57 pages • 1 hour read
Dusti BowlingA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Content Warning: This section discusses bullying and child abuse. One character’s use of an offensive term for Indigenous people is reproduced in a quote.
Gus is the novel’s round, dynamic protagonist who also serves as its first-person narrator. Gus used to live in Reno, Nevada, with his father, who worked as a glazier. After an unexpected trip to Disneyland, Gus’s father left him with his grandmother in Nowhere, Arizona, leaving Gus to regret that “no one in this world wants [him]” (116). Lonely and discouraged, Gus characterizes Nowhere as the “least livable town in the United States” (26).
Gus, an avid reader, describes himself as the “smartest person in [his] school” (33), and he often enhances the narrative with vocabulary like “ignominy,” “abyss,” and “claustrophobia.” Encouraged by his fifth-grade teacher, Gus has already prepared for the SAT, hopeful that a high score will help his admission to college. However, despite his academic success, Gus still worries about his size: His “smaller and weaker” build makes him an easy target for Bo (3), and he admits that most of Nowhere Elementary’s third graders are “capable of beating [him] up” (22). He’s also one of the only teenagers who hasn’t yet learned to race bikes, rendering him an outsider in his community.
Nevertheless, what Gus lacks in brute strength he makes up for in courage. For instance, Rossi remembers that Gus has confronted Bo three times, despite the latter’s prowess. Gus’s bravery precipitates the novel’s central plot, as Gus risks a trip into Dead Frenchman Mine to find the legendary gold and recover a bike belonging to Rossi, his secret crush. As Gus journeys through the cave, he realizes that his perceived shortcomings work to his advantage, as he can more easily navigate the cave’s tight spaces because of his small size. Indeed, Gus’s experience in the cave shifts his perspective entirely, improving his relationships and his self-esteem. For instance, he repairs his friendship with Jessie, opens up to his friends about his troubled childhood, and grows closer to Rossi, even discovering the strength to physically confront Bo. Gus verbalizes this change, too: Reflecting on the events in the mine and their aftermath, Gus accepts that he’s entered “another life.” Gus ends the novel in front of Nowhere Market, surrounded by friends and happy.
Rossi, another round character, is a 13-year-old newcomer to Nowhere. Rossi is a member of the Tohono O’odham tribe. She lives with her father, who works as a social worker at the Center for Youth, eager to reform the justice system. To supplement his income, Mr. Scott works the midnight shift at a gas station. Still, they suffer financially. For Rossi, who has only recently moved to Nowhere, “leaving the people [she has] known [her] whole life” has proven difficult (144), and she resents her new loneliness. Ultimately, Rossi hopes to escape from Nowhere and head down to Baja, Mexico, highlighting the theme of Escaping Oppressive Circumstances.
To cope with her troubled home life, Rossi races her dirt bike, selling scrap metal to afford equipment and spare parts. A skillful racer, Rossi “had been the first person to challenge [Bo]” when she moved to Nowhere (36). Indeed, Rossi’s passion for racing figures centrally in her identity: Rossi is nicknamed after Italian biker Valentino Rossi, whom Matthew celebrates as “one of the greatest motorcycle riders of all time” (92). As her rivalry with Bo mounts, Rossi hopes to win “the most important race of the summer” and earn a place in Breaker Bradley’s camp (36).
However, despite this passion, Rossi consistently prioritizes justice and ethics over the glory of racing. For instance, Rossi is willing to forfeit her bike to protect Gus’s safety, precipitating the novel’s central plot. Once lost in the cave, Rossi agrees to focus mainly on their escape and insists that “people are more important than metal and rubber” (149). Similarly, when the group finally escapes the cave and bumps into Mayor Handsome, Rossi declines a ride on his quad since Jessie is injured.
Rossi rarely lets her feelings overpower her and fiercely guards her privacy. For instance, when the group encourages Rossi to share her worst day, Rossi redirects the group’s attention. Later, as she vents to Gus about her father, Rossi insists that she doesn’t need him as much as the young people at the Center do. Gus suspects that Rossi’s toughness is merely an act, and Rossi herself has a tell: Whenever her hair loosens, it signals her vulnerability. Notably, when a bat tangles itself in Rossi’s hair, she screams, seeming less like a hardened racer and more like “a thirteen-year-old girl with a bat in her hair” (87). Similarly, when Bo slashes Rossi’s bike tires, her hair loosens, and she finally voices disappointment, saying, “There’s no way, Gus. It’s impossible now” (222). This subtle vulnerability complicates Rossi’s persona. When she finally triumphs over Bo—and wins a spot at Breaker Bradley’s camp—Rossi opens up even further, accepting Gus, Matthew, and Jessie as friends. As the novel closes, Rossi reveals that her real name is Loretta, suggesting a willingness to define herself apart from racing. With her head on Gus’s shoulder, Rossi finally rests.
Bo is a static character and the novel’s primary antagonist. Like the other major characters, Bo is a 13-year-old resident of Nowhere. In many ways, Bo is Gus’s direct opposite. For instance, whereas Gus describes himself as a “thirteen-year-old in the body of an eight-year-old with the mind of an eighteen-year-old,” he criticizes Bo as a “thirteen-year-old in the body of an eighteen-year-old with the mind of an eight-year-old” (2). Indeed, Bo often shuns academics and conventional intelligence in favor of brute strength. The very first scene of the novel develops this characterization, as Gus loses to Bo in a physical contest: Bo forces Gus’s face toward a jumping cactus. His physical domination also extends to dirt-bike racing; Bo cheats and prioritizes winning above all else. In this light, Bo emerges as a larger-than-life personality whose greed, spite, and brutality dominate Gus’s adolescence. Indeed, Gus admits that Bo appears more like a “lord” than a teenager, bolstered by “minions” like Matthew and Jacob.
A direct challenge to Bo’s tyranny precipitates the novel’s central conflict: Rossi, hoping to bargain for Gus’s safety, forfeits her bike to Bo. When Gus attempts to buy the bike back, Bo exercises his leverage and demands that Gus retrieve gold from Dead Frenchman Mine. Gus accepts Bo’s terms and begins a journey that will dominate much of the novel’s plot. While the group is in the cave, Bo is physically absent from the narrative but nevertheless haunts the group and their decision-making. They worry, for instance, that without any gold, Bo is “totally going to win” (109), and they take risks accordingly.
Bo reappears once the group has recovered the gold and successfully trekked back to Nowhere. Sitting astride his bike, Bo again offers a meaningful contrast to Gus and the other major characters: Whereas Gus and his friends have evolved, benefitting from a more robust understanding of friendship and self-identity, Bo is unchanged—he is still ignorant, vindictive, and mean. For instance, he demands “two pieces of gold” (217), slashes Loretta’s tires, and grabs Rossi’s handlebars to gain the advantage in their race. Despite such trickery, Bo loses the race. He is humiliated, but rather than portraying this as a satisfying outcome for a bully, Bowling reminds readers of Bo’s abusive home life. For instance, after the race’s end, Bo is roughly handled by Jack, his domineering older brother. Jack also warns him, brutally, that he might “end up like Dad” (240)—that is, in prison for murder. Earlier in the novel, Matthew had encouraged the group to consider that “maybe [Bo] wouldn’t be like he is if his dad hadn’t been so terrible” (111), evoking the theme of Transcending Family History. In revisiting this perspective, Bowling suggests that bullies are made, not born.
Jessie, a round character, is a fellow 13-year-old resident of Nowhere. A Mexican American, Jessie traces his roots back to José Navarro of Dead Frenchman Mine. At the novel’s beginning, Gus and Jessie are estranged: When Jessie awkwardly approaches Gus at Nowhere Market, Gus explains that they had been “good friends, best friends, actually, up until last year” (42). Then, Jessie grew closer with other Mexican American students at school, and Gus, a non-Spanish speaker, misinterpreted their conversations and started to feel insecure. Still, Gus impulsively confesses his plan to Jessie. Despite their estrangement, Jessie rallies Rossi and follows Gus and Matthew to the mine. He and Rossi join Gus and Matthew to search for the gold and seek an escape from the cave, which is an example of Conquering Challenges Through Cooperation.
At the onset of their journey, Gus and Jessie still struggle to overcome their misunderstanding. Nevertheless, Bowling hints at their shared history and suggests a lingering, if hidden, affection. For instance, when Gus awkwardly mentions his trip to Disneyland and Matthew begs him to elaborate, Jessie shoots him a knowing glance. Gus explains, “He knew why I didn’t want to talk about it. And I knew he wouldn’t betray my secrets, no matter what had gone on between us over the last year” (81). Ultimately, Jessie and Gus revive their friendship, and Jessie corrects Gus’s perception of their rift; Jessie hadn’t bad-mouthed Gus to his new friends but had regaled them with “funny stories about stuff [he has] pulled” (103). As Jessie shares his side of the story, Gus understands the foolishness of judging too quickly on the basis of incomplete information. This is a model of friendship that Gus and Jessie will extend to Matthew, who similarly defies their preconceptions.
In a last-ditch effort to recover the gold, Jessie finds Dufort’s hidden pistol and accidentally shoots himself in the foot. Supported by his friends, Jessie is able to escape the cave and recover at the local hospital, where doctors amputate his pinky toe. Jessie complains in his usual dramatic manner that he is “not a whole man anymore” and bursts into tears (251). Though Gus jokingly dismisses him as a “total lightweight” (252), Jessie’s response emphasizes the craziness of their adventure; in short, they have had a whirlwind 24 hours. Jessie ends the novel with his friends, on the steps of Nowhere Market.
Matthew is a fellow adolescent who ends up joining Gus on his adventure. Matthew traces his roots back to William Dufort, and like Jessie, he’s very aware of the Dead Frenchman legend. When the novel begins, Matthew functions mostly as a villain and seems similar to Bo. For instance, Gus introduces Matthew as one of Bo’s “cronies” and notes that his threats “echoe[] Bo” (3). Indeed, Matthew only accompanies Gus at Bo’s suggestion; describing himself as “[Gus’s] supervisor for the night” (51), Matthew functions as Bo’s proxy, representing his interests as they search for the gold. When the group first explores the cave, Matthew is similar to Bo in his meanness, aggression, and casual racism. For instance, Matthew insults the group as a “bunch of book nerds” (90), describes Rossi as a “thief” (93), scuffles with Jessie, and offensively encourages Rossi to use her “Indian sense” instead of respectfully referring to her specific tribal membership (166). In moments such as these, Matthew seems almost like a secondary antagonist, frustrating the group with his loyalty to Bo.
However, Bowling complicates this characterization as she expands on Matthew’s upbringing. Trapped in the crevice, Matthew remembers Valentine’s Day and his humiliation, revealing, too, that his mother had “beat [him] so badly with a belt [he] could barely walk for two days” (110). Intimidated by both his abusive mother and hostile peers, Matthew had decided, “I couldn’t take it at home and at school” (110). These revelations show that Matthew isn’t inherently malicious but merely protective of his own safety. In expanding upon Matthew’s characterization, Bowling suggests his capacity for redemption. Indeed, as the novel continues, Matthew sheds his resemblance to Bo and emerges instead as a giving, kind-hearted friend. For instance, Matthew carries a wounded Jessie across the lake, insists that they will “not [leave] anyone behind” (203), and, upon escaping, gives up his bike so that Rossi will be able to compete in the race. He even confronts Bo for his backhandedness, shocked on Rossi’s behalf. As the novel closes, Matthew joins Gus, Rossi, and Jessie as they enjoy free popsicles at the market. He even asks to “sit together at lunch” at school (255). At the novel’s conclusion, he is happy that his new friends have accepted him.
By Dusti Bowling