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34 pages 1 hour read

Stephen King

1408

Fiction | Short Story | Adult | Published in 2014

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Background

Literary Context: Gothic Horror

In a contextual note that appears before “1408,” Stephen King indicates that “1408” is his rendition of the “Ghostly Room at the Inn” story. This refers to a kind of horror story where the characters encounter supernatural or grotesque phenomena during their stay at a hotel. Other fictionists who have tackled this subgenre include English novelist Wilkie Collins in his 1879 novella The Haunted Hotel: A Mystery of Modern Venice and American writer Robert Bloch in the 1959 novel Psycho. In his contextual note, King suggests that all writers working to elicit “shock/suspense” (365) from the reader should attempt to write a story in this vein.

The Haunted Hotel Room story is an extension of the Gothic Horror genre, which began in Europe in the 18th century. Well-known Gothic stories, such as Charles Maturin’s Melmoth the Wanderer and the short fiction of Edgar Allan Poe, drew upon the idea that places are haunted by dark presences, whether natural or supernatural, that challenge the sociocultural norms of the times. Thematically, these stories typically critique either an idealized past or indulgent attitudes in the present. As a result, they are often eerie in tone and are set in decrepit and antiquated locations, such as medieval castles and large, empty houses.

“1408” uses Gothic elements to characterize the titular room, which challenges the central character’s skepticism and cynicism. The Hotel Dolphin is presented as a classy New York establishment of another age, whose guests come into town on Business Class flights while the bar pianist rattles off Jazz Age classics like “Night and Day.” Its dazzling facade is blemished, however, by one small spot—the haunted room 1408. The pattern of deaths that have occurred within this room suggests the possibility that a malevolent entity controls the room. Consequently, there have been few changes made to the room since its last guest in 1978. While all the other rooms at the Hotel Dolphin require a MagCard to open, 1408 remains outdated, requiring a physical key to unlock its door. Mike also finds a branded matchbook inside of the room, often seen as an object of a bygone time. This acts within the sphere of Gothic literature—King using an antiquated room to create an eerie setting that is both unique and unsettling, creating a tension in the story even on the surface level. The presence in 1408 is reportedly not a ghost, but something dark and unexplainable. Not only does this subvert expectations in what initially seems to be a ghost story, but also exudes a lack of detail to create something horrifying in the unexplainable. The reader is forced to fill in the blanks of what is happening in the room both in the deteriorating mind of Mike and perhaps in reality, if there is a difference. The minicorder is a particularly notable vessel for the Fear of the Unknown in King’s story, using technology to communicate a horror trope that goes back to much earlier Gothic literature.

Cultural Context: Spiritualism and the Haunted Hotel

There are a number of hotels across the United States that are purportedly haunted. The ghosts at these hotels are usually guests who died in its rooms as a result of violence, whether self-inflicted or caused by others. Conventional wisdom might suggest that this history would scare off potential customers from renting rooms at these establishments. However, the reverse is true. Paranormal enthusiasts will often visit haunted hotels in the hopes of finding concrete evidence of the afterlife, with some establishments even advertising its haunted history as a feature to draw new visitors.

To illuminate this cultural trend, one may refer to Spiritualism, a 19th-century spiritual movement that saw proponents attempting to contact ghosts in the afterlife and that had become hugely popular across America and Europe. Its influence was so outsized that some treated paranormal studies as a branch of science, allowing groups like the Society for Psychical Research in the United Kingdom to develop research tools to substantiate their claims. However, many skeptics accused Spiritualists of fraud, otherwise suggesting that any experience of the paranormal was far too subjective to replicate in a controlled scientific set-up. By the following century, Spiritualism’s popularity had faded away. However, many amateur “ghost hunters” have gone on to investigate haunted locations around the world today to collect and report their paranormal experiences, much like the character of Mike Enslin.

Stephen King wrote “1408” long after the emergence of spiritualism, but the thematic conflict surrounding Belief and Superstition, as well as Idealism Versus Cynicism, reflects the claims and criticisms of the spiritualist movement and its successors. Mike Enslin is deeply skeptical of the paranormal yet pursues his investigations to indulge the audience that supports him financially; Olin stops just short of accusing him of exploiting his readers’ fears and desires. Once he experiences an authentic haunting in 1408, however, he refuses to capitalize on the evidence he captures on his minicorder or to write about his experience at all. Although the story reaches no definite conclusions about Mike’s experience in 1408, this narrative arc suggests that it is dangerous to take belief lightly.

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