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61 pages 2 hours read

Margaret Laurence

A Bird in the House

Fiction | Short Story Collection | Adult | Published in 1974

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“Horses of the Night”Chapter Summaries & Analyses

“Horses of the Night” Summary

Vanessa, at the age of 6, learns that her 15-year-old cousin Chris will be coming to stay at the Brick House to attend high school, as there’s no high school in his northern hometown. Initially resistant due to their age difference, Vanessa is instructed by her mother, Beth, to be polite and welcoming.

Chris arrives, and despite Vanessa’s apprehensions, she finds herself wanting to defend him when her mother criticizes his appearance. He is tall, thin, and friendly, immediately warming to Vanessa and treating her as an equal, which softens her initial reluctance. However, Grandfather Connor openly complains about the inconvenience and cost of hosting Chris. Despite the tension, Chris remains unfazed, showing a calm demeanor that contrasts with Vanessa’s internal anger.

Chris becomes a caretaker for Vanessa when her parents are away, further endearing himself to her through his creativity and kindness. He crafts a miniature saddle for her birthday and shares stories of his home in Shallow Creek, sparking Vanessa’s imagination with tales of a house built from lakeside trees and dinosaur fossils.

As the Depression worsens and a drought impacts Manawaka, Vanessa becomes aware of these challenges more abstractly, likening them to a “malevolent God.” She overhears her parents discussing Chris’s academic performance, noting that while satisfactory, it isn’t enough to secure a college scholarship. With Grandfather Connor unable to fund further education after three years of support, Vanessa worries about Chris having to leave but holds onto hope for a miracle.

When it’s time for Chris to leave Manawaka, Vanessa helps him pack. Chris maintains a positive outlook, believing anyone can achieve their goals with enough determination. Shortly after Chris leaves, his mother informs them that he never returned to Shallow Creek but instead went to Winnipeg, leaving no address behind. This news concerns Beth, as it seems out of character for Chris to be so irresponsible. While Beth and Ewen deliberate over how to explain this to Grandfather Connor, Vanessa retreats to the Wachakwa River, overwhelmed by emotion.

Life in Manawaka moves on. Aunt Edna returns from Winnipeg, Roddie is born, and Grandmother Connor passes away. Two years later, when Vanessa is 11, Chris reappears unexpectedly, now working as a traveling salesman for vacuum cleaners. Despite Beth and Ewen’s citing their financial constraints, Chris enthusiastically demonstrates the product's benefits. On subsequent visits, he sells magazines and later sewing machines, despite the lukewarm reception from his family and Grandfather Connor’s displeasure.

After Ewen’s death, Beth takes Vanessa to Shallow Creek, which disappoints Vanessa as it contrasts starkly with both Chris’s descriptions and her imagination. She hesitates even to bring up the horses that Chris had once talked about. Finding limited work opportunities, Chris has returned to his family’s hay farm and invites Vanessa to camp near the bluffs. During the camping trip, Vanessa feels uneasy; Chris has changed much and engages in deep philosophical discussions about the absence of purpose in life and God’s existence, including the despairing look of a horse stuck in mud during wartime.

Later, Vanessa learns that Chris has enlisted in the army during World War II but suffers a violent mental breakdown, leading to his institutionalization. When she finds the miniature saddle Chris crafted for her years ago, she places it in a box in the attic.

“Horses of the Night” Analysis

In Horses of the Night, Vanessa’s childhood recollections of the Great Depression reflect her limited understanding of the economic calamity that defined the era. Her cousin Chris becomes a lens through which Vanessa experiences the profound personal impacts of this societal failure, and therefore The Tyranny of Life.

Vanessa’s childlike interpretation of the Depression and the drought is clear when she describes them as “external and abstract, malevolent gods […] whose evil I sensed only superstitiously” (136). This portrayal highlights The Journey from Childhood Innocence to Adult Awareness and the mystical, almost mythical way in which children interpret complex adult realities.

Older Vanessa reflects on Chris’s character with a tinge of melancholy, highlighting his idealistic and optimistic nature. Described as a “respecter of persons” (133), Chris’s hopeful demeanor and disregard for criticism capture young Vanessa’s admiration. However, his inability to become an engineer due to economic constraints illustrates a tragic flaw: his insistence on clinging to a dream in the face of insurmountable odds. Rather than adjusting to reality, Chris retreats further into an imagined world where success is still possible, a coping mechanism that leads to him breaking down completely during the war.

This dynamic deeply influences Vanessa, who, as a child, is also inclined to romanticize but grows to find disillusionment in reality. Unlike Vanessa, Chris’s response to adversity is to double down on his illusions, which demonstrates the power of belief as well as its relationship to the desire to control one’s circumstances. Chris’s philosophy, “If you hold it in your mind […] it’s real” (139), contributes to Vanessa’s struggle with accepting change, loss, and unpredictability. This is evident in her satisfaction with the predictable aspects of her life, which she finds comforting: “This seating arrangement was obscurely satisfactory to me, perhaps because it was predictable, like the three bears” (137).

Chris’s influence on Vanessa extends beyond his idealism to actively shape her imagination with stories of his life on a poor farm, which he portrays in a fantastical light. He tells her about “these two riding horses, Duchess and Firefly” (135) and even crafts a tiny saddle, lending a tangible aspect to his tales that would later become a symbol of The Tyranny of Life.

Chris’s character prompts older Vanessa to reflect on her own youthful innocence and how Chris’s choices and personality influenced her. In this chapter, Chris uses his ability to remain detached to navigate tense interactions, specifically with Grandfather Connor, while his ability to tell captivating stories from his harsh realities helps shape Vanessa’s outlook on life and her coping mechanisms. Vanessa’s violent reactions to confronting harsh truths can be traced back to the idealism she adopted from Chris.

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