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82 pages 2 hours read

George R. R. Martin

A Clash of Kings

Fiction | Novel | Adult | Published in 1998

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Themes

The Qualities of Good Leadership

Content Warning: This section of the guide includes discussion of physical abuse, rape, and death.

While the Seven Kingdoms employ a monarchic system of leadership based on heredity and lines of succession, the War of the Five Kings is the closest that the realm ever gets to a democratic election. The conflict between the five kings can be read as a debate between five different leadership styles. Although essentially a referendum on who would be best suited to lead Westeros, Martin also uses the juxtaposition of these approaches to drive a larger question about the characteristics needed to qualify a leader as “good.”

Joffrey Baratheon rules Westeros through fear and the power of his heritage. As the traditionally recognized Lord of the Seven Kingdoms, son of King Robert and his wife Cersei, Joffrey relies on the recognition of his status as the sitting king to wield power over armies and the realm. To maintain his grasp on both the city and the court around him, Joffrey rules by fear, quoting his mother to illustrate his leadership philosophy: “Fear is better than love” (489). Joffrey illustrates this leadership philosophy when the riot breaks out after the farewell to Myrcella: His first instinct is to send his enforcer to punish the common folk. However, they respond by humiliating him, proving that there is little to fear when the common folk greatly outnumber the king’s men, a reaction that undercuts both his power and his leadership style.

His claim is threatened by Stannis Baratheon, whose underlying leadership philosophy relies on holding the law above all else. Stannis’s obedience to the law is not only shown in his insistence on the line of succession but also in his treatment of his most loyal knight, Davos Seaworth. After suffering what Stannis sees as a just punishment that costs him his fingers, Davos is then forgiven, accepted, and rewarded for his skill and potential for service. Davos justifies Stannis’s approach, but his faith wavers in the face of Stannis’s growing desperation, which causes him to abandon traditional strategy and fall under the influence of Melisandre. Stannis’s shift to using the power of religion to take charge is a shift from his earlier philosophy, one that diminishes his power in the eyes of many of his followers.

Stannis’s claim to the throne is overshadowed by his younger brother Renly, who relies on populism to drive his campaign. Renly relies heavily on appearances and charm to court the southern noble houses into his service. When Catelyn arrives at his encampment, she is awed by Renly’s display of luxury, which extends to the styling of his Rainbow Guard. However, Renly relies so much on appearances that he fails to build substantial relationships with his allies. After he is killed, it doesn’t take long for his biggest allies, the Tyrells, to be swayed by the Lannisters, illustrating the temporary and fickle nature of power acquired through appearances.

Much like Stannis, Balon Greyjoy lives according to an imperative, but his decisions are driven by his house’s traditions. The Greyjoys have a tradition of piracy and pillaging, as stated in their house motto, “We Do Not Sow” (170). Balon’s second attempt to declare himself king deeply affects Theon, who wants to prove himself as a worthy heir to his family’s tradition but was brought up in a different culture. This disparity makes him prone to the folly of taking Winterfell, illustrating how the Greyjoy traditions and culture don’t translate well to the outside world, resulting in an inability to gain or hold power.

Finally, Robb Stark rules according to the power of loyalty, illustrated by the fact that his bannermen, not Robb himself, established him as king. Though this shows the loyalty of his allies, it also illustrates Robb’s lack of experience and commitment to the idea of being king. The lack of personal resolve also shows itself in Robb’s struggles to maintain his army as his lords return home to look after their respective households’ needs. Despite the early victories that mark his strong position at the start of this novel, Robb has little sense of how to lead apart from striking the enemy where it hurts. This not only leaves him susceptible to Theon’s capture of Winterfell but to that of Ramsay Snow, who ostensibly serves his father, a bannerman of Robb’s. Although Robb is supported by his allies, it is not enough to compensate for his lack of experience or commitment.

All five kings show respective strengths that give them advantages, proving that no single leader can comprehensively meet all the challenges and needs of the realm. However, to highlight the qualities of a powerful leader, Martin looks beyond the kings to highlight Tyrion, who comments, “Men fight more fiercely for a king who shares their peril than one who hides behind his mother’s skirts” (775). Over the course of the book, Tyrion shifts from self-serving maneuvers to true leadership. During the climactic Battle of the Blackwater, he decides to abandon self-interest and lead the charge himself. The defense of King’s Landing marks his attempt to serve his people and share in their suffering, not just resolve the needs of his family. With his actions, Tyrion illustrates the power and style of a true leader, standing in contrast to the five men who vie for the title of king.

The Illusion of Power

In Chapter 8, Varys offers an important insight into the nature of power: “Power resides where men believe it resides” (132). This insight is meant to embolden Tyrion to shift the balance of power in his sister’s royal court, but it also functions as an apt thesis for the illusory nature of power in monarchic or even oligarchic systems. The novel illustrates that power is not a finite resource to be taken or earned, like gold or manpower; rather, power comes from the projection of power, which anyone can wield to their advantage.

Tyrion illustrates Varys’s argument by turning the power of the royal court against his sister, Cersei. His awareness of how Cersei manipulates the court to her advantage is the key to his political strategy. He sidesteps her defenses by identifying Cersei’s closest allies and finding ways to uproot them from King’s Landing. By the time of the Battle of the Blackwater, the castle is full of Tyrion’s allies, from Varys himself to Ser Jacelyn Bywater. Cersei’s understanding of Tyrion’s newfound power and her desperation to win back control of the court are illustrated by her threats to kill the woman she thinks is romantically involved with Tyrion, a departure from her more subtle approach. Her desperation also signals Tyrion’s success in projecting power despite the disadvantages that marked his situation at the start of the novel—Cersei has come to recognize him as a threat powerful enough to be worried about.

Arya empowers herself by wielding Jaqen H’ghar’s favor during her imprisonment at Harrenhal. Despite her upbringing in the noble House Stark, Arya knows that revealing her true identity would put her life at risk. She is forced to present herself as someone who has no worth as an ally or hostage, which makes the chance of escaping Harrenhal impossible at first. Jaqen gives her the chance to transcend her adopted identity by granting her control over life and death. After the first two deaths she causes, she calls herself the “ghost of Harrenhal.” With this identity, she can either fulfill her desire for revenge against the Lannisters or substantially alter the course of the war by requesting Tywin’s death. Arya’s power is by proxy, but her enigmatic identity as Harrenhal’s ghost offers power over the perception of others, who understand a supernatural being that can take lives as all-powerful. Through these twin facets of her power, Arya illustrates Varys’s point about perception being at the root of true power.

Theon is also drawn to the idea of projecting power, though his storyline highlights the folly that such desire causes. What Theon desires most in his life is validation for his actions. When he comes to Pyke, he projects the power of his status as Robb’s trusted ally, but that projection is immediately undermined as the Greyjoys are not impressed by his reflected power. He is forced to abandon this approach and adopt the power his kin project. This ultimately leads him to take over Winterfell, a misguided decision intended to prove that he is his sister Asha’s equal. The more he stands by this decision, however, the more he is forced to reckon with the consequences of that choice. Theon’s bid to project power is undermined by his desperation and his power’s dependence on the reflected power of others. Martin uses these three storylines to illustrate some of the ways in which people can successfully wield power and how quickly that power can be undermined, highlighting how the perception of being powerful is the key to true power.

Hope Amid the Ravages of War

In A Clash of Kings, Martin depicts a continent ravaged by war and conflicting interests. Most of the people affected by the war are at the mercy of a few men, a seemingly hopeless situation. However, through the stories of Arya, Bran, and Daenerys, Martin offers ways to find hope even in the direst circumstances.

Over the course of her journey, Arya witnesses a completely different side of the war, thanks to her changed social status. No longer amongst the noble people who defined her upbringing, Arya sees how quickly the common folk become victims of senseless violence. During her journey back north, Arya finds that the war-torn lands of Westeros may be just as dangerous, if not worse than, the streets of King’s Landing. Over the course of her story arc, she witnesses soldiers burning down villages, killing a boy, and openly bragging about rape. When she learns that Winterfell is lost, Arya initially loses all hope for her journey home and her family. What shifts her perspective is the insight she receives from her father’s voice beyond the grave: “[T]he lone wolf dies, but the pack survives” (898). Arya is inspired to continue her journey, knowing that the ravages of war will only defeat her if she tries to go it alone, a realization that motivates her to invite Gendry and Hot Pie to join her in her escape. With her new understanding of the power of companionship, Arya experiences new optimism and hope amid the war-torn landscape.

Arya’s brother Bran also discovers a way to find hope amid traumatic circumstances. He comes to recognize that his paraplegia doesn’t limit the fulfillment of his desire for adventure, nor does it limit his strength or ability to maintain power over Winterfell. When Theon and Ramsay make moves to wrest control of the castle from the Starks, Bran initially loses hope; however, the quick thinking and survival instincts of him and his companions keep him safe and alive. As Bran fights for survival, his understanding of his duty shifts: The Starks’ claims to their land and lordship depend on his survival and ability to outmaneuver them. As Bran and his allies outwit the attackers, he gains hope and strength from their continued survival and gains a new understanding of his duty to keep control of and lead Winterfell.

Finally, Daenerys’s character arc is driven by a sense of hope for her eventual war and victory in Westeros and her belief that it is her destiny to reclaim the Iron Throne. Although her khalasar has dwindled to a meager number, she pursues the red comet to Qarth because she believes it will lead her to her destiny. Instead, she finds nothing but people who want to take advantage of her dragons for their own personal gain. Daenerys evades their manipulations through her growing understanding of the power she wields with her dragons and the leverage that it gives her. She is pushed on by hope, assured that there is a reason the comet led her to Qarth, relying on her belief in her destiny. Through her narrative, Martin explores the hope found in belief in one’s destiny; through Arya, Bran, and Daenerys’s journeys, Martin traces the various ways that people reclaim hope in seemingly hopeless circumstances.

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