go with them despite Snorri’s order. Freya gathers her courage and enters the tunnels with Bjorn.

Chapters 8-15 Analysis

In these chapters, the theme of Exploitation as a Means of Acquiring Power becomes more apparent as the stakes for Freya escalate. Throughout all of her hardships, she remains keenly aware that the safety of her family rests on her compliance with Snorri and Ylva’s wishes. As Ylva declares when Freya swears the blood oath, “If you ever betray us, […] I’ll make you watch while everyone you care about is carved apart, piece by piece, and when you are reduced to a broken thing, I’ll bury you alive” (78). This scene makes it clear that Freya is more powerfully motivated to preserve her family’s well-being than to seek her own happiness. This source of motivation also fuels Freya’s internal conflict between duty and desire. Her attraction to Bjorn is strong, but to act on these feelings would be to betray Snorri and put her family at risk. Dominated by the strictures of her patriarchal society, she feels a duty to Snorri because he is her husband, at least in name, and she knows that this relationship demands loyalty and obedience. Additionally, the prophecy indicates that her destiny is to protect Skaland’s people by uniting them, and her current allegiance to Snorri seems the best path to fulfilling it. Finally, she swore a blood oath to Snorri and is now bound by runic magic. As Freya’s growing desire for Bjorn provides a contrast to these central tensions, a feminist angle begins to emerge, for Freya observes that Bjorn doesn’t “tear [her] down in order to make himself look strong, as so many men did” (136). This critique of male behavior toward women depicts a strong female protagonist fighting against patriarchal oppression in a medieval era, imbuing the narrative with the essence of a feminist-leaning historical fantasy.

As these conflicts unfold, Jensen adds depth to the main characters; for example, Ylva becomes more human in Freya’s eyes when she stops Snorri from consummating his marriage, and as the narrative progresses, Freya’s perceptions of Ylva will vacillate between sympathy and hostility, with Ylva’s true intentions remaining ambiguous. Similarly, although Snorri is ostensibly motivated by a desire to protect his people, these chapters reveal his narcissism and his willingness to use Exploitation as a Means of Acquiring Power. This aspect of his personality becomes more apparent as he finds success in battle and believes that his longed-for destiny of being a king is drawing nearer. His contradictory nature is also indicated when he vows faithfulness to Ylva, his “one true wife” (78), despite the fact that he was once unfaithful to Ylva when he conceived Bjorn. As for Bjorn’s characterization, flashes of his deep feelings for Freya begin to emerge from beneath his veneer of nonchalance, hinting at undisclosed depths.

However, Freya’s character reveals the most complexity, as the first-person narration provides a deeply detailed view of her thoughts and feelings. Beset as she is by multiple demands and pressures beyond her control, she shows the capacity for rationality and a positive attitude when she states, “[T]he deal was done. Better to dedicate my mind to understanding how I was expected to achieve the results the gods foresaw for me” (80). Yet she also acknowledges that emotion tends to get the better of her, for her mother always said that she has “the temper of a caged mink” (116), and she is prone to saying terrible things in anger and regretting her words later. Additionally, Freya begins to question her dream of being a warrior as she learns of the true brutality of battle. After the specter says that her thread might be cut short, she realizes that while she’d “once dreamed of greatness” (129), facing the prospect of death or failure makes greatness feel much less desirable.

Chapters 1-7 initiate a thematic exploration of The Tension Between Destiny and Autonomy by establishing the idea that most people’s futures are already determined by the Norns, but that the children of the gods have the power to weave their own fates. Prophecies may portray a vision of their future, but they—the Unfated—have the power to change it. Chapters 8-15 begin to probe this dichotomy and its influence on Freya, for she is perplexed by the specter’s prediction that her thread will be cut short if she doesn’t make a sacrifice at Fjalltindr. Because this declaration has the tone of a prophecy, it conflicts with the very concept of being Unfated. Even so, she feels pressure to heed the warning and not take any chances, but she also starts to understand the burden of making choices without knowing how they will affect the future.

The theme of Exploitation as a Means of Acquiring Power becomes particularly apparent when Snorri speaks of hunting Freya for 20 years and of finally “possessing” her. Snorri sees Freya as a tool to wield for his own power and glory, but she bristles at the idea of being possessed because she has endured it before. Likewise, her desire for freedom also fuels her attraction to Bjorn; she senses that “there was no demand in his touch. No sense that he intended to take anything […] or to use [her] the way so many others had” (100). It is important to note that Freya isn’t the only exploited character, for all of the children of the gods are surrounded by people who want to use them for their powers. This pattern becomes clear when Ragnhild is killed; because of her telepathic powers, King Harald has cut out her tongue and now wears it as a token so that she can only serve him. Similarly, people use Steinunn’s bardic skills as a tool to increase their own fame, but they never really see the woman behind the songs.

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