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61 pages 2 hours read

Sarah J. Maas

A Court of Mist and Fury

Fiction | Novel | YA | Published in 2016

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Part 1, Chapters 5-9Chapter Summaries & Analyses

Part 1: “The House of Beasts”

Part 1, Chapter 5 Summary

Rhys demands that Feyre honor her bargain to spend one week a month with him for life. Tamlin protests but cannot refuse, as breaking a faerie bargain is taboo. Rhys takes Feyre to the Night Court, which to her surprise is warm, scented with jasmine, and under a beautiful starry sky. Rhys taunts Feyre about her marriage but reassures her that she is not a prisoner and will be treated with respect. Still, Rhys’s arrogance annoys Feyre.

Feyre’s room is warm and inviting. She removes her wedding dress and cries herself to sleep, regretting her hesitation to marry Tamlin. Over breakfast the next morning, Rhys explains that their bargain forged a bond between them: It allows him to hear her thoughts when she is most vulnerable. Rhys rescued Feyre from marrying Tamlin because he sensed her doubts. Rhys also offers to teach Feyre how to read, as her illiteracy almost resulted in her death Under the Mountain.

Part 1, Chapter 6 Summary

Feyre resists Rhysand’s offer to tutor her, but he insists. While speculating on Feyre’s powers as a newly resurrected High Fae, Rhys suddenly shudders. Rhys recovers and his cousin Morrigan (“Mor”) enters. Rhys and Mor banter, but Feyre senses real tension under the teasing.

At Feyre’s first reading lesson, Rhys asks her to read a note. She struggles to sound out the words but finally parses the message: “You look absolutely delicious today, Feyre” (62). Feyre becomes angry, which makes her vulnerable and allows Rhys to possess her mind. Rhys orders Feyre to force him out of her mind. After several failed attempts, he illuminates an exit path for her. Feyre gathers all her mental energy into a wave and washes Rhys from her mind. Feyre asks Rhys to release her from their bargain, but he argues that she will have no purpose at the Spring Court beyond adornment and procreation, and can find more at the Night Court. Rhys leaves Feyre to practice the alphabet and mental “shielding.”

Rhys leads Feyre to the top of a high tower, a circular room with a detailed map of Prythian and Hybern, an island kingdom to the west. A massive wall divides the mortal and faerie realms, a wall Rhys warns may soon be coming down. 

Part 1, Chapter 7 Summary

Feyre pleads with Rhys to not invade the mortal lands. Rhys assures her that he will not, but he explains that the King of Hybern has been planning an assault for a hundred years. Amarantha’s reign was an early tactical maneuver to weaken Prythian from within. Now, Prythian is all that stands between Hybern’s forces and the mortal world. Rhys asks Feyre to find out where Tamlin’s allegiances lie. He suggests that Feyre has more power than she realizes, as she received a small part of power from each of the seven High Lords when she was resurrected. Rhys offers to teach her how to master those powers. Feyre hesitates. Rhys gives her a choice: be Tamlin’s trophy or claim her power and play a vital role in the war.

Later, Feyre overhears Rhys and Mor discussing a recent attack on a temple by unknown perpetrators. Rhys flies off to meet with Cassian and Azriel, two trusted members of his court. On the final morning of her week at the Night Court, Rhys reminds Feyre that she wanted to stop the wedding and repeats that he is not her enemy. She agrees to consider his offer to train her, and he transports her back to Tamlin’s court.

Reunited with Tamlin, Feyre wants to have sex, but Tamlin wants to know about her time away. Feyre feels interrogated, but she considers her true allegiance and tells Tamlin and Lucien everything. Feyre asks them their opinion on her possible powers, and Lucien warns that other High Lords would not hesitate to kill her to reclaim their power from her. Tamlin forbids Feyre from training with Rhys, hoping to spare her from the dangers of battle. 

Part 1, Chapter 8 Summary

A week later, Spring Court villagers arrive for the Tithing, a ritual in which the High Lord’s subjects offer payment for his protection. A water-wraith approaches the dais, pleading for Tamlin to forgive the Tithe. The lake is empty of fish, and they have nothing to give. Tamlin refuses, explaining to Feyre that the traditional Tithe must be upheld regardless of fairness. Feyre storms out of the manor. She catches up with the wraith and gives them the jewelry she is wearing, telling the wraith to “Give him what you owe, then buy yourself some food” (93).

Later, Tamlin reproaches Feyre for “undermining” the court with her gift. Lucien agrees with Feyre, but Tamlin’s anger cows him. Feyre feels power surging through her, and she is suddenly inside Lucien’s mind, willing him to defy Tamlin. The moment passes and she leaves the table defiantly.

Part 1, Chapter 9 Summary

Feyre’s attendant Alis braids Feyre’s hair before bed. Alis confirms that the wraith will always remember Feyre’s kindness. Later that evening, Feyre finds Tamlin in his study. They apologize for their harsh words, and Tamlin gives her a gift: a painting kit. It’s lovely, but it reminds Feyre of how she used to paint before going Under the Mountain—a past she is trying to forget. Feyre asks to be free from confinement and the constant guards. In response, Tamlin’s power surges, shattering everything in the room.

Part 1, Chapters 5-9 Analysis

Feyre’s week in the Night Court sheds new light on the future of Prythian and her role in its ultimate fate. Maas portrays Feyre’s arrival at the Night Court nearly identically to Feyre’s arrival at the Spring Court in the first novel of the series: Feyre is brought to the court under the coercion of faerie law, experiences an unexpected sense of connection to her new surroundings, and is assured by her captor that she is more of an honored guest than a prisoner. By mirroring the emotional arc of Feyre’s first arrival at the Spring Court, Maas hints at the romance that will develop with the Night Court’s High Lord, Rhys, and invites comparison between Rhys and Tamlin. Additionally, Feyre’s subverted expectations that the Night Court will be an ugly and violent place reinforce Maas’s exploration of the relationship between ignorance and prejudice. The more Feyre learns about the Night Court and its High Lord, the more appealing they become to her.

In these chapters, Maas sets up an internal struggle for her protagonist which complicates Feyre’s path to healing: Does she trust the smug-yet-darkly-erotic Rhys, who provokes and exasperates her yet gives her the freedom of choice? Or does she trust Tamlin, her stable but controlling fiancé who wants so desperately to protect her that he smothers her in gowns and jewelry? This love triangle plot device is frequently used in the romance genre to create narrative tension. Often, as with Feyre, the heroine must choose between a “bad boy” archetype who represents the danger and thrill of the unknown (Rhys), and an honorable-yet-staid suitor who represents the safety and restriction of conventionality (Tamlin). The opposite natures of Feyre’s suitors illuminate her own unresolved values and personality.

Maas suggests early in the novel that Rhys is the more appropriate suitor for Feyre. Feyre wants to help save Prythian, and Rhys is willing to give her the chance. He acknowledges her potential and supports her self-actualization—even if her self-actualization ultimately supports his own goals. Tamlin, by contrast, is doting but predictable, adhering to tradition even when it seems cruel and capricious. Tamlin’s efforts to protect Feyre from trauma after her suffering Under the Mountain only exacerbate Feyre’s emotional distress. Feyre compares her psychological struggle to drowning, and she tells Tamlin that he “might as well be shoving my head under the water” (100) with his controlling behavior. While Tamlin gives Feyre gifts she doesn’t want—an art set that he hopes will distract her—Rhys offers her what she really wants: the chance to be useful and atone for her past sins.

Maas reinforces the differences between Feyre’s potential lovers through symbolic contrast. While in Tamlin’s court, she is bound in tight corsets and heavily layered dresses, but in Rhys’s court, she wears loose, revealing garments--a suggestion of eroticism that no longer exists in Tamlin’s home. While Tamlin and Feyre remain sexually intimate, they are growing emotionally distant, whereas Rhys’s darker, more mysterious allure is enhanced by his and Feyre’s growing emotional intimacy. The conflict is not just between Rhys and Tamlin but also within Feyre: Does she choose a safe but suffocating life with Tamlin, or does she step into unknown territory—physical and emotional—and trust the dangerous High Lord of the Night Court? 

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